Tag: well-heeled

Exhibition on Screen
Turner & Constable

Post author By Jeremy Clarke
Post date 9 March 2026
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Turner & Constable
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Director – David Bickerstaff – 2026 – UK – Cert. U – 93m

****

A journey through the current Tate Britain show and art history about the two rival landscape painters – out in UK cinemas from Tuesday, March 10th

This latest Exhibition on Screen entry kicks off in uncharacteristic fashion with photographic shots of landscape (typical of views that used by painters Turner and Constable) accompanied by an excerpt from the poem Richmond by James Thomson (1834-1882), a favourite of both painters whose work will be similarly deployed (voiced by Robert Lindsay) at appropriate intervals throughout this documentary.

However, the film soon moves into more familiar territory with shots of present day London and of the Tate Britain’s current Turner & Constable exhibition, with visitors admiring some of the paintings on display. Amy Concannon, Manton Senior Curator, Historic British Art, Tate Britain, notes that this show represents the first time the two painters have been displays side by side on such a vast scale. Turner & Constable were born within a year of one another, which became a catalyst for the current show’s displaying them together.

Artist, writer and broadcaster Lachlan Goudie talks about the “dazzling” influence of both artists on the likes of Delacroix.… Read the rest

Tags 1768, 1802, 1806, 1815, 1819, 1820s, 1832, Alps, Amy Concannon, art, art exhibition, art historian, artist, artists’ sketchbook, bought and sold, British artist, British national consciousness, broadcaster, brushstroke, business, canal, castle, child prodigy, Claude Lorrain, commerce, Constable, Constable clouds, country, country boy, countryside, Covent Garden, critical attention, Curator of British Art 1790-1850, David Bickerstaff, declaration of peace, Delacroix. Nicola Moorby, drawing, East Anglia, Exhibition On Screen, fields and skies, France and England, French Revolution, grain exportation, grand scenery, hairdressing, hanging committee, Historic British Art, Impressionism, Industrial Revolution, inflections of light, Italy, James Thomson, Lachlan Goudie, landscape, landscape painting, light and shade, llandscape, lock gate, London, make money, Manton Senior Curator, milling, mountains, Napoleonic Wars, national consciousness, National Gallery, notes would enable him to construct artist’s studio, observer, oil painting, open fields, paint, painter, painting, painting in the studio, painting outdoors, plein air, political system, print shop, pub, RA, RA member, radical, railway engine, red light district, representation of light, Richard Johns, rival landscape painters, rivalry, River Stour, Robert Lindsay, Royal Academy, rural, science and technology, shop window, shop window display, sketchbook, social injustice, Somerset House, Suffolk, Tate Britain, the Lake District, the Louvre, theatre, tourist locations, travel, travel restriction, treaty, Turner, Turner & Constable, Turner’s sunsets, UK, University of York, upheaval, upward mobility, urban, urban type, viaduct, visual, visual research, Wales, war and peace, watercolour, well-heeled, wig-making, writer, yellow, yellow paint

Features Live Action Movies

Wuthering Heights
(2026)

Director – Emerald Fennell – 2026 – UK – Cert. 15 – 136m

***1/2

NSFW

Emily Brontë’s beloved fantasy romance gets a modern makeover with lashings of sex including some S&M – out in UK cinemas on Friday, February 13th

The late eighteenth century. A man is publicly hanged in a town square, with crowds in attendance. Among the onlookers, in a scene unlike anything else that follows it in terms of its scale (a cast of hundreds of if not thousands) is young urchin Cathy Earnshaw (Charlotte Mellington), relishing the spectacle alongside the other kids present.

Cathy lives with her father (Martin Clunes) and servants including young servant / companion Nelly (Vy Nguyen) in the family home Wuthering Heights on the Yorkshire Moors exposed to its treacherous weather of near constant rain, fog or snow. One night, father returns from the pub with a young boy he has rescued from being thrown out on the street by another customer. With the boy hiding in one of the upstairs bedrooms, Cathy goes to look for him only to be unexpectedly dragged under the bed in a moment invoking any number of horror movies. Under the bed, in the dark, she meets the boy (Owen Cooper).… Read the rest

Tags Alison Oliver, Amy Morgan, angry, bedroom, bridle, Charlie XCX, Charlotte Mellington, children, confidante, disapproving nun, doll maker, doll’s house, drunk, eighteenth century, Emerald Fennell, Ewan Mitchell, fog, friendship, gambling, hanging, hayloft, hill and valley, Hong Chau, illicit life, illiteracy, including sex, Jacob Elordi, Margot Robbie, marriage, Martin Clunes, master and dog, miscarriage, moles, neighbours, on the rebound, Owen Cooper, predictable sex, pregnant, pub, Punch & Judy, rain, religious slogan, romance, romantic fixation, routine, S&M, servant, sex scenes, sexual domination, Shazad Latif, snow, soulless sex, stabbed in the back, success, torrid affair, trash cinema, treacherous, treacherous weather, veins, Vy Nguyen, weather, well-heeled, Wuthering Heights, Yorkshire moors

Features Live Action Movies

The Housemaid
(Hanyo,
하녀)
(2010)

Post author By Jeremy Clarke
Post date 4 November 2021
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(Hanyo,
하녀)
(2010)
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Director – Im Sang-soo – 2010 – South Korea – Cert. 18 – 110m

****

The husband of a well-heeled family has an affair with the new maid, arousing the ire of his loyal housekeeper and ruthless mother – screening on Saturday, October 22nd, 17.15 at Odeon Luxe West End 2 as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also showing on BFI Player subscription

It’s inevitable that a South Korean film with this title invites comparisons with Kim Ki-young’s 1960 film of the same name, a watershed in Korean cinema. Whatever its virtues, Im Sang-Soo’s film can’t similarly be a watershed. If it’s based on that film as its end credits claim, it abandons the original’s central thesis. The housemaid here is not a social climber intent on seducing the husband. Rather, the family are part of the pampered super-rich elite, a small girl Nami (Ahn Seo-hyun, star of Okja, Bong Joon Ho, 2017) who takes having a maid for granted, a heavily pregnant wife Hae-ra (Woo Seo) who thinks the difficulties of having to raise children yourself are “for common people” and a husband Hoon Go (Lee Jung-jae from TV mini-series Squid Game, Hwang Dong-hyuk, 2021) who, unable to get full sexual services from his pregnant wife, seeks his pleasures with the new maid Li Eun-yi (Jeon Do-youn) who appears, initially at least, somewhat uncomfortable with the idea, but then goes with the flow.… Read the rest