Tag: war

Categories
Features Live Action Movies

Gladiator
(2000)

Director – Ridley Scott – 2000 – US – 15 – 155m

*****

UK Release 12th May 2000.

Initiated by screenwriter David Franzoni (Amistad, Steven Spielberg, 1997) at DreamWorks, this picked up definitive cinematic stylist Ridley Scott, who created the seminal futuristic cityscape of Blade Runner (1982). Elsewhere, Scott’s downside is that his visuals notoriously swamp character and plot. Thelma & Louise (1991), his best film in the interim eighteen odd years, sidestepped precisely this pitfall. Gladiator, however, is more like Blade Runner. The plot is fine as far as it goes – which is far enough to deliver a halfway decent, engaging dramatic potboiler – but far more importantly it gives Scott the perfect peg upon which to hang another superlative cityscape. In short, Ridley Scott does ancient Rome.

Set-up, plot resolution, characters and even the leading man’s look are borrowed wholesale from The Fall Of The Roman Empire (Anthony Mann, 1964). Russell Crowe (looking remarkably like the original’s Stephen Boyd) plays Roman general Maximus, unhappy that the late Caesar Marcus Aurelius (Richard Harris) has been succeeded by his unsatisfactory son Commodus (Joaquin Phoenix). Treachery is afoot as Maximus is sold into slavery as a gladiator to compete in Commodus’ lavish games at Rome’s amphitheatre.… Read the rest

Categories
Animation Features Live Action Movies

Invention
For Destruction
(Vynález Zkázy)

Director – Karel Zeman – 1958 – Czechoslovakia – Cert. U – 82m

*****

Blu-ray/DVD available from Second Run.

Review originally written as an entry for

the Aurum Film Encyclopedia: War (series editor: Phil Hardy).

Sadly, the book was never published.

Vynález Zkázy

aka

Invention For Destruction,

The Invention Of Destruction,

The Deadly Invention,

The Fabulous World of Jules Verne (1961, US version)

KRATKY FILM PRAHA | STUDIO LOUTKOVYCH FILMU GOTTWALDOV

Feature length trickfilm adaptation of Jules Verne’s novel Une Invention Diabolique is less about war itself than its causes – specifically scientists who work without regard for how their experimental research will be used by others. Professor Roche (Navrátil) is kidnapped from a sanitarium and taken by clipper (towed by a prototype submarine invisible from the surface) to the island of Back-Cup where mysterious captor Count Artigas (Holub) invites him to continue his research – a task the childlike scientist is happy to undertake. The professor’s travelling companion, research assistant and the film’s narrator Simon Hart (Tokos) wants by contrast to escape and warn the world of Artigan’s plans to attack using a giant gun.

Zeman shoots his film with an all-encompassing diversity of live action and animated techniques, mixing actors, natural history photography and studio sets (augmented by drawings of set sections matted into his locked-off frame) on the one hand with live action and stop-frame puppetry, animated models, drawings and any other method you care to name.… Read the rest

Categories
Features Live Action Movies

The Lord
of the Rings:
The Two Towers
(Extended Edition)

Director – Peter Jackson – 2003 (2002) – New Zealand – Cert. 12a – 225m

*****

(NB Extended Edition, in cinemas from Monday, July 27th 2020, 235m in cinemas due to extended frame rate = 225m version released on DVD 2004. Original theatrical cut: 199m)

This always had the problem that it’s the second film in a trilogy. If you think you might want to watch all three, you’ll watch the first movie. If you want to see how the story ends up, you might possibly jump straight in at the last movie (although to be honest, you’d be better watching the first movie The Lord of the Rings: The Fellowship of the Ring and then if you like it the other two as well.)

That said, both this second movie The Lord of the Rings: The Two Towers and the third film The Lord of the Rings: The Return of the King deal with the problem of opening the film admirably, in both cases doing so in creative ways. This one leaps back to Gandalf being dragged down a chasm by a Balrog in FOTR and then, once we think we’re getting closer to finding out what happened, has Frodo waken from a dream.… Read the rest

Categories
Features Live Action Movies

Military Wives

Director – Peter Cattaneo– 2019 – UK – Cert.12A – 112m

**

Available on Blu-ray and DVD from Monday, July 6th.

Currently streaming on iTunes, Amazon Prime and Curzon Home Cinema.

Twenty and a bit years after the hilarious British comedy The Full Monty (Peter Cattaneo, 1997) in which a group of unemployed male steelworkers reinvent themselves as a striptease act, director Cattaneo tries something similar with a group of soldiers’ wives on a British army base at the time of the Afghanistan War who, in order to deal with their isolation from their active service husbands, reinvent themselves as a ladies choir.

Where the men in the earlier film underwent a crisis of identity when they lost their jobs, the women here are by default defined by their absent husbands, waiting for the text messages that inform them their men are out of satellite contact until further notice or, worse, the knock on the door bringing news of their loved one’s death.

I review Military Wives for DMovies.org.

Available on Blu-ray and DVD from Monday, July 6th.

Currently streaming on iTunes, Amazon Prime and Curzon Home Cinema.

Categories
Animation Art Movies Shorts

The Physics
Of Sorrow
(Physique
De La Tristesse)

Director – Theodore Ushev – 2019 – Canada – 27m

*****

From the Annecy 2020 Online Animation Festival.

Available to watch on Amazon here.

Voice-over narration by Rossif Sutherland with the occasional line echoed by Donald Sutherland (or Xavier Dolan with Manuel Tadros in the French language version) accompanies extraordinary serial images. The verbals are adapted from the novel by Bulgarian writer Georgi Gospodinov and with echoes of reincarnation describe universal human and occasional other animal form experience of life. The opening minute or so (see the trailer) describes a person born in 1944 sheltering from English planes and bombing raids, a person born in the Bulgaria of 1968 who remembers the Prague Spring, a fruit fly who lives and dies in a day and the end of the dinosaurs.

This would probably be mesmerising were it just a radio broadcast or a sound file with the actors’ voices and sound effects, but Ushev accompanies his soundtrack with the most incredible images. Partly it’s the arresting content of the visuals he creates here and partly the technique used to realise them. A teenage boy falling in love with a circus acrobat girl who works days at a fairground shooting gallery.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Zero Impunity

Directors – Nicolas Blies, Stéphane Hueber-Blies – 2019 – France, Luxembourg – 95m

*****

From the Annecy 2020 Online Animation Festival

Framed by live action sequences of serial expert, journalist and activist talking heads projected on the sides of urban buildings or rural landmarks, this skilfully uses minimal 2D animation to tell the stories of victims of sexual violence in contemporary war zones. It’s intended as part of a wider, ongoing media project designed to bring accountability to the perpetrators of such acts who at the present time face zero impunity.

Stories include, from Syria, the 11 year old daughter of an alleged terrorist who was imprisoned for 45 days towards the end of which she was unexpectedly injected with hormones before being raped by (at least) one man before passing out.

A Ukranian woman is held captive in a house and coerced into sleeping with her captor. In bed, she feels something cold and metal in her crotch. It’s a bullet. Much is made of her captor’s pistol. He puts it on a table in front of her, knowing she won’t take it because, if she were to shot him, where would she go?

The US doesn’t come off well. Dick Cheney and the Bush administration know the difference between right and wrong but facilitated sexual humiliation techniques on male prisoners held in prisons such as Abu Ghraib in Iraq and Guantanamo Bay at home.… Read the rest

Categories
Animation Art Movies Shorts

The Battle Of San Romano

Director – Georges Schwizgebel – 2017 – Switzerland – 2m 26s

*****

The Battle Of San Romano is the fourth of 13 Original Short Films in the Annecy Festival 2020’s selection for We Are One: A Global Film Festival.

This film is based on the eponymous painting by Paulo Uccello in London’s National Gallery which has produced this helpful filmed talk about it. The painting’s subject matter is a 1432 battle between two regional Italian armies. The camera as we know it today didn’t exist at that time and had it done so, Uccello might anyway not have been very interested in using it to record an historical record as such. He seems to be more interested in constructing representational images, forms, and the illusion of three dimensional space.

What interests Schwizgebel is not so much the subject of the painting but the painting itself. It’s a study of the painting in much the same way that painters make studies of subjects with a view to exploring them, perhaps for use in a larger composition. Whether he is employing animation in quite the right medium is debatable. When I say medium, I mean that of the short film.

This short feels less like a film with a beginning, middle and end and more like a cycling loop of images which could go on for ever, so much so that I’ve found myself going back to it and re-watching in whole or in part.… Read the rest

Categories
Features Live Action Movies

Hurricane

Director – David Blair – 2018 – Poland, UK – Cert. 15 – 107m

****

In cinemas from Friday 7th September

Review originally published in DMovies.org

It’s too easy to take most British WW2 movies (e.g. Dunkirk, Christopher Nolan, 2017) and claim they bolster the idea of Brexit – Britain alone against the world, defeating the dastardly Germans and so on. Hurricane is different. Its Royal Air Force (RAF) pilots are refugees from the Polish Air Force, wiped out by the Luftwaffe in a mere three days and kept on ice by Britain’s xenophobic War Office following their arrival in England.

When they’re finally allowed into the air, these Poles turn out to be much better fighter pilots than the majority of Brits who are being slaughtered by the enemy at an alarming rate. Indeed, it’s the Polish pilots that turn the Battle of Britain around.

Hurricane is named after the RAF’s most widely used fighter aircraft…

Full review at DMovies.org.

Trailer:

Categories
Features Live Action Movies

The Human Condition
Trilogy
(Ningen
No Joken,
人間の條件)

The Human Condition I: No Greater Love (Ningen No Joken: Dai 1 Hen, 人間の條件・第一・第二部)

Director – Masaki Kobayashi – 1959 – Japan – Cert. 15 – 208m

The Human Condition II: Road To Eternity (Ningen No Joken: Dai 2 Hen, 人間の條件・第三・第四部)

Director – Masaki Kobayashi – 1959 – Japan – Cert. 15 – 181m

The Human Condition III: A Soldier’s Prayer (Ningen No Joken: Kanketsu Hen, 人間の條件・完結篇)

Director – Masaki Kobayashi – 1961 – Japan – Cert. 15 – 190m

*****

The following review originally appeared in Funimation UK.

—

Jeremy Clarke on a live action Japanese classic.

The main reason Masaki Kobayashi’s extraordinary trilogy The Human Condition has been scarcely seen in the West is its daunting nine hours plus length. That’s no longer the case thanks to its UK release on DVD and Blu-ray.

The trilogy’s three constituent films released two in 1959 and one in 1961 clock in at over three hours apiece which makes it long by any standard. Ostensibly three films spread over three discs in the new release it is to all intents and purposes one very long movie helpfully broken into six numbered parts of roughly equal length. This big screen cinema release viewed on a home cinema platform today stands up well alongside many contemporary TV mini-series.… Read the rest

Categories
Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m

*****

(NB Extended Edition, in cinemas July 2020, 252m version released on DVD 2004)

This review was originally published in What’s On In London.

A much longer review appeared in Third Way.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Peter Jackson and co-screenwriters Boyens and Walsh rise admirably to the considerable challenges posed by The Lord of the Rings’ third and last volume. Gandalf comments early on that Saruman no longer has any real power, jettisoning that evil wizard (and Christopher Lee) plus related Scouring Of The Shire plot strand to make Tolkien’s lengthy section following the Mount Doom climax more manageable

However all the book’s requisite material is here, brilliantly condensed. The Mount Doom scene itself – far too quick in Tolkien after the incredible build up preceding it – is expanded and so given the necessary dramatic weight. Liberties taken with The Paths Of The Dead likewise serve the narrative well. Jackson’s opening is as unexpected and stunning as that of The Two Towers, while his finale effectively pictures Tolkien’s closing metaphor for life after death.… Read the rest