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The Substance

Director – Coralie Fargeat – 2024 – US – Cert. 18 – 140m

****1/2

Hollywood star Elisabeth Sparkle (Demi Moore) hosts a network TV keep fit show, but she’s getting on in years – and so is her audience. The show’s producer Harvey (Dennis Quaid) has decided that younger talent is needed in order to attract a younger audience, and gives her the elbow. By a quirk of fate or screenplay, a mailshot about something called The Substance arrives in her penthouse apartment. It’s some sort of beauty product, although the high-end design of the blurb doesn’t explain exactly what it is or what it does. There’s a phone number.

Elizabeth’s identity is bound up with the former show. She calls the number. She engages in conversation with the unseen voice on the other end of the phone. She decides to give The Substance a try. She is told to write down an address. Later, she is sent locker card key number 503 and instructed to collect her package from that address. It turns out to be a derelict entrance with a shutter that only opens part way to about a yard in height, meaning you have to duck under it.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Stardust

Director – Gabriel Range – 2020 – UK – Cert. 15 – 109m

****

In 1971, an unknown David Bowie tours America to promote his new album The Man Who Sold The World – on VoD from Friday, January 15th

The late David Bowie remains one of the most significant and iconic musicians, artists or stars of the last century. Aside from numerous clips of him performing music or being interviewed of radio or TV, he has a presence in a number of films, among them science fiction adventure The Man Who Fell to Earth (Nicholas Roeg, 1976) and Japanese POW outing Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983). So if you’re going to try and recreate Bowie on film, you’d better be sure of what you’re doing.

On paper, Stardust seems to be doing everything right. Director Range is first and foremost a Bowie admirer familiar with the music, the albums, the wider body of work, the man. You’d have to be in order to make a film like this. And he’s honed in on a particular episode of Bowie’s life – a very interesting one too, the period in the early seventies when he was known for little more than two seeming novelty records, The Laughing Gnome and Space Oddity, the latter now widely regarded as one of his finest songs.… Read the rest

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Features Live Action Movies

2001:
A Space Odyssey
(50th anniversary,
70mm)

Director – Stanley Kubrick – 1968 – UK – Cert. U – 149m

*****

“Dave, do you mind if I ask you a personal question?” Fifty years after its original release, the SF movie considered by many the greatest ever made returns to UK cinemas in 70mm – exclusively at Picturehouse Central for two weeks from Friday 18th May, 2018

2001: A Space Odyssey is back in a brand new 70mm print struck from new printing elements made from the original camera negative. Like known champion of physical celluloid over digital print Christopher Nolan who was involved in the process, I saw the film in a cinema as a boy with my father, although in my case I saw one of its many reruns in the seventies. Nevertheless, I relish the chance to go back and see this brand new ‘unrestored’ 70mm print because it recreates what audiences saw on release, no remastering, re-edits or redone effects… [Read more]

2001: A Space Odyssey (70mm)is back out in the UK on Friday, May 18th. Watch the film trailer below:

Review originally in DMovies.org.