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Art Documentary Features Live Action Movies

Exhibition on Screen
Van Gogh
Poets & Lovers

Director – David Bickerstaff – 2024 – UK – Cert. 12a – 90m

*****

Fascinating journey through Van Gogh’s two plus years in Arles and Saint-Rémy in the South of France through his paintings of 1888-90 (collected in the current National Gallery exhibition) and readings from his letters – out in UK cinemas from Wednesday, November 6th

This is the latest offering in Exhibition on Screen’s excellent series of films about art, which usually tie in with some current, recent or upcoming art exhibition. In this case, the tie-in is with the National Gallery’s current offering Van Gogh – Poets & Lovers, and on one level the film follows EoS’ tried and tested template of shooting footage of the exhibition and paintings along with interviews with exhibition curators (in this instance, Cornelia Homburg and Christopher Riopelle) and assorted artists, critics or other biographers.

It also incorporates footage of actor Jamie de Courcey playing Vincent van Gogh – more as shots from moving visual tableaux than anything else (a form of filmic illustration, if you will) – the actor isn’t required to speak dialogue – to break up the whole and make it more manageable by the viewer.

Vincent van Gogh who, as Homburg notes early on, had within 25 years of his death become the best known artist in the world, is something of a gift to anyone making a film about him.… Read the rest

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Documentary Features Live Action Movies

Catching Fire:
The Story of
Anita Pallenberg

Directors – Alexis Bloom, Svetlana Zill – 2023 – US – Cert. 15 – 113m

***1/2

The chaotic life of the archetypal rock chick, told through her own words and those of her children – out in UK cinemas on Friday, May 17th

After her death in 2017, Anita Pallenberg’s two surviving children Marlon and Angela discovered a manuscript; she had written an autobiography. Marlon worked his way through it as part of his bereavement process and was so taken with the articulate text that he sought out producers to turn it into a film. (He is one of the film’s executive producers himself, while both directors are credited as among the producers). Numerous clips from an interview with him are used in this resultant documentary, along with excerpts from Anita’s manuscript voiced by an actress, along with interview footage with Angela and verbal audio from Rolling Stones band member Keith Richards, Anita’s partner for a decade and the father of her children.

Like many of the young generation who rose meteorically to cultural prominence in the swinging sixties, Anita Pallenberg was a war baby. Her first years were accompanied by the sound of falling bombs; as she puts it, she didn’t learn to walk, but to run.… Read the rest

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Documentary Features Live Action Movies

Made in England:
The Films of
Powell and Pressburger

Director – David Hinton – 2023 – US – Cert. 12a – 129m

*****

Martin Scorsese talks about the seminal British filmmaking duo, and how they inspired his own movies – out in UK cinemas on Friday, May 10th

As a child, Martin Scorsese suffered from asthma and would constantly find himself at home while other kids were outside playing. He often found himself sitting front of the black and white TV watching a show called Million Dollar Movie. This would show a movie a week, playing it several times, and it was at a time when US producers wouldn’t sell their movie rights to TV but British producers would. Consequently, he grew up watching black and white versions of old British movies.

The ones he particularly liked opened with an arrow hitting a target: “a production of the Archers. Written, produced and directed by Michael Powell and Emeric Pressburger.” When this logo and these names appeared, Scorsese always knew he was in good hands. He watched these movies over and over again whenever they were shown, and learned much of his filmmaking craft from them. The first of these films to which he thrilled didn’t have this logo: it was the Alexander Korda production of The Thief of Baghdad (Ludwig Berger, Michael Powell, Tim Whelan, 1940) and parts of the film have the unmistakeable Powell visual stamp.… Read the rest

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Features Live Action Movies

The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest

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Features Live Action Movies

A Good Year

Director – Ridley Scott – 2006 – US – 12A – 118 mins

***1/2

A ruthless, successful Square Mile bond trader travels to Provence to sort out the estate he’s inherited from his late uncle – UK release date 27/10/2006

Back in the 1980s, British TV commercials spawned a number of hugely successful feature film directors, with Scott arguably the most talented. A great visual stylist, his impressive filmography includes the seminal (Alien, 1979; Blade Runner, 1982; Thelma & Louise, 1991), the blockbuster (1492: Conquest Of Paradise, 1992; Gladiator, 2000; Kingdom Of Heaven, 2005) and the forgotten (Black Rain, 1989; White Squall, 1996; G.I. Jane, 1997). Scott is perhaps the archetypal ‘style over content’ director: his impressive visuals often threaten to overpower everything else, yet his sense of style invariably makes anything he does worth a look. A film-maker, in other words, of extreme contradictions.

The end of that same era saw highly regarded London advertising man Peter Mayle relocate to the South Of France to pen a series of books about that region starting with the bestselling A Year In Provence.

Scott and Mayle have known each other since the eighties advertising boom.… Read the rest