night streets Archives - Jeremy C. Processing

Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The Assassin, Hou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium Mambo, Hou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate Bridge, Tsui Hark, 2022; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

Nowhere to Hide
(Injeong Sajeong
Bol Geot Eobtda,
인정사정 볼 것 없다)

Director – Lee Myung-se – 1999 – South Korea – Cert. 15 – 100m, 113m

***1/2

A cop determinedly pursues a gangland killer in a city where, since he committed the murder for which he is bing hunted, it always appears to be heavily raining – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Effectively a four-hander – an impulsive detective, his partner on the force, a ruthless killer gangster and his long-suffering girlfriend. Like a slobbish, South Korean version of Chow Yun-fat without the charm, Park Joong-Hung is the Oriental action movie homage-named Inspector Woo, who before the titles have rolled has pursued a black-clad gang into an underground train for a machete fight, shot in stylish, bleached black and white for no apparent reason.

The ground is covered in Autumn leaves, recalling The Conformist (Bernardo Bertolucci, 1970). The downtown location of public stairway 40 Steps has a schoolgirl look up and see it begin to rain, the torrential downpour continuing for the two months and more of the remainder of the narrative. A man leaves his car to ascend the steps; halfway up, he approaches another man (Song Young-chang) and kills him, even as the victim stretches out his hand in a futile attempt to keep his murderer’s knife at bay.… Read the rest