Maggie Gyllenhaal Archives - Jeremy C. Processing

Director – Maggie Gyllenhaal – 2026 – US – Cert. 15 – 126m

In 1930s Chicago, Frankenstein’s monster seeks love and companionship, so a dead girl, possessed by the spirit of Mary Shelley, is reanimated as his Bride – out in UK cinemas on Friday, March 6th

Stuck for eons in a black and white limbo, having died of brain cancer after writing the novel Frankenstein – perhaps the novel was part of a brain tumour – and feeling that she’d not managed to say within it what she needed to say, the departed spirit of Mary Shelley (Jessie Buckley from Hamnet, Chloe Zhao, 2025; The Lost Daughter, Maggie Gyllenhaal, 2021; Misbehaviour, Phillippa Lowthorpe, 2020) observes the world of the living, in colour, and enters it to take possession of a living woman in 1930s Chicago through whom she intends to say what still needs to be said. She picks the fearless and vivacious Ida (Buckley again) in the orbit of ruthless gangster Lupino (Zlatko Burić from Superman, James Gunn, 2025; Triangle of Sadness, Ruben Östlund, 2022; Pusher, Nicolas Winding Refn, 1996).

Being fed one oyster too many in a nightclub, Ida wilfully throws up over one of Lupino’s men.… Read the rest

Secretary

Director – Steven Shainberg – 2002 – US – Cert. 18 – 106m

*****

A Snake Of June (Rokugatsu No Hebi, 六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Double DVD review originally published in Third Way, February 2004.

The cover image (rear view of a female figure in tight, short skirt and stockinged legs, bent down, hands grasping ankles) suggests titillation, but the American production Secretary is actually a serious drama – albeit one laced with a healthy dose of black humour – about a sadomasochistic relationship. But beneath its fetishistic surface, it is something else – an exploration into why two specific people (and why they in particular rather than any others) make one flesh. And how that works for them if the two people are initially in some way damaged (as we all are).

Although from a very different culture, its Japanese counterpart A Snake Of June – made by the experimental cyberpunk auteur Tsukamoto (of Tetsuo: The Iron Man fame) – explores much the same territory. Being small, low budget productions frees both films from mass, multiplex mainstream audience demands, allowing their directors to instead tackle (inter)personal relationship issues in depth.… Read the rest