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Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

Categories
Features Live Action Movies

Dogme 2:
The Idiots
(Idioterne)

Director – Lars von Trier – 1998 – Denmark – Cert. 18 – 117m

*****

A woman joins a community of free-spirited, self-designated ‘spassers’ – people who pretend to be mentally handicapped in order to free their ‘inner idiot’ – back out in UK cinemas on Friday, Aug 18th

NSFW

After he had wowed the film world with Breaking The Waves (1996), von Trier in company with fellow Danish director Thomas Vinterberg set out the film making manifesto Dogme 95 and an accompanying ‘vow of chastity’ in an attempt to throw off the constraints and limitations with which conventional, commercial film production had become encumbered. The manifesto itself was a set of rules, or, if you will, constraints, aimed at freeing up filmmaking practice for the purposes of creativity. These included the direct recording of sound, shooting only in the Academy 35mm format, no set building or augmenting sound or image in post-production but only using locations, and no director’s credit. The vow of chastity eschewed good taste along with the idea of the ‘artist’ and their ‘work’ in favour of “forcing the truth out of characters”.

Some 35 films were shot and ratified under this manifesto between 1998 and 2005.… Read the rest