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Queer

Director – Luca Guadagnino – 2024 – Italy, US – Cert. 18 – 135m

*****

A journey through the gay fleshpots of Mexico City leading, through illness, to a deeper jungle wherein can be found a drug that will enhance telepathy – challenging William Burroughs adaptation with Daniel Craig & Lesley Manville is out in UK cinemas on Friday, December 13th

Bookended with a prologue and an episode, this is a narrative split into three separate sections or chapters. In the first, set in Mexico City, fortysomething Bill Lee (Daniel Craig) spends his days and nights drinking in bars like Ship Ahoy frequented by (mostly younger male) US ex-pats. He talks with friends such as Joe Guidry (Jason Schwartzman), he watches newcomers, he attempts, sometimes successfully, to pick some up. He is taken with Eugene Allerton (Drew Starkey), and the pair embark on an intense physical relationship. Lee persuades Eugene to accompany him to South America, with no stipulation other than Eugene “be nice” to him a couple of times a week.

In the second, on the trip Bill goes down with a nasty case of the chills. In the third, following his eventual recovery, he asks around about a drug called Yaga he understands can facilitate telepathy, the pair trekking deep into the jungle to find biologist Dr.… Read the rest

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Alien
Romulus

Director – Fede Alvarez – 2024 – US – Cert. 15 – 119m

*****

A group of young people escape from a planet housing a repressive, corporate mining colony in search of something better … only to find something worse… – latest SF horror franchise entry is out on digital on Friday, October 18th following its release in UK cinemas on Friday, August 16th

The Alien franchise, after quite literally bursting onto cinema screens with Alien (Ridley Scott, 1979), then having lost its way somewhat on Alien3 (David Fincher, 1992), picked up again somewhat on Prometheus (Ridley Scott, 1979), and now settled title-wise into the sensible enough format of Alien: Ship’s Name, delivers a new entry made by a writer-director, Fede Alvarez, who understands the franchise enough to both put in everything required of it and throw in some innovative ideas without compromising its essence.

The first 20 or so minutes, arguably the best thing here, could equally easily have opened a science fiction epic unrelated to the franchise. A young woman Rain (the terrific Cailee Spaeny from Civil War, Alex Garland, 2024) is trapped on a planet where the sun is permanently hidden owing to pollution caused by the corporation’s mining operation.… Read the rest

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Meet the Feebles

Director – Peter Jackson – 1989 – New Zealand – Cert. 18 – 97m

**

Offbeat special effects puppet movie proves a let-down despite inventive filmmaking – review originally published in What’s On in London, March 1992.

Walrus producer Bletch (voice: Peter Vere Jones) wants to take his crummy stage show Meet the Feebles onto syndicated television. Unfortunately, he’s switched amorous attentions from leading lady Heidi the Hippo (Danny Mulheron; voice: Mark Hadlow) to Samantha the Siamese Cat (voice: Donna Akersten) – only Heidi hasn’t got the message yet.

Robert the Hedgehog (voice: Mark Hadlow) arrives from method acting school eager to sample this glamorous backstage world; through rose-tinted vision, he falls in love with chorus girl Lucille the dog (voice: Mark Wright). Bletch’s P.A. Trevor the Rat (voice: Brian Sergent) shoots porno movies in the basement and has other plans for her. [His leading lady Daisy the Cow (voice: Stuart Devenie) is on her last udders.]

By now, you’re probably starting to get the idea. The effect is not dissimilar to watching The Muppets reconceived in terms of excessive sex and violence.

The brains (if that’s the right word) behind this dubious enterprise is New Zealand’s amazingly talented Peter Jackson, whose Bad Taste deservedly achieved cult status.… Read the rest

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Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest