Categories
Features Live Action Movies

Finding The Way Back

Director – Gavin O’Connor – 2020 – US – Cert. 15 – 108m

***

Available on VoD from Friday, July 10th

Jack Cunningham (Ben Affleck) has a drink problem. He separated from ex-wife Ange (Janina Gavankar) over a year ago. With his life going nowhere, Jack gets a phone call asking him to drop in on the Catholic school where he used to play baseball which turns out be be a job offer for team coach since the incumbent has just unexpectedly had a heart attack. Jack used to be the team’s star player back in the day, but he isn’t sure if he should take the job.

Anyway, he goes for it and finds himself building a bunch of no hope kids into a winning team. He has to fire one who turns up late for practice and build the confidence of the best player on the team who doesn’t believe he should be team captain. He has to stop swearing because it’s against school policy and he must deal with his drinking problem before it gets the better of him. He has bigger personal issues to confront as well– there are reasons why he drinks.

This deceptively ordinary drama accomplishes everything it sets out to do and will hold your attention throughout.… Read the rest

Categories
Features Live Action Movies

A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

Trailer: