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Koko-di Koko-da

Director – Johannes Nyholm – 2019 – Sweden, Denmark – Cert. 18 – 86m

***

Streaming exclusively on BFI Player (extended free trial offer here) and released on Blu-ray from Monday, September 7th

A bizarre procession through the woods. A man in a light summer suit, spats and a boater (Peter Belli) cheerfully and enthusiastically sings a song about “my rooster is dead, never again will he sing, koko-di, koko-da” (‘da’ is pronounced ‘day’). Behind him walk a tall, black-haired woman (Brandy Litmanen) with a dog on a lead and a thick set man (Morad Khatchadorian) carrying a dead dog. The man with the boater’s attitude is one of delight yet here he is singing about the death of a bird. Most unsettling.

This procession will later intrude on the lives of the central characters, couple Tobias (Leif Edlund) and Elin (Ylva Gallon). Their daughter Maja (Katarina Jakobson) is attracted to a traditional toy that plays the same nursery rhyme that the procession sings.

The family go to a holiday resort with entertainers. In the restaurant, mum gets sick. Food poisoning? Allergic reaction to mussels? She’s airlifted to hospital and slowly recovers. In the hospital, on the morning of Maja’s birthday, Maja doesn’t wake up.… Read the rest

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Lucid

Director – Adam Morse – 2018 – UK – Cert. 15 – 86m

***

Available on Sky, Virgin, iTunes, Amazon, Xbox, PlayStation, Microsoft from Monday, September 7th

After his clearly well-heeled mother (Sadie Frost) gives Zel (Laurie Calvert) a thick envelope of notes for the last time, he goes out and gets himself a job as car park attendant at an exclusive members club. This involves sitting in a small booth with a window and making the monied customers feel welcome as they drive in in their flash cars. It also involves putting up with smart-suited but boorish boss Theo (Cristian Solimeno) although the latter’s girlfriend Kat (Sophie Kennedy Clark) proves considerably more friendly.

Meanwhile, Zel has developed a crush on Jasmin (Felicity Gilbert), one of his fellow residents in the block in which his flat in one of the more upmarket bits of Central London is situated, but is too tongue tied to do anything about it. He makes the acquaintance of another neighbour Elliot (Billy Zane), a therapist who offers, for free, to coach him in lucid dreaming, i.e. dreams in which the dreamer is fully conscious. These provide the dreamer with a safe space, for example to talk to a member of the opposite sex they fancy.… Read the rest

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Misbehaviour

Director – Philippa Lowthorpe – 2020 – UK – Cert. 12a – 106m

*****

Women’s Liberation activists disrupt the 1970 Miss World contest in London, in a real-life story starring Keira Knightley – on DVD from Monday, September 7th. Also on Amazon and iTunes.

One of the great achievements of the British historical drama Misbehaviour is that it recreates a single event on which two separate stories hang. The 1970 Miss World competition coincided with the rise of not only the nascent women’s liberation movement but also increasing international unease with South Africa’s Apartheid regime.

The pitfall awaiting anyone writing a script about all this (or directing one) is that it means constantly walking a tightrope, getting the balance right so that justice is done to both intertwining narratives. It is to Misbehaviour’s great credit that it manages to pull off this difficult feat.

The two narratives are very much an insider’s and an outsider’s view of the contest… Read the rest

Originally published in DMovies.org. Misbehaviour is available on DVD from Monday, September 7th. Also on Amazon and iTunes.

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Categories
Movies Music

On Bach,
Beethoven,
Bill Nelson
and spiritual outlook

Published to coincide with the Bandcamp download release of Bill Nelson’s album And We Fell Into A Dream.

A year or so back, I was fortunate enough to attend a fascinating discussion group at Tottenham Quakers. The brief was ‘A piece of music, writing, art or other inspiration which reflects your spiritual outlook – please bring something along that you are happy to talk about or just bring yourself along!’ So we had a small stone used as an aid to bereavement – actually the only physical object anyone brought along, everything else was one way or another mediated through various pieces or recording, translation or delivery technology – three pieces of music and one set of extracts from the Gospels, chiefly the story of the woman caught in adultery.

The latter was, for its presenter, a way of showing how spot on some of Jesus’ comments and actions were in regard to the human condition, whether or not you bought into the wider package of Christianity.

Two of the three pieces of music were sourced from movies, at least that was how those who brought them had discovered them.

Bach chamber piece ‘Double Concerto D Minor for Violins Second movement – Largo Ma Non Tanto’ from Children Of A Lesser God (Randa Haines, 1986), incidentally an adaptation of a stage play, was for its teacher character the most beautiful thing he had ever heard which he wanted to share with a student.… Read the rest

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Les Misérables

Director – Ladj Ly – 2019 – France – Cert. 15 – 104m

****

Exclusively in cinemas from Friday, September 4th

Although this takes its title from Victor Hugo’s eponymous novel, it’s not really an adaptation except in the loosest possible sense. It ends on a quote from the book:

“There are no bad plants, nor bad people – only bad cultivators.”

What it DOES have is a poor underclass and a bunch of cops whose job it is to keep them in order and keep the peace. An optimistic prologue shows the whole of France watching a world cup match and celebrating as France wins – a joyous, transcendent occasion and an example of how things could or ought to be.

Then it quickly shifts gear: three cops in their car patrol a poor housing estate. Chris (Alexis Manenti) is white with an in your face, tough guy approach that commands the residents ‘respect’. The equally tough and no-nonsense Gwada (Djebril Zonga) is black, generally more conciliatory and better at negotiating with local people on the ground. Newcomer Ruiz (Damien Bonnard), in his first day on the job, hails from the countryside and finds himself at odds with the approach of the other two, particularly Chris.… Read the rest

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Sócrates

Director – Alexandre Moratto – 2018 – Brazil – Cert. 15 – 71m

*****

In selected UK cinemas and digital rental platforms including Barbican Cinema on Demand, BFI Player, Curzon Home Cinema and Peccadillo Player from Friday, September 4th

It’s morning in coastal São Paulo. Sócrates (Christian Malheiros), 15, goes in to see his mum in her room. But she doesn’t wake up. He is consumed with grief. The lady social worker talks to him, but his emotions are so consuming he can’t hear her. She tells him, if a guardian can’t be found, he’ll be put in a home.

He doesn’t want that, but if he’s to stay where he is, the rent has to be paid. He works his mum’s literally crappy job cleaning lavatories with a co-worker, but the boss won’t give Sócrates his mum’s money, she must collect it in person. He prints out fliers of his resume, negotiating a three payments of 50 cents deal with the shop manageress, and hands them out. He gets a lead on a shop that’s hiring and lies about his age on the form, an untruth that will disqualify him for the job when they fact-check.

A thick, red comb in the bathroom holds some of his mother’s hair.… Read the rest

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Air Doll
(Kuki Ningyo,
空気人形)

Director – Hirokazu Kore-eda – 2009 – Japan – Cert. 18 – 111m

****

Fantasia Film Festival 2020 virtual edition from Thursday, August 20.

An unusual film for director Kore-eda, closer to After Life (1998) than almost anything else he’s done because of both fantasy element and whimsical tone. An inflatable sex doll is affectionately cared for by its owner Hideo (Itsujo Itao) who has sex with it at night. He has named the doll Nozomi after a former girlfriend. One morning when he’s at work, Nozomi wakes up as a flesh and blood woman played by Doona Bae, goes to the window and feels rainwater on her hands.

Nozomi tries on some of her (sexualised fetish) clothes, settling on a chambermaid costume. She heads out into the world, where everyone is busy getting to school or work. She follows an old widow (Sumiko Fuji) around, then a party of young schoolchildren. She passes an old man in a park. Eventually she stumbles into the video store where Junichi (Arata) works. The shop appears to her as a wonderland and she lands herself the counter assistant’s job. However she’s not very good at it, her experience of life being virtually nil and her knowledge of movies even less.… Read the rest

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The Bold,
The Corrupt
And
The Beautiful
(Xue guan yin,
血觀音)

Director – Yang Ya-che – 2017 – Taiwan – Cert. 15 – 112m

*****

A dysfunctional family, a property investment scam and sex and drugs meet head on in this impressive, female character-driven Taiwanese drama-thriller – exclusively in these cinemas for three days from Friday, September 4th

One family, three generations of women, each with their own demons. Middle aged matriarch Madame Tang (Kara Wai) is in the process of setting up illicit property deals with a network of corrupt state officials to the tune of $3m Taiwanese. Her scheming daughter Tang Ning (Wu Ke-Xi, writer and star of Nina Wu / 2019) is involved in sexual intrigues and addicted to a lethal mixture of drink and prescription meds. Teenager Tang Chen (Vicky Chen Wen-chi) seems both incapable of forming healthy relationships of any sort with other people and constantly spying on them through gaps in doors or curtains – or just by being in places she’s not really wanted.

Tragedy befalls the Lins, one of the families involved in Madame Tang’s scheme, when they are shot dead in their family home by intruders. Somehow their teenage daughter Pien (Wen Chen-Ling) survives the massacre. Her boyfriend Marco (Wu Shu Wei) is the murder suspect.… Read the rest

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By The
Grace Of God
(Grâce À Dieu)

Abuse in church

By the Grace of God (Grâce à Dieu)
Directed by François Ozon
Certificate 15, 137 minutes
London Film Festival, 5 and 6 October
Released 25 October

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Over two hours long, this gripping and hugely topical affair dramatises the scandal of child abuse at Catholic summer camps over 20 years ago in the diocese of Lyon, France. The case has shaken the Church there since it became public in recent years. Despite Father Bernard Preynat (Bernard Verley) admitting his guilt, his superior, Cardinal Barbarin (François Marthouret) failed to curtail Preynat’s access to children thereby enabling his abuse of more victims in the ensuing years.

At a press conference, the cardinal uses the phrase ‘by the grace of God’ about the statute of limitations on many of the abuse cases. He is immediately criticised for the comment but it reveals how Barbarin is concerned more with protecting the institution of the Catholic Church than in caring for his flock.

Writer-director François Ozon constructs his narrative around three survivors… Read the rest

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Trailer: