Tag: trapped

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Animation Live Action Movies Shorts

Letter to a Pig

Director – Tal Kantor – 2022 – France, Israel – 17m

*****

Under the watchful eye of an authoritarian teacher, as a class of bored teenagers listens to a visiting Holocaust survivor recount his experiences, one of their number daydreams about the pig with which the survivor shared a barn – nominated for Best Animated Short at the 2024 Academy Awards, VoD details below review

A figure (voice: Indra Maharik) with one shoe flees, running through a forest. “Nothing mattered”, says the old man sitting, his hands clasped together on the desk, in front of the schoolroom of bored Israeli teenagers. Haim (voice: Alexander Peleg) is recounting his experiences under the Nazi regime, but the teenagers would rather be somewhere else. Haim tells how he fled to a barn, where the pig there effectively saved his life. The severe teacher (voice: Ayelet Margalit) ejects one of them for remarking, “oink, oink”. Haim, recounting the past, talks about people capable of hate not deserving to live; he has clearly been unable to forgive those who acted on behalf of the Nazi regime.

Drifting off into a reverie, in her mind’s eye, one girl (voice: Moriyah Meerson) sees the SS send a pig to pursue the boy through the forest.… Read the rest

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Features Live Action Movies

Blank

Director – Natalie Kennedy – 2023 – UK – Cert. 15 – 94m

****

Struggling with writer’s block, a successful author checks in to an AI-controlled retreat facility only for a virus to wreak havoc on the software which runs it, turning her into a prisoner – out on UK digital download from Monday, January 8th

Successful writer of pulp horror fiction Claire Rivers (Rachel Shelley) has writer’s block. And a deadline. And is being hassled on the phone by her agent, Alice (voice: Tamsin Jeffrey). She has a month, and Alice can’t keep fobbing off her publisher. Claire needs to get round whatever the problem is. So Claire accepts that invitation to a writer’s retreat she’s been avoiding.

Now, this is now ordinary retreat – it’s run by AI. Once there, her hand is scanned to open the door. She’s met by a charming man (Wayne Brady) – or rather, a holographic projection of a charming man, who informs her that her personal concierge is being set up as he speaks. So Claire meets Rita (Heida Reid), an android who unpacks her things for her. And who almost – but not quite – interacts with her. There’s some something quite odd about Rita.… Read the rest

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Features Live Action Movies

127 Hours

Director – Danny Boyle – 2010 – US – Cert. 15 – 93m

UK release date 07/01/2011, cert. 15, 93 mins

The trailer for this gives a pretty good impression of about its first third. Experienced, youthful and single outdoor explorer Aron Ralston (James Franco) mountain bikes through the Utah landscape, meets a couple of girls and shows them an incredible underground lake, continues on his merry solo way until, rock climbing, he slips down a crevasse where a falling boulder pinions his wrist…trapping him for the eponymous and subsequent 127 hours / the rest of the film.

Where Buried (Rodrigo Cortés, 2010) relentlessly encased its leading man in a coffin from opening to closing frame, 127 Hours not only starts off in wide open landscapes but also punctuates its narrative with memory flashbacks, dreams and visions. Thus, when you see Aron freeing himself, you’re not initially sure whether he’s actually doing so or merely imagining it in his head. Such devices provide space to deal with the transcendent in a way that Buried never really did.

If Buried is a horror movie (will he survive being buried alive? can he escape?), 127 Hours starts off as outdoor adventure then veers into the question of: if you knew for certain you were going to die, what would you want to do with the ever decreasing amount of time you had left?… Read the rest

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Features Live Action Movies

Asteroid City

Director – Wes Anderson – 2023 – US – Cert. 12a – 104m

***

A stage play frames a tale of various characters in a 1950s US desert town, built on the site of an asteroid impact, which becomes the centre of a cover-up after an alien appears – out in UK cinemas on Friday, June 23rd

Iconoclast Anderson’s latest is being sold as one thing by its trailer, when it’s actually something else. And watching the film, that something else completely threw me. What we are being sold via the standard letterboxed movie framed image is, a 1950s family trapped in the town of Asteroid City, USA when their car irreparably breaks down, then the entire (not very large) population including visitors imprisoned there following an incident with an extra-terrestrial spaceship and an alien. The overall tone is of whimsy, but maybe there’s something unsettling and disturbing about it too.

Anderson’s movies have never been about photorealism as much as artifice, which is part of their undeniable charm. Perhaps that’s even more true of Asteroid City than most. The costumes, the production design, have gone for a very particular, stylized look. This is fifties American desert romanticised into pastel-shaded eye candy, and if all that were required of going to a movie were to sit down in your seat and soak up the scenery, then provided you’re not the type to insist on photo-representational accuracy, this would be a winner hands down.… Read the rest

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Features Live Action Movies

Underground
(Souterrain)

Director – Sophie Dupuis – 2020 – Canada – Cert. 15 – 97m

**

A tale of friendship, loss and regret plays out against the working lives of miners – out in cinemas and on Virtual Cinemas and VoD from Friday, August 20th

A vast, modern, industrial mine in the French-speaking part of Canada. An explosion is heard, so a rescue team is put together to go and extract the trapped workers. Max, full name Maxime (Joakim Robillard) is one of the youngest team members and has a disagreement with the leader Catherine (Catherine Trudeau). They have two men on stretchers and need to get them out to safety. Protocol insists they should not go and rescue anyone else as it would endanger not only the two they are ready to take to safety but also the rescue crew members.

However, the headstrong Max wants to go down and save the remaining trapped miners. He seems incapable of following either protocol or orders.

We flash back two months and get to know Max’s life. He and his partner Andrée-Anne (Lauren Hartley) have for some time been trying to start a family using in vitro fertilisation, but when she miscarries, she decides she can’t go on with the process any more.… Read the rest

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Animation Features Live Action Movies

The Pool
(นรก 6 เมตร)

Director – Ping Lumpraploeng – 2018 – Thailand – 91m

****

Now on Shudder, 30 days FREE with promo code SHUTIN

Day (Theeradej Wongpuapan) wakes up. There’s a lot of blood. He’s at the bottom of a drained, six metres deep swimming pool with a crocodile advancing towards him. But how did he – and for that matter the crocodile – get there?

Flash back to six days earlier. Day and his girlfriend Koi (Ratnamon Ratchiratham) are working on a movie set. He looks after the swimming pool and as a bonus his dog Lucky has to heroically jump from the poolside over the water in the schedule’s very last shot. The dog leaps, the crew gets the shot, it’s a wrap, everyone’s happy. In fact, Day is so happy that when almost everyone else has gone, he dozes off on a lilo in the pool while its draining. When he wakes, the water level has gone down so far that he can’t get out. Somewhere on the ground nearby, a flier announces an escaped crocodile on the loose.

I review The Pool for DMovies.org in my LEAFF (London East Asia Film Festival) 2019 coverage. Now on Shudder.… Read the rest

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Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest