Tag: dance

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Features Live Action Movies

Alone in the Night
(Yoru ga Mata Kuru,
夜がまた来る)

Director – Takashi Ishii – 1994 – Japan – Cert. 18 – 108m

****1/2

After her undercover cop husband is killed by a gang, Nami infiltrates the gang and suffers much abuse as she attempts to identify and take her revenge on his killer – out on Blu-ray as part of the Takashi Ishii: 4 Tales of Nami Limited edition digipack set (2000 copies) 

A compelling yet initially indecipherable image is slowly revealed, as we pull out, to be a pink marker pen colouring the handle of a black pistol in the hands of a girl wearing the pyjama top of the man against the side of whose bed she is sitting. He, it turns out, is Mitsuru (Toshiyuki Nagashima from Godzilla Against Mechagodzilla, Miyagawa, 2002; Godzilla vs. Biollante, Seiichi Yamamoto, 1989; Mishima: A Life in Four Chapters, Paul Schrader, 1985), an undercover cop; she is Nami (Yui Natsukawa from I Wish, Hirokazu Kore-eda, 2011; Still Walking, Hirokazu Kore-eda, 2008; Zatoichi: The Blind Swordsman, Takeshi Kitano, 2003), and she’s fed up with his lack of contact while he’s on the job. As they embrace, she pleads with him, “Don’t do it!… Read the rest

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Features Live Action Movies

Steve

Director – Tim Mielants – 2025 – UK – Cert. 15 – 93m

****1/2

In 1996, the head, his staff and their students struggle to get through a particularly difficult day at a school for troubled teenage boys – out in UK cinemas on Friday, September 19th, and worldwide on Netflix on Friday, October 3rd

Steve (a burned out, visually unrecognisable Cillian Murphy, also the producer) is asked if he’s ready to do an interview to camera. He isn’t, but now is as good a time as any. He drives into work across a vast estate and spots teenager Shy (Jay Lycurgo) dancing to drum and bass music on his Walkman cassette player and smoking a spliff. Steve disciplines his pupil in a friendly manner, then returns to his car after being reminded that today is the day a TV film crew is coming to the school to film a segment for the local TV news magazine programme. Shy attempts, playfully, to ride on the bonnet of Steve’s car. Steve, talks him out of it.

Most of what follows, which covers the next 24 hours, takes place within the school buildings themselves, although the action occasionally wanders (or flies drone-shot style) out into and around the wider grounds of the school estate.… Read the rest

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Features Live Action Movies

Islands
(2025)

Director – Jan-Ole Gerster – 2025 – Germany – Cert. 15 – 123m

****1/2

A British ex-pat tennis coach working for a hotel on a sun-drenched island in the Canaries gets more than he bargained for when he befriends the couple whose young son he is coaching – out in UK cinemas on Friday, September 12th, and on BFI Player from Monday, October 27th

Tom (Sam Riley) wakes up in the desert and walks back to his car. He often nods off – at one point he is woken by a tap on his car window by the local police chief Jorge (Pep Ambròs) in a scene reminiscent of the one in Psycho (Alfred Hitchcock, 1960), one of the differences being that he’s a local and he and the cop not only know each other, but are friends. (Another is that in Psycho, the motorist is a woman and the cop a man, which brings a whole other dynamic into play.) Jorge fines him for a traffic violation, but apologises for the fact, and the two men’s friendship is able to accommodate that.

The desert, or beach, is a very specific location: Fuerteventura, one of the Canary Islands. And Tom has manoeuvred his life into a very nice routine, thank you very much, as he sees it.… Read the rest

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Dance Documentary Features Live Action Movies Music

The Extraordinary
Miss Flower

Directors – Iain Forsyth, Jane Pollard – 2024 – UK – Cert. 12a – 73m

****

A suitcase containing love letters, telexes and photographs found after her death, which inspired songs from singer Emilíana Torrini, becomes the key to a woman’s interior life – out in UK cinemas on Friday, May 9th

Every so often, a feature film turns up that doesn’t really fit the obvious categories, and this is one of those. It might be described as a cross between a documentary, a music promo and a home movie. Yet, none of those makeshift, pressed-into-service labels quite do it justice.

It’s a documentary because its starting point is a collection of personal items – love letters, telexes and photographs – kept in a suitcase by a woman named Geraldine Flower and subsequently found by her daughter Zoe some time after Geraldine’s death. Which is to say, found by her daughter Zoe, Zoe’s musician husband Simon Byrd and their friend the singer Emilíana Torrini. The latter had recorded some four albums and had come to a sort of creative impasse where she wanted to make another album but just couldn’t find the right creative spark. And then, the contents of Geraldine’s rediscovered case provided that impetus.… Read the rest

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Features Live Action Movies

Silver Linings Playbook

Director – David O. Russell – 2012 – US – Cert. 15 – 117m

*****

Two people on the one hand meant for one another and on the other probably shouldn’t go anywhere near each other – disaster romance was released in the UK on Wednesday, November 21st 2012

Back in the outside world after eight months in a mental hospital, Pat Solitano (Bradley Cooper) is beset by anger management problems. He only has to hear a few bars of Stevie Wonder’s My Cherie Amour, and he’s trashing the waiting room of psychiatrist Dr.Patel (Anupam Kher from Bend It Like Beckham, Gurinda Chadha, 2002) whilst plunged into memories of walking in on his then wife Nikki (Brea Bee) in the shower with another man.

So now he’s living at home with his Philadelphia Eagles fan, inveterate gambler and small businessman father Pat Solitano Sr. (Robert De Niro) and his supportive mother Dolores (Jacki Weaver from Memoir of a Snail, Adam Elliot, 2024; Animal Kingdom, David Michod, 2010; Picnic at Hanging Rock, Peter Weir, 1975).

Pat wants to win his wife back, but since she has a restraining order on him, that’s unlikely to happen. Determined to remain faithful to his estranged wife, he’s introduced to and befriends widow Tiffany (Jennifer Lawrence), an obsessive amateur dancer whose sights are set on competing in an upcoming dance competition… for which she needs a partner.… Read the rest

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Features Live Action Movies

Escape
(Talju,
탈주)

Director – Lee Jong-Pil – 2024 – South Korea – LEAFF Cert. 18 – 94m

*****

An army sergeant is caught attempting to escape from North to South Korea, but then a second chance presents itself – played as the Opening Gala at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

North Korea. Sgt. Lim Kyu-nam (Lee Je-hoon) is stationed at the edge of the Korean Demilitarized Zone (DMZ) separating North from South Korea, a smart but frustrated soldier who knows he’s never going to rise up the chain of command riddled as it is with nepotism and privilege. Nights, when the rest of his unit is asleep, and inspired by his treasured book of the explorer Edmund Amundsen, he sneaks out of the barracks to map a section of the minefield in the DMZ.

His plan is to escape through that minefield and reach South Korea to defect before the monsoon arrives in four days time and the water moves all the mines around, making his map useless. Then he learns that the bad weather is coming two days earlier than expected. So he must move the date of his escape forward.… Read the rest

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Documentary Features Live Action Movies

Cyborg
A Documentary

Director – Carey Born – 2023 – Germany, Spain, UK – Cert. 12a – 87m

***1/2

Cyborg artist Neil Harbisson, unable to see in colour, has had an antenna implanted in his head to hear colours instead – out in UK cinemas on Friday, September 20th

This opens with a title sequence of weird, psychedelic images of what appears to be moving coloured liquids forming strange, never to be repeated natural patterns. If that implies a striking visual sensibility, that’s deceptive, since this documentary follows a fairly straightforward structure of following people around with cameras and talking to them as it introduces us to cyber artist Neil Harbisson and his artist partner Moon Ribas.

Neil stands out from other people because he has an antenna protruding from the back of his head to dangle in front of his forehead. He was born with the unusual condition of achromatism, which means that he sees not in colour but in monochrome. (Less severe, more common forms of colour blindness include the inability to differentiate between green and red.) This came to light in his childhood when the family got a new colour TV, and he and his sister would watch cartoons. At this point, the film throws in a clip of the children’s sci-fi cartoon series Robotrix (John Gibbs, Terry Lennon, 1985).… Read the rest

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Features Live Action Movies

My Favourite Cake
(Keyke Mahboobe Man,
کیک محبوب من)

Directors – Maryam Mogadam, Behtash Sanaeeha – 2024 – Iran, France, Sweden, Germany – Cert. 12a – 97m

****1/2

An old woman living alone in Iran takes a shine to a taxi driver after learning he has no romantic attachments – out in UK cinemas on Friday, September 13th

Mahin (Lily Farhadpour), 70, likes to lie in. Every morning, she’s woken by her mobile phone and her friend Pouran’s distinctive Vivaldi Four Seasons ringtone. She waters her small courtyard garden, she goes to the market to buy vegetables, she gets a lift home. She talks to her daughter and grandkids on a videolink – her daughter has long since left Iran. In the evening, she has friends round for a meal, including the hypochondriac Pouran who insists on talking about her recent colonoscopy (of which she’s brought along a disc with a video).

The next day, she gets a cab to a hotel to visit a coffee shop inside its premises, where she is confounded by a menu consisting of a QR code. She visits a park and asks a man there, where do people exercise? It seems they tend to come earlier in the morning than she gets up.… Read the rest

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Features Live Action Movies

Shayda

Director – Noora Niasari – 2023 – Australia – Cert. 15 – 117m

*****

An Iranian mother and her young daughter, holed up in a women’s refuge in Australia, live in fear of the girl’s estranged father who wants to take them both back to Iran – out in UK cinemas on Friday, August 2nd

A woman is with a mum and her little girl in a shopping mall. The woman tells the little girl to remember the counters, because if daddy brings her here, she must find them and tell the security man nearby who she is. The girl’s mother reminds her that daddy said he’d take her on a plane. The woman tells the mother, she’s done the right thing.

Shayda (Zar Amir Ebrahimi from Holy Spider, Ali Abassi, 2022) and her young daughter Mona (Selina Zahednia) are separated from Shayda’s husband. The other woman is Joyce (Leah Purcell), who runs a woman’s refuge house catering for residents from a variety of ethnic groups. Shayda and Mona, for example, are Iranian. Shayda’s photo album tells the story of her life. In the mid-1980s, she graduated and got married in Iran; in the early 1990s, the couple moved to Brisbane, Australia.… Read the rest

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Features Live Action Movies

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest