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When Autumn Falls
(Quand Vient l’Automne;
US: When Fall is Coming)

Director – François Ozon – 2024 – France – Cert. 15 – 102m

*****

A grandmother’s cooking accidentally poisons her daughter, who survives… in the ensuing emotional turmoil, past truths are revealed, which have devastating effects… – out in UK cinemas on Friday, March 21st

Michelle (Hélène Vincent) lives alone in rural Burgundy. She goes to church. She goes out picking mushrooms with her old friend Marie-Claude (Josiane Bolasko), who attempts to stop her picking the poisonous ones. At home, Michelle double-checks the mushrooms against photos and blurb in her mushroom reference book. She cooks the mushrooms. She gets a phone call telling her her guests are on the way. She is surprised that the driver is using Laurant’s car.

Her daughter Valérie (Ludivine Sagnier) arrives in the car with grandson Lucas (Galan Erlos) in tow. He is looking forward to spending the Summer with his gran. Valérie, however, is constantly angry, blaming her mum for everything, occasionally making remarks about “what you did”. She is clearly upset by something in their past history, although it’s unclear as to exactly what. Although grandmother has given daughter her former Paris apartment, Valérie also seems keen that Michelle sign over the current house to her under a scheme that would exempt Valérie from paying tax on it.… Read the rest

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Features Live Action Movies

When Autumn Falls
(Quand Vient l’Automne;
US: When Fall is Coming)

Forgiveness for the past

When Autumn Falls

Directed by François Ozon

Certificate 15, 102 minutes

Released 21 March

Reviewed in Reform magazine, March 2025.

Judge not lest ye be judged, we are told. At the start of this latest drama from François Ozon, an ever-reliable director who rarely repeats himself, a devoted, eightysomething grandmother Michelle (Hélène Vincent) accidentally gives her fortysomething daughter Valérie (Ludivine Sagnier) food poisoning when she picks and cooks mushrooms.

Once out of hospital, the daughter, unable to forgive her mum, takes the disappointed grandson Lucas (Galan Erlos) – who was to have spent the Summer holidays in the country with his beloved granny – back home to Paris.

The daughter’s reaction isn’t really about the food, though…

[Read the rest at Reform.]

[Read my longer review on this site.]

Trailer:

Categories
Features Live Action Movies

Handsome Guys
(Haenseomgaijeu,
핸섬가이즈)

Director – Nam Dong-hyub – 2024 – South Korea – LKFF Cert. 15 – 102m

****

A comedy of errors in horror genre clothing, features a house in which accidents keep occurring, and a demonic goat – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

Half-brothers Kang Jae-pil (Lee Sung-min from this year’s South Korean Oscar entry 12.12: The Day, Kim Sung-su, 2023; The Man Standing Next, Woo Min-ho, 2020), Park Sang-goo (Lee Hee-jun from The Man Standing Next; 1987: When That Day Comes, 2017) and their dog Bong-gu have come to a rural area with the intent of buying their dream home, unaware that a demon was banished to hell in its basement two generations ago by British priest Father Baker (Jamie Horan) and can only be banished back there, should it arise from the grave, by one of those present at the time of the banishment.

A group of students runs into the half-brothers in a supermarket, the former drawing all the wrong conclusions from the latter’s unkempt appearance and shopping trolley of heavy-duty carpentry kit, snap judgements somewhat thrown by the undeniable cuteness of Bong-gu the dog, sitting in the front of their trolley.… Read the rest

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Features Live Action Movies

Stuntman
(Mou Tai Do,
武替道)

Directors – Albert & Herbart Leung – 2024 – Hong Kong – Cert. 15 – 114m

****

20 years after a stuntman on his team was hospitalisedwhen a stunt went wrong, an action choreographer takes on his first stunt job since the tragic incident – plays in Competition at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

This opens with a terrific cops and robbers fight in a shopping mall at the top of an escalator bearing remarkable resemblance to (and just as exciting as) the one towards the end of Police Story (Jackie Chan, 1985). However, while this might be an obvious homage to that film specifically and 1980s Hong Kong action cinema generally, it’s far from a mere attempt to retread the same ground: we suddenly cut from the cops and robbers scenario to reveal a film crew of that period shooting an action movie.

There is a particularly dangerous stunt coming up. A (stunt)man must jump off a bridge onto a lorry as it passes below, with a car immediately behind. (Again, this is remarkably similar to the stunt in Police Story II (Jackie Chan, 1988) where Chan leaps off a balcony onto a lorry passing in the street.)… Read the rest

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Features Live Action Movies

Sleep
(Jam, 잠)

Director – Jason Yu – 2023 – South Korea – Cert. 15 – 95m

***1/2

A pregnant woman becomes convinced that her husband is possessed when he starts sleepwalking and otherwise behaving oddly in his sleep at night – out in UK cinemas on Friday, July 12th

One night, a wife wakes up and looks at her husband. He’s sitting on the end of the bed and says, calmly, “someone’s inside”. She hears banging. She gets up, and we see she is pregnant. Fearing an intruder, she goes into the next room, household drill in hand. It’s the door to the verandah banging, wedged open with his flip-flop. She finds their dog, Pepper, a Pomeranian, hiding behind the box container with the laundry liquid. Returning to the bedroom, she sees him wearing one flip-flop.

Sleep is a horror thriller about both a sleep disorder and intermittent possession by a ghost. The wife Soo-jin (Jung Yu-mi) is a former film executive, the husband Hyun-Su (Lee Sun-kyun) a struggling actor in whose career she believes. On their wall, a wooden plaque proclaims, “Together, we can overcome anything”. Their new downstairs neighbour Min-jung (Kim Guk-hee), who moved in after the difficult old man who used to complain to the couple about the noise moved out, pops round to say hello and complain about the banging that’s been going on for the last week.… Read the rest

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Documentary Features Live Action Movies

Eternal You

Directors – Hans Block, Moritz Reisewieke – 2024 – US – Cert. – 87m

*****

People deal with bereavement with the help of interactive versions of their deceased, loved ones recreated by AI – out in UK cinemas on Friday, June 28th

In a rare visual shot in this mostly verbally based documentary, an aerial shot of a graveyard, with light creating lots of little blocks of shadow as it falls on the ranks of gravestones, resembles a slice of internal computer electronics. It’s a pertinent pictorial moment that stands out from almost everything else here.

“Is there some reason you wouldn’t believe me?,” a woman asks her boyfriend. “You died,” comes the sceptical reply. Joshua, from Ontario, Canada, had to endure the trauma of watching the life support machines that were keeping her alive being switched off. After she died, about two weeks short of high school graduation which she was expected to pass, he got the school to graduate her. He later explains this by written chat to her interactive AI.

Psychiatrist Sherry Turkle talks about the problems people face coping with grief in the modern world, where they often live on their own following the death of a partner and don’t have an extended network of family around them like they would have done in former times.… Read the rest

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Features Live Action Movies

Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

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Features Live Action Movies

Observing
(Opazovanje)

Director – Janez Burger – 2023 – Slovenia, Italy, Croatia, North Macedonia – Cert. none – 83m

*****

A paramedic must deal with the aftermath of a man being kicked unconscious after people watch the incident on social media livestreaming – plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The sounds of a man (Vito Weiss) being beaten up by others. No images. Mercifully.

If you lived in Slovenia, you’d be familiar with a news story about a man who was beaten up by others who livestreamed the event over social media, picking up an audience of 20 000, out of whom only a negligible number, maybe a handful, thought to call the police. That incident was the starting point for this film, which is an attempt to come to term with such events.

It’s a drama based around the three-person ambulance detail who find themselves picking up the victim of the livestreamed attack. He’s in a bad way and winds up in intensive care. Most of the ambulance pickups either die on the way to or in hospital, or they make a full recovery; this man, however, remains stable but unconscious in the ICU with no sign of either recovery or lapse.… Read the rest

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Features Live Action Movies

Love Life
(LOVE LIFE)

Director – Koji Fukada – 2022 – Japan, France – Cert. 12a – 123m

*****

A tragedy involving a woman’s six-year-old child, abandoned by his birth father, wreaks havoc on her already strained relationship with the husband she has recently married – on BFI Player from Monday, November 6th following its release in UK cinemas on Friday, September 15th

A terrific drama about family relationships.

Recently married, young couple Jiro (Kento Nagayama from Villain, Lee Sang-il, 2010) and Taeko (Fumino Kimura) have a six-year-old, deaf boy Keita (Tetta Shimada), a national champion at the board game Othello, which he plays constantly with his mother or with players online. Several of his trophies are displayed in the family’s typical, small, apartment. Jiro’s parents Makoto (Tomoro Taguchi from Fukushima 50, Setsuro Wakamatsu, 2020; Dead Or Alive, Takashi Miike, 1999; Tetsuo: The Iron Man, Shinya Tsukamoto, 1989) and Akie (Misuzu Kanno from 37 Seconds, Hikari, 2019) live in a nearby apartment five or so minutes away across a park and a car park.

Jiro and Taeko invite them over, ostensibly to celebrate Keita’s latest victory but actually for a surprise 65th birthday party for Makoto.… Read the rest

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Features Live Action Movies

The Dive

Director – Maximilian Erlenwein – 2022 – Germany – Cert. 15 – 91m

***1/2

Two women go diving near a remote stretch of coastline and find themselves in trouble – out in UK cinemas on Friday, August 25th following its UK Premiere at Frightfest on Thursday, August 24th

Opening with an image of light shining through the waves on the surface of the sea – reminiscent of nothing quite so much as light similarly shining through the title lettering at the start of sci-fi horror shocker The Thing (John Carpenter, 1982) – this promises something dark, foreboding and threatening from the get go. The talkative Drew (Sophie Lowe) plans diving trips for herself and her more taciturn sister May (Louisa Krause).

On this occasion, the pair head toward a remote stretch of coastline in a rental car listening to the radio playing Only You by The Platters, a song which clearly means a lot to both of them judging by the enthusiastic way they sing along. (It would be nice to think that the radio station plays other tunes as well, but this is all we hear, presumably because the production could only afford the movie rights to the one song.… Read the rest