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Features Live Action Movies

Never Look Away
(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

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Features Live Action Movies

Bullet Train

Director – David Leitch – 2022 – US – Cert. 15 – 126m

***

A man boards a bullet train in Tokyo to steal a suitcase only to be prevented from leaving the train every time he tries to get off it – lightweight action thriller is out in UK cinemas on Wednesday, August 3rd

This adaptation of mystery writer Kotoro Isaka’s 2010 novel, for which the Japanese title literally translates as Maria Beetle, concerns five assassins, each with their separate agenda, who board a bullet train. The film casts Westerners in many of these roles, repopulating the film with an international cast of Americans, Brits and Japanese. Brad Pitt as the lead obviously has box office clout, and is as watchable as ever in this film, however the film has inevitably been accused of whitewashing (even though ‘white’ here would seem to include Puerto Rican and African-American).

The producers here seem to think Japanese high speed rail journeys will draw international audiences but entirely Japanese characters will not. Whether or not they’re correct, casting the film the way they have reinforces this notion. Who else could have done it, you ask? Off the top of my head, I can think of three Hong Kong Chinese, any of whom would work: Chow Yun-fat, Jackie Chan or Tony Leung Chiu-wai.… Read the rest

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Features Live Action Movies

Paris, Texas

Director – Wim Wenders – 1984 – US – Cert. 15 – 145m

*****

A constantly inventive movie in which a man returns after four years’ absence to bond with his seven-year-old son and seek out his disappeared wife – back out in cinemas on Friday, July 29th

Travis (Harry Dean Stanton) stumbles out of the desert in Southern Texas having disappeared to Mexico for four years following the collapse of his marriage. During this time, the estranged couple’s seven-year-old son Hunter (Hunter Carson) has been living with Travis’ brother Walt (Dean Stockwell) and wife Anne (Aurore Clement) who he understandably thinks of as his parents. Walt coaxes Travis into re-establishing his paternal relationship with the boy. When Travis decides to track down disappeared wife Jane (Nastassja Kinski), who has been sending Walt and Anne money for the child from a bank in Houston, the child talks him into letting him tag along.

Although it starts with Travis walking, and much of the early part of the film takes place in and around Walt and Anne’s home, it’s very much a road movie with a great deal of the narrative taking place in cars and pickup trucks.

The film caused a sensation when it came out in the UK over 35 years ago.… Read the rest

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Features Live Action Movies

Hit The Road
(Jaddeh Khaki,
جاده خاکی)

Director – Panah Panahi – 2021 – Iran – Cert. 12a – 93m

****

Four in a car. An Iranian family drive across Iran towards the Turkish border, for reasons that will only later become clear – out in cinemas on Friday, July 29th

A family of four – dad (Hassan Madjooni), mum (Pantea Panahiha), elder son (Amin Simiar), younger son (Rayan Sarlak) plus family dog Jessy – are driving across Iran towards the Turkish border. Actually, when we first meet them, they’ve stopped at a lay-by. That opening, combined with the title, doesn’t leave you in much doubt that this is going to be a road movie. We take an instant shining to the younger son, an irrepressible six-year-old who plays air piano on the keyboard drawn on the plaster cast around his sleeping father’s leg.

A bit of a rogue, this one: mum and dad have left their mobile phones at home as instructed, but six has brought his with him (he denies it, but the ringtone is a giveaway: it turns out he’s hidden it in his underwear and we should probably be thankful the director didn’t make this film in Odorama). Mum takes the phone away and buries it, but later on in the journey, he’s trying to buy another one.… Read the rest

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Animation Documentary Features Live Action Movies

Fire Of Love

Director – Sara Dosa – 2022 – US – Cert. PG – 93m

The volcano footage *****
(and there’s lots of it, plus footage of the volcanologists themselves)

The brief animated inserts ***1/2

Almost everything else **

The 25-year career of the late volcanologist couple Katia and Maurice Krafft is explored through their extensive film archive of volcanic activity – out in cinemas on Friday, July 29th

There have been volcano movies before, but nothing quite like this. Most of them fall into the disaster movie category, with the better ones (The Last Days Of Pompeii, Ernest B. Schoedsack, 1935; Dante’s Peak, Roger Donaldson, 1997) delivering incredible visual effects. The force of nature that is the volcano is obviously extremely dangerous to film so you can understand why film producers would want to recreate images of the phenomenon for the big screen rather than attempt to go out and film them.

This current film, however, is not a fictional feature in that mould but something entirely different: a documentary. It perfectly fits the remit of its distributor National Geographic of “exploring, illuminating, and protecting the wonder of our world”. It’s ostensibly a film about two real life volcanologists Katia and Maurice Krafft who first met in 1966 and died in an volcanic blast in 1991.… Read the rest

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Animation Features Movies

The Deer King
(Shika No Ou:
Yuna To Yakusoku
No Tabi,
鹿の王 ユナと約束
の旅)

Directors – Masashi Ando, Masayuki Miyaji – 2022 – Japan – Cert. 15 – 113m

**

The conquerors of a foreign land succumb to a mysterious plague there – out in cinemas on Wednesday, July 27th

This starts off with clearly epic intentions by throwing line after line of convoluted plot at the viewer in rapid fire, confusing intertitles. The kingdom of Aqifa was once ravaged by the Empire of Zol until the Black Wolf Fever prevented Zol from entering Fire Horse Territory. Today, the Black Wolf Fever is believed a thing of the past. Okay, got that? If not, you’ll be in trouble because the narrative is all about Zolians, Aquafaese and wolves and while the images are often ravishingly beautiful to look at, visually arresting eye candy in background or character design is never enough of itself to propel the story forward.

It continues piling on plot information like this for about half an hour. To make matters worse, an insistent cod-Gaelic score is overlaid over the images much of the time, and it seems composed to draw attention to itself rather than advance the story in any way.

Aquafaese toil in a salt mine (someone happens to mention some time afterwards that the mineral being mined is salt, otherwise you wouldn’t know) under sadistic guards while in the depths wolves attack and infest the slave workers whose skin comes out in purple blotches before they die.… Read the rest

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Features Live Action Movies

Red Angel
(Akai Tenshi,
赤い天使)

Director – Yasuzo Masumura – 1966 – Japan – Cert. 15 – 95m

An army nurse is sent to China – as a slogan in one of the film’s trailers puts it, “on the battlefield where life and death is decided.”

*****

Full Blu-ray review published at All The Anime.

In 1939, for her first posting, Nurse Sakura Nishi (Ayako Wakao) is sent to Tianjin Army Hospital. A number of the male patients appear to be faking medical conditions so as to escape the front line, where Japanese casualties are heavy. When she first does her rounds, Private Sakamoto (Jotaro Senba) and a number of the other men are very forward and ask her a lot of personal questions.

Much worse is to come, however, because when she does her night rounds, she finds herself trapped in the men’s dorm and raped by Sakamoto while the others hold her down. Reporting this incident to the head nurse (Ranko Akagi), Nishi learns she’s this soldier’s third victim. The head nurse resolves to have Sakamoto sent back to the front.

As if all this wasn’t bad enough, Nishi is then posted to a front-line hospital where medics go through the incoming wounded, pronouncing them dead or designating them for surgery, for which read amputation.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Kurt Vonnegut:
Unstuck In Time

Transformed by an atrocity

Kurt Vonnegut: Unstuck In Time
Directed by Robert B. Weide, Dan Argott
Certificate 15
Released 22 July (cinemas and digital platforms)

Full review published in Reform magazine.

The late Kurt Vonnegut claims that after touching a tree trunk he saw the bombing of Dresden before it actually happened, and it’s easy to believe him. His whole life, he says, has been unstuck in time. Born in Indianapolis in 1922, he fought in the Battle of the Bulge in 1944 and was shipped off as a POW to Dresden, a bustling metropolis unlike anything he’d previously seen. He survived the Allied bombing of that city inside an underground meat locker and emerged to see it razed to the ground. The Germans had him and fellow prisoners search for bodies amongst the ruins.

Back in the States… [Read the rest at Reform magazine]

Kurt Vonnegut: Unstuck In Time is out in cinemas and on Altitude Film digital platform in the UK from Friday, July 22nd.

Read my longer review.

Adaptation of Vonnegut’s Mother Night (writer-producer Robert B. Weide, 1996) – review.

Never Look Away (Florian Henckel von Donnersmarck, 2018) also covers the bombing of Dresden – review.… Read the rest

Categories
Features Live Action Movies

Where
The Crawdads
Sing

Director – Olivia Newman – 2022 – US – Cert. 15 – 125m

***1/2

A young woman who grew up alone in the North Carolina Marshlands is the prime suspect for a murder she may or may not have committed – out in cinemas on Friday, July 22nd

The body of Chase Andrews (Harris Dickinson) is discovered having fallen to his death from an old, 63’ high viewing platform. But did he fall or was he pushed? The reclusive, local outcast and so-called ‘Marsh Girl’ Kya Clarke (Daisy Edgar-Jones) swiftly becomes the prime suspect after sheriffs find a red, woolly hat at her house, a fibre from which matches one found on Chase’s corpse.

As the investigation proceeds in the generic form of a whodunit by way of a courtroom drama, with the kindly Tom Milton (David Strathairn) as her self-appointed defence attorney against the state prosecutor in her jury trial, the narrative spilts into two separate strands, with the story of Kya’s personal history from childhood to the then present day of 1969 running in parallel until… well, refusing to divulge spoilers forbids me from saying, except that the final reel and the ending are arguably the most satisfying part of this engrossing movie.… Read the rest

Categories
Features Live Action Movies

Bergman Island

Director – Mia Hansen-Løve – 2021 – France, Belgium, Germany – Cert. 15 – 112m

First half *****

Second half **

A working, filmmaking couple spend time on the island where celebrated director Ingmar Berman lived, now a niche tourist attraction based around his life and movies – out exclusively on MUBI from Friday, July 22nd

Two writer-directors who are also a couple Chris (Vicky Krieps) and Tony (Tim Roth) fly in to spend time and write at the Bergman Estate on Fårö Island in the Baltic Sea, just off the coast of Sweden. This is the site that legendary Swedish film and theatre director Ingmar Bergman left as a legacy to the world, where people could apply for residencies to help in their creative or academic work, watch his films on 35mm and browse his personal audio, video and book library. Chris and Tony thus find themselves alone in Bergman’s private viewing theatre watching Cries And Whispers (Ingmar Bergman, 1972).

Both are involved with screenplays: when he’s over at the Bergman Centre, she sneaks a look in his large notebook entitled ‘F’ which contains extensive notes and erotic drawings veering towards the sadomasochistic. On a later occasion, she stands him up by not joining the Bergman Safari coach tour around the island, complete with a tour guide describing the site where Through A Glass Darkly (Ingmar Bergman, 1961) plays on a screen.… Read the rest