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Features Live Action Movies

Sleep
(Jam, 잠)

Director – Jason Yu – 2023 – South Korea – Cert. 15 – 95m

***1/2

A pregnant woman becomes convinced that her husband is possessed when he starts sleepwalking and otherwise behaving oddly in his sleep at night – out in UK cinemas on Friday, July 12th

One night, a wife wakes up and looks at her husband. He’s sitting on the end of the bed and says, calmly, “someone’s inside”. She hears banging. She gets up, and we see she is pregnant. Fearing an intruder, she goes into the next room, household drill in hand. It’s the door to the verandah banging, wedged open with his flip-flop. She finds their dog, Pepper, a Pomeranian, hiding behind the box container with the laundry liquid. Returning to the bedroom, she sees him wearing one flip-flop.

Sleep is a horror thriller about both a sleep disorder and intermittent possession by a ghost. The wife Soo-jin (Jung Yu-mi) is a former film executive, the husband Hyun-Su (Lee Sun-kyun) a struggling actor in whose career she believes. On their wall, a wooden plaque proclaims, “Together, we can overcome anything”. Their new downstairs neighbour Min-jung (Kim Guk-hee), who moved in after the difficult old man who used to complain to the couple about the noise moved out, pops round to say hello and complain about the banging that’s been going on for the last week.… Read the rest

Categories
Features Live Action Movies

Memoria

Director – Apichatpong Weerasethakul – 2021 – UK, Colombia, Thailand – Cert. 12 – 126m

****1/2

A British woman travelling around Bogotá, Colombia, is troubled by a strange banging sound and goes on a quest to investigate it – out in cinemas on Friday, January 14th

This is a film to approach with caution: I confess to never having previously got on with a Weerasethakul film; perhaps I’ll go back and revisit some after this. His work – or at least his feature films – have been described as Slow Cinema (of which, more shortly).

This is light years away from Hollywood cinema with its determination to grab your attention and hold it by throwing stuff at you at frequent intervals. The director is Thai, however his films don’t seem to sit alongside any Thai movies or wider Oriental movies I’ve seen. Even locating it in art house cinema, it doesn’t really look like anything else. I am reminded of what has been said about the French director Jean-Luc Godard: if cinema hadn’t existed, he would have invented it. Although his movies are nothing like Godard’s, the same could be said of Weerasethakul’s movies.

Actually, the feature films are only the tip of the iceberg: he makes far more short films than he he does features, an output that immediately puts him at odds with the feature film-oriented world of theatrical cinema distribution.… Read the rest