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Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

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And Then Come
the Nightjars

Director – Paul Robinson – 2023 – UK – Cert. 15 – 81m

***1/2

The deep friendship of a Devon farmer and a local vet is tested by the UK government’s culling of herds in the 2001 Foot And Mouth outbreak – out in UK cinemas on Friday, September 1st

Michael (David Fielder) is a Devon farmer. Everyone knows everyone else in his local, rural community, and he is often visited by the vet Jeffrey (Nigel Hastings), first glimpsed in an uncharacteristic, bright red cowboy hat he won at a local village do when he turns up to help with the delivery of a calf. He’s previously tested Michael’s cows for Foot and Mouth disease, and all the results have been negative.

Later in 2001, Jeffrey visits Michael again, but this time with three other white-protective-suited colleagues and some bad news. With the Foot and Mouth outbreak reaching epidemic proportions, the government has decided to cull all cattle within a three-mile radius of any infection, regardless of whether they test negative or positive for the disease. Michael, shotgun at the ready, thinks there’s a mistake because, as Jeffrey knows, Michael’s herd has tested negative. But, as Jeffrey attempts to explain, government policy doesn’t work like that…

There are further scenes in December 2001, eight years later in 2009 and four years later still in 2013.… Read the rest

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Memoir
Of A Murderer
(Salinjaui
Gieokbeob,
살인자의 기억법)

Director – Won Shin-yeon – 2017 – South Korea – 118m

***

A K-thriller with a memorable premise: serial killer with Alzheimer’s suspects man dating his daughter is also a mass murderer – at the London Film Festival 2017 and London Korean Film Festival 2018

At the start of Memoir Of A Murderer, Kim Byung-su (Sul Kyoung-gu) walks dazedly out of a dark tunnel into a white, wintry landscape. Like so much in this convoluted South Korean thriller, that might be highly significant or symbolic, a metaphor, a journey, a state of mind. Or it might not. It’s undeniably a visually striking and arresting starting point. In the manner of frame stories or flashbacks in so many films, we return to this sequence towards the end. But it’s not clear at the start that this is a flashback, and it’s no clearer at the end when this scene recurs.

That’s indicative of some of the games screenwriter Hwang Jo-yoon (co-screenwriter of Park Chan-wook’s Oldboy, 2003) and director Won Shin-yun want to play with their audience. They’re plugging into a long cinematic tradition of films dealing with impossible memory and that peculiar subset thereof most notably represented by Memento (Christopher Nolan, 2000) in which a main character suffers from amnesia or memory loss.… Read the rest