temptation Archives - Jeremy C. Processing

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest

Padre Pio

Director – Abel Ferrara – 2022 – Germany, Italy – Cert. 15 – 104m

***1/2

Post-WW1, In San Giovanni Rotondo, Italy, a Catholic mystic undergoes temptation while down in the village, armed landowners and military officers attempt to halt the rising tide of socialism – out on Blu-ray, DVD & DL from Monday, March 11th

Ferrara has long been something of an outsider, working with small budgets. This current offering is highly uneven, very strong and moving in places, betrayed by a lack of planning and resources in others. Perhaps its besetting sin (to use Christian religious parlance) is that it doesn’t deliver exactly what it sets out to: this is not exactly a portrait of early 20th Century, Catholic mystic Pio (Shia LaBeouf). The friar really only forms half of the film – arguably its weaker half – dealing only intermittently with his life from arrival in the impoverished Italian village of San Giovanni Rotondo in 1916 through to his visitation by Jesus and first manifestation of stigmata some years later.

The other half of the film, running in parallel to this, deals with the aftermath of World War One in that same village, as men return from the Front to be reunited with wives and mothers.… Read the rest