Tag: spaceship

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Prometheus

Director – Ridley Scott – 2012 – US – Cert.15 – 124m

*****

UK release date 02/06/2012.

Western social attitudes to women have come a long way since Ripley (Sigourney Weaver) gratuitously stripped down to her underwear prior to fending off the malevolent creature in the finale of Ridley Scott’s seminal sci-fi shocker Alien (1979), but would appear still to have a long way to go.

You might think the glass ceiling has been abolished with the expedition on spaceship Prometheus being run by ice-cool blonde Meredith Vickers (Charlize Theron), but subsequent plot twists (which we won’t reveal) suggest otherwise. Scientist Elizabeth Shaw (Noomi Rapace), impossibly pregnant with a mysterious and rapidly growing embryo, is unexpectedly forced to improvise when the automated medical operations facility with which she had hoped to perform her own Caesarian turns out programmed for male surgery only. If sisters are now doing it for themselves, plenty of male-designed hurdles are still making sure they don’t do it it that easily.

Elsewhere, as Prometheus pre-empts the Alien franchise’s “which one of the crew is an android?” gambit by introducing us to the non-human David (Michael Fassbender) walking around the ship before he awakens first Vickers then her subordinate crew members from hyper-sleep, the android male still appears to possess more final authority than anyone else on board.… Read the rest

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Sputnik

Director – Egor Abramenko – 2020 – Russia – Cert. 15 – 113m

***** some of the underlying concepts and all of the special effects

** everything else

Available on VoD from Friday, August 14th. Now on Netflix

In the early 1980s a two-man Russian spacecraft undergoes a mysterious incident during its return to Earth leaving one of the crew dead. He has had half his helmet and half his head ripped off.

Survivor Konstantin Veshnyakov (Pyotr Fyodorov) is confined to a research base in the middle of nowhere for observation. Supervisor Kirill Averchenko (Aleksey Demidov) recruits psychiatrist Tatyana Klimova (Oksana Akinshina) who is in trouble for taking ethically questionable decisions concerning the life of a patient, believing that she did the right thing and saved a life. Averchenko needs someone who will do whatever it takes and damn the consequences and he would appear to have judged her correctly. Once there, however, she finds herself in conflict with chief scientist Yan Rigel (Anton Vasilev).

She quickly learns that the surviving, isolated cosmonaut is the host to an alien parasite which leaves his body at specific times of night then returns. And Konstantin, who suffered memory blackout during the return to Earth, doesn’t seem to know about the parasite.… Read the rest

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Documentary Features Live Action Movies

Memory:
The Origins Of Alien

Director – Alexandre O. Philippe – 2019 – US – Cert. 15 – 95m

**** 1/2

A detailed examination of the ideas and personalities behind Dan O’Bannon, H.R.Giger and Ridley Scott’s classic 1979 SF shocker Alien – in cinemas on Friday, August 30th 2019, and then on VoD the following Monday, September 2nd 2019

When Alien (Ridley Scott, 1979) first came out, no one knew about its most notorious scene. These days it’s been so referenced in films, television and popular culture that everyone, it seems, does so. If you’ve never actually seen Alien, watch it before seeing this documentary or reading this review.

You’d be forgiven, as this new documentary starts, for thinking you’d wandered into a different film. Spiders on sun-drenched stone surfaces. Footage of Greek temples. But then, visuals clearly inspired by Alien show three Furies waking up on the floor of a spaceship interior and advancing towards camera. The voice-over invokes the myth of Clytemnestra and the Furies, although… [Read more…]

Memory: The Origins Of Alien is out in the UK on Friday, August 30th 2019, and then on VoD the following Monday, September 2nd 2019.

Review originally published in DMovies.org.

Trailer:

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Alien
Covenant

Director – Ridley Scott – 2017 – US – 15 – 122m

*** 1/2

The latest Alien franchise entry is an effective horror sci-fi, teeming with shocks, scares and twists, but it lacks the mythological depth of Prometheus and the twisted sexual connotations of Alien – in cinemas on 12th May 2017

This is Ridley Scott’s third Alien movie as director. His second Alien (1979) prequel or first Prometheus (2012) sequel – take your pick – is more like the former than the latter. On the one hand, its sci-fi ideas are more coherent and in line with other Alien franchise outings; on the other, unlike Prometheus it doesn’t periodically throw out lots of new ideas mining some of Alien‘s unexplained elements. Yet it does refer back to Prometheus.

A civilisation of charred or petrified bodies amidst otherworldly, ancient classical architecture suggests Scott is revisiting the Roman world of Gladiator (2000) or toying in his head with a film about Vesuvius erupting onto Pompeii. Again, take your pick. [Read more]

Alien: Covenant was out in UK cinemas on 12th May 2107, when this piece was originally written for DMovies.org.

Trailer:

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Ridley, Ripley,
Thelma & Louise

Alien

Director – Ridley Scott – 1979 – US – X – 116 mins 35 secs

*****

Blade Runner

Director – Ridley Scott – 1982 – US – AA – 117 mins 04 secs

*****

Thelma & Louise

Director – Ridley Scott – 1991 – US – 15 – 129 mins 22 secs

*****

At the end of Alien, Ripley (Sigourney Weaver), having defeated the monster, strips down to her underwear only to discover that she hasn’t defeated it at all and it’s still in the space shuttle with her in the archetypal Hollywood false ending of recent years. It begged the question, why did Ripley remove her clothing at this point if not for the obvious gratification of the male members of the audience (and, one should add, the accompanying box office returns)?

At the end of Thelma & Louise, the eponymous heroines (Geena Davis and Susan Sarandon respectively), on the run after the former’s rapist has been murdered after the event by the latter, find themselves trapped between the Grand Canyon’s gaping precipice on one side of them and massed hordes of police marksmen, ready to open fire if they don’t surrender, on the other. No pandering to male voyeurism here.… Read the rest