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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

Categories
Documentary Features Live Action Movies

The Story Of Looking

Director – Mark Cousins – 2021 – UK – Cert. 15 – 87m

****

A highly personal film essay on the importance and significance of our visual senses – out in cinemas and on rental on BFI Player and Curzon Home Cinema from Friday, September 17th

This opens with archive interview footage of musician Ray Charles, blind since losing his sight in childhood, asked about whether he’d like to have sight back. He says no – he’s already seen the things he needs to see and can picture them – the stars, his mother. And when he hears the news, there are a lot of things he frankly is glad he can’t see, and feels sorry for all the people who can. Pushed as to whether he’d like to be able to see for just one day, he’d less sure, responding with a guarded “maybe”.

This footage appears to be a touchstone for film-maker Cousins, who constantly refers back to it in this film essay. Another pertinent, recurring image is a man standing on a row of chimney pots. If we could see through his eyes, what would we see?

Cousins has spent a life looking at things, firstly as a human being with a visual leaning, then later on professionally as a film maker.… Read the rest