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Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー 偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest

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Features Live Action Movies

Make Up

Director – Claire Oakley – 2019 – UK – Cert. 15 – 85m

***1/2

In cinemas and on Curzon Home Cinema from Friday, July 31st.

Q&A with director Claire Oakley (recorded Monday, August 3rd).

I liked this a lot as it started off but less as it wore on. It has an enigmatic plot, a striking female cast and an intriguing location / setting. For me sadly the plot descended into cliché when it promised so much more. Other elements compensate however.

Ruth (Molly Windsor) heads down from Derby to join boyfriend Tom (Joseph Quinn) in the coastal Cornwall caravan park where he works on site in maintenance during the off-season, (cara)van provided. He’s delighted she can make it. Cue bedroom scenes. Ruth learns from facility manager Shirley (Lisa Palfrey) that Tom’s job is ideal for couples who live on site, which suits Ruth fine.

She’s less happy though when she tidies up the van and finds a red hair on an item of Tom’s clothing. Does he know someone with red hair? He never answers the question. But Ruth becomes obsessed with it. She imagines a red head disappearing round the side of a van. She goes paddling with 11 year old Kippa (Elodie Wilton) – to a depth of about four feet which when you can’t swim is not a smart move in surfing seas where the waves are high.… Read the rest

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Features Live Action Movies

Sleepy Hollow

Director – Tim Burton – 1999 – US – 15 – 105 mins

***

A nineteenth century policeman must solve a series of gruesome murders allegedly by a headless horseman wielding a sword – in cinemas from Friday, January 7th 2000.

Tim Burton’s last few movies have been a real treat, but this adaptation of Washington Irvine’s classic American tale is a disappointment. Murder scene-hardened, late nineteenth century policeman Ichabod Crane (Johnny Depp) is sent to isolated hamlet Sleepy Hollow to solve a mysterious series of murders. As the locals and his own eyes keep telling him, the murderer is no mystery but a headless horseman riding around decapitating victims with his sword.

Splendidly creepy visual designs from regular collaborator Rick Heinrichs (Nightmare Before Christmas, 1993, Edward Scissorhands, 1990) looks as good as any previous Burton, if not better. The proceedings can commendably be accused of neither gratuitous gore nor shirking the necessary quantity or quality of decapitations. But Sleepy Hollow has major flaws. Namely, that one doesn’t feel for Ichabod Crane the way one felt for Johnny Depp playing prior Burton protagonists Edward Scissorhands or Ed Wood. Crane is supposedly a nineteenth century investigator who uses twentieth century investigative methods, yet Burton never properly gets to grips with this essential background material.… Read the rest