Categories
Animation Documentary Features Live Action Movies

A Sudden Glimpse
to Deeper Things

Director – Mark Cousins – 2024 – UK – Cert. PG – 88m

*****

A look at Scots artist and painter Wilhelmina Barns-Graham, who had synaesthesia – out in UK cinemas on Friday, October 18th

I am someone who frequents art galleries, yet I have to confess that before seeing this film, I had never heard of Wilhelmina Barns-Graham. Cousins starts his film off assuming we know nothing about her.

He starts with images. Who is this old woman on a verandah with palm trees in the background? Or peering down at rocky ground wearing an all-weather coat?

In later years, she frequently wore a necklace she had made resembling, in Cousins’ words, Concorde with droplets.

Wilhelmina Barns-Graham, a woman to whom all men were attracted (“she’d have flirted with you”, a woman who knew her tells Marc) was fascinated by order and disorder. Her arresting 1967 abstract painting Pilgrimage consists of Vermillion squares on brown, jostling as if in a procession across the picture surface.

Her father (and here Cousins cuts in the moving image of Joseph Cotten giving his “if you rip the sides off houses you’ll find swine” speech from Shadow of a Doubt, Alfred Hitchcock, 1943) never wanted her to be an artist.… Read the rest

Categories
Art Documentary Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest