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Features Live Action Movies Music

The History of Sound

Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

****

A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from  La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest

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Animation Features Movies

The Iron Giant

Director – Brad Bird – 1999 – US – Cert. U – 88m

*****

1957. A giant robot falls out of the sky and is befriended by a young boy in Maine. However, the US government proves less sympathetic – animated feature is out in UK cinemas from Friday, December 17th, 1999

This has all the hallmarks of classic fifties sci-fi outings – giant monster, small American town, paranoid government agent, mobilised militia. For those demanding still more, it has a single working mum and a sympathetic beat sculptor, neither of whom would be out of place in a period Roger Corman cheapie.

But you shouldn’t pigeonhole The Iron Giant by genre because a further two factors mark it out as very different. Freely adapted from Ted Hughes’ marvellous children’s book The Iron Man but given a decidedly American spin by director Brad Bird (cartoon TV series The Simpsons, 2 eps, 1990-91; creator of Family Dog, 1993), this is without doubt the animated film of the year and arguably the film of the year period. We’ve grown so used to the Disney blockbuster model – cute characters (and merchandise), hit songs – that anything else (this employs neither device) comes as a shock.… Read the rest