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Features Live Action Movies

Attending the Festival
at a distance

Health issues prevent Jeremy Clarke from attending the Critics’ Picks at the 29th Tallinn Black Nights Film Festival, but he manages to watch the films anyway.

2025 has been a strange year for me personally, not least because of my ongoing fight against cancer. Which, I am happy to report, I appear to be winning. To cut a very long story short, for the previous three years I’ve had the great privilege and joy of attending PÖFF, the Tallinn Black Nights Film Festival and covering, since its inception in 2022, the Festival’s Critics’ Picks Competition for Dmovies.org. This year, however, I found myself on a five day course of radiotherapy on dates immediately before the Festival. One of the things you learn very quickly when having treatment for cancer is that everybody is different – every body is different – and reactions and side effects can vary enormously from person to person.

Invisibles

The hospital warned me of possible side effects which might kick in anything up to a month after the treatment, and also that I would be very unwise to delay the radiotherapy. That effectively stopped me from leaving the UK around the time of the Festival this year.… Read the rest

Categories
Features Live Action Movies

Invisibles
(Invisibles)

Director – Junna Chif – 2025 – Canada – 94m

****1/2

A sex worker turned exotic dancer starts providing sexual services to disabled people – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

“Blow jobs are real jobs – and real jobs suck” reads a slogan held by three boisterous young women on a protest march. In a nightclub, we watch one of them perform a burlesque striptease to rapturous applause from the audience, seated in male and female blocks. ‘Ella’ (Nadia Essadiqi from Incendies, Denis Villeneueve, 2010) later gets an email from the disabled brother of a friend stating he is now “ready for full sexual intercourse”.

She decides to meet the challenge, so the sender turns up in a van with his carer Marco (Victor Andres Turgeon-Trelles) who hoists him onto the bed, then departs for an hour leaving a contact number. Floyd (Floyd Lapierre-Poupart) can’t move much and has club hands and feet, and their initial encounter proves less than successful, resulting in his premature ejaculation. You sense that the whole exercise is way outside both their comfort zones. In the tense exchange that follows with Marco, he emphasises that the correct term is “people with a disability, Miss” and she retorts with, “sex workers, Sir.”… Read the rest

Categories
Documentary Features Live Action Movies

Riefenstahl

Director – Andres Veiel – 2024 – Germany – Cert. 15 – 115m

*****

An unsettling, deep dive into the indisputable artistic talent, evasive personality and self-reconstructed memory of Nazi filmmaker Leni Riefenstahl through her personal archive of some 700 boxes – out in UK cinemas on Friday, May 9th

Sepia / yellow images. A woman walking by the sea. Incidental music suggesting a reaching, a striving. Out of focus images of crowds lining the streets, coming into focus to proclaim, “Heil, mein Fuhrer.” The lighting of the Olympic flame, the firing of a gun at a track event. Leni Riefenstahl, as a young woman, examining hanging strips of 35mm film at the editor’s bench. And then an extract from a talk show: would she do it differently if she could live her life again? What were her mistakes? Her close association with Hitler? She hesitates – you can almost feel her squirming, trying to find a way round the question. She starts talking about her first film as director, The Blue Light (1932), a mountaineering picture in which she did all the rock climbing stunts herself. She didn’t know of Hitler at this point, she says. “If the Fascists saw you”, she was told, “you would become their hero.”… Read the rest