Categories
Art Documentary Features Live Action Movies

Eno

Director – Gary Hustwit – 2023 – UK – 83m

**** (on this occasion)

Musician, artist and activist Brian Eno has been at the cutting edge of creativity for 50 years, and this generative, AI-programmed film plays in a different version every time it is shown – out in UK cinemas on Friday, July 12th

Disclaimer: This film is being touted as a film that’s different every time it screens: thus, I need to declare that I saw the version shown to press in London on 03.07.2024 (which was prepared as a file for viewing on 26.04.2024). Things included in that version might or might not be in the one you see. So, in a sense, you have to take this review with a pinch of salt. The version I saw ran 83 minutes. Officially, it’s supposed to be 90, so that exact running length may vary too. Or not. I really don’t know.

Brian Eno hasn’t made the film himself, yet clearly he’s the perfect subject for it. He talks about “accidentally” getting involved with Roxy Music after being asked by band member Andy Mackay to help them record (as in, do the work required to record them at a recording studio) some pieces and realising that recording and performing with the band would help him pursue his interest in exploring emerging new technologies and their creative possibilities.… Read the rest

Categories
Animation Features Live Action Movies

Stopmotion

Director – Robert Morgan – 2023 – UK – Cert. 18 – 93m

***1/2

The bereaved daughter of a stop-frame animator attempts to complete her late mother’s last film – out on Shudder UK, Ireland, US, Canada, Australia and New Zealand from Friday, May 31st

Let’s get the bad news out of the way first: this is not what it says on the tin. Anyone expecting another Mad God (Phil Tippett, 1987-2021, and a long-standing Shudder favourite) or Junk Head (Takahide Hori, 2021) is going to be disappointed. This is not a stop-motion film; it’s a stop-motion / live action combination film, with the physical stop-motion component of the production forming maybe a tenth of the whole.

Unless, of course, you’re looking only at story or script. In which case, this film is all about stop-motion animation and obsession. But executed in live action. Because, after all, who would want to spend all their time moving a puppet a bit, then shooting a frame, then moving it a bit more, and taking another frame, and so on when you can shoot live action and capture a shot of whatever length on film? (The answer is, anyone who loves animation generally and stop-motion animation in particular.)… Read the rest

Categories
Features Live Action Movies

The Red Shoes

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1948 – UK – Cert. PG – 135m

*****

A young dancer gives her all to the art of ballet, symbolised by the story’s centrepiece of the Ballet of the Red Shoes, in which the heroine is danced to death by the eponymous footwear – out in UK cinemas on Friday, December 8th; major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger continues at BFI Southbank and on BFI Player until the end of December with a free exhibition The Red Shoes: Beyond The Mirror (booking essential) running until Sunday, January 7th 2024

The second movie by the Archers not to deal with wartime issues in any way, shape or form (the first being Black Narcissus, 1947) deals with art in the story of a young dancer torn between love and her chosen art form. Student Julian Craster (Marius Goring) is outraged to discover, during its debut performance, that his music tutor Professor Palmer (Austin Trevor) has lifted several passages of Craster’s college work to pass them off as part of his latest dance score Heart of Fire. His subsequent interview with ballet company head and creative genius Boris Lermontov (Anton Walbrook, who appeared in four Productions of the Archers and later in The Queen Of Spades, Thorold Dickinson, 1949) secures him a lowly job as music arranger for the prestigious Ballet Lermontov.… Read the rest