Tag: breadwinner

The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)

Post author By Jeremy Clarke
Post date 20 April 2024
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Gyakufunsha Kazoku,
逆噴射家族)
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Director – Sogo Ishii – 1984 – Japan – Cert. 18 – 105m

*****

After proudly moving into their first home as owner-occupiers, a family go berserk and destroy the building – out on Blu-ray on Monday, June 17th

This seemingly starts out as a conservative family drama. The family in question comprises father Katsukuni Kobayashi (Katsuya Kobayashi in his debut feature role), mother Saeko (Mitsuko Baisho who worked with directors Akira Kurosawa, Shohei Imamura and Kaneto Shindo), elder teenage son Masaki (Yoshiki Arizono from Ichi the Killer, The Happiness of the Katakuris, both Takashi Miike; Electric Dragon, 80,000 V, Sogo Ishii, all 2001) and younger teenage daughter Erika (Youki Kudoh from Typhoon Club, Shinji Somai, 1985; Mystery Train, Jim Jarmusch, 1989; Heaven’s Burning, Craig Lahiff, 1997). The Kobayashis move in to their first home as owner-occupiers which, although it’s a little on the small side, promises an idyllic existence. Father is the breadwinner with a nondescript office job, mother waters the plants and does the cooking and housework, the daughter wants to be an idol singer and the son is spending all his time studying for school and university in his room upstairs.… Read the rest

Tags a place to live, accommodation, armour, baseball bat, basement, bicycle, biker gang, bravado, breadwinner, build, building work, catalyst, Chinese, coffee, defensive, derelict, digging, drama, drill, failure, family, family unit, father, floor, flyover, grandfather, hand-held, head of the family, Hitoshi Ueki, home, horror, house implosion, housewife, housing, husbands and wives, idol singer, intimacy, intimate, Japan, Japanese cinema, JG Ballard, Katsuya Kobayashi, killing, kitchen implements, living room, living room floor, Mitsuko Baisho, mother, naive, nuclear family, office job, one-piece swimsuit, outer space, owner-occupiers, parents and children, pixelation, poison, power tool, primal types, public housing, rape, rape as weapon of war, room, run, salaryman, school, Second Sino-Japanese War, SF, sibling, sick, social breakdown, societal norms, Sogo Ishii, soldier, streets, studying, suburbia, sword, teenage, threat, train, turmoil, uniform, university, upstairs, warrior, weapon of war, white ant, World War Two, Yoshiki Arizono, Youki Kudoh

Features Live Action Movies

The Fabelmans

Post author By Jeremy Clarke
Post date 27 January 2023
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Director – Steven Spielberg – 2022 – US – Cert. 12a – 151m

*****

The life and times of a young boy and amateur US movie maker whose extended family harbours an unexpected secret – out in UK cinemas on Friday, January 27th

Throughout his career, Spielberg has continued to surprise. He’s made big blockbusters which seem, very often, to be about the intimacies of family relationships. Perhaps it was inevitable that, sooner or later, he would make something like The Fabelmans.

Orson Welles once said that Hollywood was the best train set a boy could have to play with. Presented with a train set, young Sammy Fabelman (Mateo Zoryan Francis-DeFord) plays with it by staging train crashes, about which behaviour his brilliant, scientific nerd father Burt (Paul Dano) is less than pleased.

However, his mother Mitzy (Michelle Williams), after some thought, realises that her son need to see the trains crash over and over again, so secretly allows him to stage a crash and film it with the family’s Super 8 home movie camera to enable his required repeat viewing. This kindles within the boy a desire to make his own movies, and soon he’s enlisting his family, friends and neighbours in these enterprises.… Read the rest

Features Live Action Movies

Hive

Post author By Jeremy Clarke
Post date 16 March 2022
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Director – Blerta Basholli – 2021 – Kosovo – Cert. 15 – 84m

***

A woman whose husband went missing during the war encounters prejudice when she starts a small business to support herself and her family – out in cinemas on Friday, March 18th

Kosovan woman Fahrije (Yllka Gashi) lives with her teenage daughter and younger son and her father-in-law Haxhiu (Çun Lajçi). Her absent husband disappeared during the war and is likely dead, but no-one knows for certain and she keeps looking whenever more graves are discovered, often with clothes of the victims rather than their bodies. So far she has been unable to identify him, something of an emotional nightmare. She still tends his beehives, but occasionally gets stung and wonders how he managed to avoid that. Answer: he had a way with bees that she doesn’t.

However, life must go on and in the absence of a male breadwinner, she must provide income to feed herself, her kids and her father-in-law. She meets with other women in the village, some of whom are presumably in the same situation as she, and decides to set up a food business, making and selling jars of Avjar (roasted red pepper spread).… Read the rest