Tag: blockbuster

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Features Live Action Movies

The Creator

Director – Gareth Edwards – 2023 – US – Cert. 12a – 133m

****

A widower finds himself protecting an AI in the form of a child as anti-AI North American forces wage a war on the Asian-Pacific countries where people have integrated with AI robots – out in UK cinemas on Thursday, September 28th

Over a decade ago, I was blown away by Gareth Edwards’ little indie British film marvel Monsters (2010) which broke all the accepted wisdom of film production. Based around a deceptively simple script concept, it was shot by a four-man crew and a two-man cast (plus anyone else who was around at the time) with lots of post-production VFX work added by the director himself.

That got him an agent and two big budget Hollywood franchise FX movies – the Godzilla reboot (2014) and the Star Wars movie Rogue One (2016). The former isn’t bad for a Hollywood movie, although I personally far prefer the Japanese-made Shin Godzilla (Hideaki Anno, 2016), while the latter is one of the better Star Wars films. However, neither quite possessed the quality that had got me so excited about Monsters.

I suspect Edwards feels the same way, because whilst he clearly relishes the chance to work with the palette of a huge Hollywood FX budget, on this his fourth film, as with Monsters, he has once again broken the rules – this time within a huge Hollywood FX budget film.… Read the rest

Categories
Features Live Action Movies

The Wandering Earth II
(Liulang Diqiu 2,
流浪地球 2)

Director – Frant Gwo – 2023 – China – Cert. 12a – 173m

***

Sequel – or rather prequel – wants to explain how it was that the Earth became the Wandering Earth, but instead throws convoluted plot, big budget effects and action set-pieces at us while not really explaining anything – out in UK cinemas on Friday, January 27th

Gwo’s mega-expensive, blockbuster franchise is back for a second instalment, this time at three rather than two hours in length. Surprisingly, II isn’t so much a sequel to The Wandering Earth as a prequel which attempts to explain its predecessor by exploring many of the events which take place leading up to it, including the attempt by the United Earth Government (UEG) to launch the Wandering Earth Project, the complex system of jet engines constructed around the Equator like a belt round a large man’s belly to enable the ecologically-damaged Planet Earth to be piloted through space in an attempt to find a new home for the human race.

As if aware that three hours of interpersonal drama and action sequences based around this might prove too much for even the franchise’s most ardent fans, Gwo and his screenwriters build in a second plot involving Tu Yuheng (Chinese megastar Andy Lau) whose wife and small daughter are killed in a road accident.… Read the rest

Categories
Animation Features Movies

Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)

Director – Enrique Gato – 2022 – Spain – Cert. U – 90m

****

In Mexico, desperate for recognition as a bona fide archaeologist, our hero unearths an Egyptian sarcophagus and unleashes a mysterious power from an Inca temple – out in UK cinemas on Friday, September 9th

Gato’s third instalment of the Tad The Lost Explorer franchise is a lot better than it sounds, chiefly because it delivers narrative coherence and picks up and runs with numerous opportunities afforded by character and script where the similarly inventive Minions: The Rise Of Gru (Kyle Balda, Brad Ableson, Jonathan del Val, 2022) failed.

Having agreed with girlfriend Sara not to go public about his previous archaeological discoveries, Tad has with her help got on to the Chicago Museum’s dig in Mexico – as a lowly assistant, even though he seems more clued-up than the three qualified archaeologists in charge. Rashly opening a secret door by pushing a part of a wall frieze, he finds himself in a vast chamber containing an Egyptian sarcophagus, his report of which is pooh-poohed by his three superiors until, after firing him, they discover it for themselves and take the credit.

This rivalry between the ‘amateur’ Tad and qualified but comparatively clueless ‘professionals’ is kept up throughout the narrative, although the professionals remain secondary characters.… Read the rest