experience it, process it

Tag: business model

The Battle for Laikipia

Directors – Daphne Matziaraki, Peter Murimi – 2024 – US, Kenya, Greece – Cert. 12a – 94m ** Disagreements in Kenya between indigenous, pastoralist herdsmen and white immigrant farmers come to a head during a severe drought exacerbated by climate change – out in UK cinemas on Friday, October 4th Shot mostly between 2017 and […]

Tags acreage, arrest, back-to-the-land, British immigrant, business, business model, candidate, capitalist, cattle, climate change, commercial, common ground, conflict, country, COVID, Daphne Matziaraki, deplete, disagreement, diversity, drought, election, enclosed, enclosed land, farmers, farms, global issues, goats, grass, grazing, Greece, hate speech, herds, herdsman, history, incitement of violence, indigenous, irreconcilable, irresolvable, justice and injustice, Kenya, Kifuku Ranch on modern, Laikipia, land grab, land ownership, land ownership rights, Lempurkel, Maria Dodds, mobile phone footage, nationality, opposed factions, opposing, pandemic, pastoralist, pasture, Peter Murimi, ranches, settlers, slaughter, small scale approach, stress, struggle, struggling financial, survival, tribesman, tribesmen, US, Western, white British, wildlife conservation area

Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Post author By Jeremy Clarke
Post date April 18 2024
No Comments on Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)
Sticky post

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m **** An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th To understand what this […]

Tags 1828, 1930s, 2D animation, Allied cameramen, animation, Axel Danielson, bodies in motion, British, business model, camera, camera obscura, ceremony, chrono-photographer, cinematography, copyright, Death Camps, Denmark, Edweard Muybridge, emotional trigger, entertainment, escape, Étienne-Jules Marey, everyday life, evil, fake news, fantasy, first contact, France, funding films, Georges Méliès, Germany, history, horse gallop, human, human and animal, human eye, idiosyncratic, image, immorality, inverted image, Leni Riefenstahl, light, locomotion, Lumière brothers, magical, Maximilien Van Aertryck, mid-nineteenth century, MOI, moving, moving image, Nazi, Norway, optical, optics, parades, Paris, persistence of vision, pervasive, photographer, photography, pinhole, pinhole camera, pioneer, producer, rolling news channels, self-broadcasting, self-filming, show, showmanship, Sidney Bernstein, smartphone. social media, society, studio, Sweden, technology, Ted Turner, television, The Coronation of Edward VII, the home, toddler, trigger, TV series, US, viral video, Voyager spacecraft, YouTube

Features Live Action Movies

KIBA:
The Fangs Of Fiction
(Damashie
No Kiba,
騙し絵の牙)

Post author By Jeremy Clarke
Post date February 12 2022
No Comments on KIBA:
The Fangs Of Fiction
(Damashie
No Kiba,
騙し絵の牙)

Director – Daihachi Yoshida – 2020 – Japan – 112m ***** Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, […]