Tag: Renaissance

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
The making of an icon

Post author By Jeremy Clarke
Post date 19 May 2026
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Frida Kahlo
Special Edition
with new material from
The making of an icon
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Frida Kahlo, The Two Fridas, 1939 © EXHIBITION ON SCREEN

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing. You notice the ornate rings on her fingers, her lavish earrings, the green and yellow jungle design of her print dress as she talks about “too much pain… It will take me years to get out of this mess I have in my head.… Read the rest

Tags 1910 Mexican Revolution, a German immigrant, abortion, activist, advertising, affair, Alfredo Vichis Roque, Ali Ray, Amelia Mesa-Bains, androgynous, animals, Anna Chancellor, anti-birth, anti-colonial, architect, art, art exhibition, artist, Astrid Hadad, athletics, attention-seeking, auction, bedridden, biographer, biographies, bisexual, bleeding, bleeding womb, blood, blood vessel, bone treatment, boyfriend, braid of flowers, brand, Brandels University, brown-skinned heroine, buried, bus accident, Carlos Phillips Olmedo, Carmen Lomas Garza, Casa Azul, Catherine Wood, Catholic, celeb, censorship, Chicano, Christian, Christian symbolism, civil rights, civil war, clothes, colonialism, colour photographer, Communist Party, communities, confined, consumer culture, corpse, counterculture, cracked landscape, Cristina Kahlo, curator, day and night, defiant, defiant gaze, desolation, Detroit, Diana Bermudez, dictatorship, Diego Rivera, Diego Riviera, disability, divorce, divorce proceedings, doctor, doctor’s orders, dog, dog deity, Dolores Olmedo Museum, earring of a hand, earrings, exhibition, Exhibition On Screen, faith journey, fathers and daughters, female body, fingerprint, folk culture, fractured spine, Frida Kahlo, Frida Kahlo Museum, Frida: the making of an icon, Gabriel Porras, gallery, Gannit Ankori, gay identity, gender fluidity, global brand, global food supply, green, group show, Hayden Herrara, Hilda Trujillo, Hindu, Hindu symbolism, historian, hope, hospital visits, housebound, Houston, husbands and wives, hybridisation of plants, iconicity, identity, injury, Interim Director, Juan O’Gorman, Las Cachuchas, Latin American Art, Le Corbusier, left-wing, letter, library, London exhibition, love affairs, Luther Burbank, Madonna and child, male and female, man plant, manifesto, Mari Carmen Ramirez, marriage, Mary McCartney, matriarchy, medical bills, medical training, menagerie, Mexican art, Mexican Woman, Mexico, Mexico City, Mexico City’s National Preparatory School, miscarriage, mixed race, mothers and daughters, mouth, Munchausen syndrome, mural, Muralism, museum, Museum of Fine Arts, myth, nails, naive painting, necklace of thorns, new government, new social movement, New York, newspaper article, Nickolas Muray, nun, opening night, opposites, ornate rings, orthopaedic brace, pain, painting, Paris, philosopher, Polio, politics, portrait, posing for photographs, pre-Hispanic art, pregnancy, Professor of Art History, prostitute, public buildings, religious paintings, Renaissance, retablos, retablos artist, revolution, revolutionary, roots, rules, Rupert Garcia, San Francisco, sartorial identity, schooling, scientist, self-portrait, sexual violence against women, sisters, skull, solo exhibition, Spain, Spanish / Indian descent, Spanish colonialism, spider-monkey, stabbed to death, still life, student movement, studio, sun and moon, surgery, surgical scissors, Surrealism, Tate External Curator, Tate Modern, Texas, the Blue House, The Human Condition, three quarter portraits, Tijuana, Tobias Ostrander, torso, tourist boats, Tracey Emin, trauma, UK, umbilical chord, underworld, US, vaginal blood, Warhol, Warholesque silkscreen print, wealth, women artists, work from photographs, workers' rights, writer, writing desk, Xolotl, Yasumasa Morimura, yin and yang

Features Live Action Movies

Cronos
(Cronos)

Post author By Jeremy Clarke
Post date 15 May 2026
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(Cronos)
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Director – Guillermo del Toro – 1992 – Mexico – Cert. 18 – 92m

****1/2

An antique shop owner is transformed by a strange, hand-sized device he finds in a small statuette – back out in a 4K restoration in UK cinemas on Friday, May 15th alongside a Guillermo del Toro season at BFI Southbank

The auspicious debut of Guillermo del Toro (Frankenstein, 2025; The Shape of Water, 2017; Pan’s Labyrinth, 2006) upsets the joys of family life in old age by means of a small golden device which confers immortality on the user – at a price. The narrative opens with a preamble about the alchemist (Mario Iván Martínez from Clear and Present Danger, Phillip Noyce, 1994; Like Water for Chocolate, Alfonso Arau, 1992) who created the device and who was found dead beneath the ruins of his vast mansion in Veracruz apparently aged four hundred or so years and with a pallid skin in the 1930s.

The present day. Jesús Gris (Frederico Luppi from Pan’s Labyrinth; The Devil’s Backbone, Guillermo del Toro, 2001) runs an antique shop and enjoys the company of his small granddaughter Aurora (Tamara Shanath). After a suspicious character visits the shop, possibly looking for something, Jesús is playing a board game with Aurora when cockroaches appear from the small statuette in which the stranger has shown an interest.… Read the rest

Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Michelangelo
Love and Death

Post author By Jeremy Clarke
Post date 20 May 2025
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Michelangelo
Love and Death
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Director – David Bickerstaff – 2017 – UK – Cert. U – 91m

*****

Sixteenth Century Renaissance sculptor Michelangelo remains one of the greatest artists of all time, yet his overreaching ambition frequently proved his undoing – back out in UK cinemas to tie in with the 550th anniversary of Michelangelo’s birth from Tuesday, May 20th

“From a fountain of mercy… my suffering is born.” These words (voiced by James Faulkner as Michelangelo) accompany images of a present day sculptor (Marco Ambrosini) working away at a piece of marble in his studio. The writings of Vasari (voice: Lawrence Kennedy) take up the story. A boy was born to a noble family in 1475. Art Critic and Author Jonathan Jones places Michelangelo among the greats, like Leonardo da Vinci, Rembrandt, Picasso. He deals with the strangest, darkest and most difficult stuff. He is the original famous artist. He had two biographies written about him in his lifetime, and took great interest in them, helping bring them to fruition. He painted, sculpted, built architecture, wrote poetry, even built military fortifications. This was the time when artists started being regarded as creative geniuses, according to Art Historian Jennifer Sliwka. Vasari referred to Michelangelo and his art in terms of Divinity and then the Divine.… Read the rest

Tags 1475, 1530, 15th Century, 16th century, acolyte, Alessandro Cecchi, ambition, anatomy, ancient ruins, and Martin Clayton, architect, architecture, Arnold Nesselrath, Art Critic, art historian, artist academy, artists’ workshop, assistants, attack, author, Bacchus, Battle of the Centaurs, Bertoldo, Bible, biographer, biographies, block of marble, burning at the stake, cadavers, Carrara, Casa Buonarotti, Casa Buonorotti, Christ in judgement, Christian redemption, church, Clinical Anatomy, closed access, Colosseum, columns, commission, committee of artists, Condivi, Conservator, control freak, Cosimo de Medici, Creation of Adam, creative genius, crucifixion, cupola, David, David Bickerstaff, David Rintoul, Dawn and Dusk, dead Christ, decorative, delegate, design, Divinity, Donatello, Duomo, end of the world, engineering, English, Exhibition On Screen, eyes, facade, family, Florence, Florence Cathedral, flow, football, fortifications, frame, France, Francesca Nicoli, gay, gay sexuality, Genesis, German, God’s finger, grief, hands, Heaven, hiding, higher spiritual realm, Holly Trusted, imagination, impart life, interview, irrationality, Italian, Italy, James Faulkner, Jennifer Sliwka. Art, Jonathan Jones, Laboratoire Artistici Nicoli, language of architecture, Laurentian library, lava, Lawrence Kennedy, Leonardo da Vinci, library, London, Lorenzo di Medici, Lorenzo the Magnificent, male world, marble, Marco Ambrosini, Martin Gayford, Mary, medical science, Medici, Michelangelo, military fortifications, mother, motifs, motion, movement, muscular nude body, Neo-Platonist, New Testament, night and day, nudity, Office of Works, Old Testament, painter, painting, papal court, patrons, peace deal, Peter Abrahams, Phil Grabsky, Phillippa Abrahams, physical agony, physical beauty, Picasso, picture frame, pietà, poet, poetry, Pope Clement VII, Pope Julius II, Pope Leo X, Pope Paul II, power, Prints and Drawings, problem-solving, professor, punishment, quarry, religious art, Rembrandt, Renaissance, Rome, Royal Collection Trust, sacristy, San Lorenzo, San Lorenzo monastery, Santa Croce church, Santo Spiritu, sculptor, sculpture, self-portrait, Senior Curator, Sistine Chapel, Sistine Chapel altar wall, Sistine Chapel ceiling, sodomy, St. Peter’s Rome, staircase, studio, studying cadavers, tactile, Tania Kovats, teenage angst, The Battle of Cascina, the Divine, The Last Judgement, tomb, torment, touch, trams, turn convention on its head, UK, upbringing, V&A, Vasari, Vatican Museums, Virgin Mary, vision, volcano, wall of flesh, Warwick Medical School

Animation Features Movies

The Inventor

Post author By Jeremy Clarke
Post date 5 March 2024
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Directors – Jim Capobianco, Pierre-Luc Granjon – 2023 – US, France, Ireland – Cert. PG – 100m

****

Towards the end of his life, inventor Leonardo da Vinci goes to live in France under the patronage of the King – stop frame / drawn animation composite is out in the UK’s Vue cinemas on Friday, March 8th

Rome, Italy, 1516. Leonardo da Vinci (voice: Stephen Fry) happily shows off a giant optical system of magnifying glasses for observing the heavens to his assistant Francesco Melzi (voice: Angelino Sandri). Francesco retorts that Leonardo ought to be worried about the Pope who has spies everywhere (and sure enough, there are eyes watching from nearby peepholes). Leonardo’s other assistant, the hulking, mute Zoroastro sources corpses for him, on which the curious Leonardo performs dissections and studies what he finds through making drawings in his quest for find the animated spirit of man, a search which, in dreams and visions, often leads him into confrontation with a mysterious, gargantuan, dark-hooded figure.

The inventor is summoned to Pope Leo X (voice: Matt Berry) who wants to know, why can’t Leonardo just make pretty things? The arrival of a messenger whose helmet is half crushed by a cannonball leads Leo to suggest Leonardo fashion him machines of war.… Read the rest

Tags 2D animation, 3D animation, Angelino Sandri, animation, body, cannonball, capture, castle, character design Cardinal De Beatis, Charles V, city, corpse, Daisy Ridley, Daniel Swan, dissection, drawing, drawn animation, dreams, enemy, flying rigs, forces, France, Francis I, French, Gauthier Battoue, Giuliano de Medici, gravedigger, Henry VIII, hooded, human body, ideal city, Inventor, Ireland, Italy, Jane Osborn, Jim Capobianco, John Gilkey, king, Leonardo da Vinci, lion, Louise de Savoy, magnifying glasses, Marion Cotillard, Matt Berry, Max Baumgarten, Meaning Of Life, mechanical, mechanical lion, Natalie Palamides, observation, obsession, optics, painting, pastel shade, peace, peepholes, Pierre-Luc Granjon, pontiff, Pope, Pope Leo X, power, Princess Marguerite de Navarre, puppet, Queen Mother, Renaissance, Rome, royal court, spirit, spirit of man, statue, Stephen Fry, stop-frame, stop-frame animation, stop-motion, stop-motion animation, study, suns, The Garden Of Earthly Delights, US, visions, war, war machines, wire work

Animation Art Movies Shorts

The Battle Of San Romano

Director – Georges Schwizgebel – 2017 – Switzerland – 2m 26s

*****

The Battle Of San Romano is the fourth of 13 Original Short Films in the Annecy Festival 2020’s selection for We Are One: A Global Film Festival.

This film is based on the eponymous painting by Paulo Uccello in London’s National Gallery which has produced this helpful filmed talk about it. The painting’s subject matter is a 1432 battle between two regional Italian armies. The camera as we know it today didn’t exist at that time and had it done so, Uccello might anyway not have been very interested in using it to record an historical record as such. He seems to be more interested in constructing representational images, forms, and the illusion of three dimensional space.

What interests Schwizgebel is not so much the subject of the painting but the painting itself. It’s a study of the painting in much the same way that painters make studies of subjects with a view to exploring them, perhaps for use in a larger composition. Whether he is employing animation in quite the right medium is debatable. When I say medium, I mean that of the short film.

This short feels less like a film with a beginning, middle and end and more like a cycling loop of images which could go on for ever, so much so that I’ve found myself going back to it and re-watching in whole or in part.… Read the rest

Tags 2D animation, animation, Annecy, Annecy 2020, battle, experimental, horses, Italy, knights, Renaissance, Switzerland, war, We Are One