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Cape Fear
(1991)

Director – Martin Scorsese – 1991 – US – Cert. 18 – 128m

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest

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Winny
(Winny)

Director – Yusaku Matsumoto – 2023 – Japan – Cert. tbc – 127m

*****

Based on a true story; the state attempts to prosecute the software developer of the file sharing programme Winny for copyright violation – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

2003. After programmer Isamu Kaneko (Masahiro Takashide) creates a file-sharing programme Winny, the media reports that people are using it to illegally download movies. Across Japan in late November, a series of police raids on flats leads to the arrests of several Winny users, along with its creator. In custody and being questioned, Kaneko is very bad at paying attention. Believing the cops have his and society’s best interests at heart, he cooperates by copying into his own handwriting a confession they have written and signing it, on the verbal understanding that he can change or tweak the document before it is used in court. The interrogating cop, however, has deceived him into making a statement that will stand as evidence in court.

Defence attorney Toshimitsu Dan (Takahiro Miura) agrees to take on Kaneko’s case and is horrified by the computer programmer’s naivety about all things legal.… Read the rest

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Documentary Features Live Action Movies

Getting Away
With Murder(s)

Director – David Nicholas Wilkinson – 2021 – UK – Cert. 15 – 175m

*****

Most of the perpetrators of the Holocaust were never prosecuted: this documentary attempts to understand why noton BD/DVD combo from Monday, March 27th following its debut on various streaming platforms UK, USA, Canada and Australia on Friday, January 27th 2023 (Holocaust Memorial Day)… Full details below review:

There’s something about the enormity of the issues involved here that makes this a very tough watch. (If it wasn’t, there would be something wrong. The Holocaust is not an easy issue to deal with. Films about it can consequently be tough to watch. And so they should be.) That combined with the near three-hour running time (this is not a complaint, honest) means it sat on my pending review pile for quite a while before I finally sat down and watched it.

I suspect Wilkinson is aware of this problem. As the film starts, he takes you (as it were) gently by the hand as he walks into Auschwitz and matter-of-factly discusses its horrors, helped by a man who works in the museum there and has probably helped numerous people before and since to come to terms with the implications of the place as they go round it.… Read the rest

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Everything Went Fine
(Tout C’est Bien Passé)

Director – François Ozon – 2021 – France – Cert. 15 – 113m

*****

An elderly man recovering from a stroke enlists his two daughters to help him achieve assisted suicide and die with dignity – out in cinemas on Friday, June 17th

Emmanuèle Bernheim (Sophie Marceau) gets a phone call to say that her dad André Bernheim (André Dussollier), 85, is in hospital recovering from a stroke. She rushes to the hospital to meet her sister Pascale Bernheim (Géraldine Pailhas) in ER where he’s having an MRI scan. When they see him on the ward, mouth elongated on on side of his face, he can’t remember what happened. He has lost many everyday functions of his body.

While a fellow stroke survivor on his hospital ward makes rapid enough progress to soon be discharged, the less fortunate and initially bedridden André is moved to another hospital for more specialist treatment. Nevertheless, he eventually improves and in due course graduates to being sat in a chair in his room. Later still, he learns to use a wheelchair. His dietary abilities improve from initial intravenous drip feed through being spoon-fed mashed veg through to eating accompanied in a restaurant.

On one occasion early on when Emmanuèle visits him in hospital, she’s horrified to discover him lying in bed in his own excrement and immediately summons the manageress, who not only makes excuses about the amount of work required to look after a patient like this and how the hospital is short-staffed but also gives a personal assurance that this won’t happen again (and, indeed, no such further incident recurs).… Read the rest

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Everything Went Fine
(Tout C’est Bien Passé)

Helping a loved one to die

Everything Went Fine
Directed by François Ozon
Certificate 15, 113 minutes
Released 17 June

France. Two daughters, Emmanuèle and Pascale Bernheim (Sophie Marceau and Géraldine Pailhas), visit their 85-year-old father André Bernheim (André Dussollier) as he recovers from a stroke. The process is slow and difficult, and he may never make a full recovery. André has lived life to the full, often looking to himself rather than those around him, and has come to a decision. Separately he tells each of them, “I want to die.”

In his current state of health, he considers life no longer worth living and wants to be able to end it while he still has the mental and physical capacity to do so. Ironically, this… [Read the rest in Reform magazine]

Read my alternative, longer review.

Everything Went Fine is out in cinemas in the UK on Friday, June 17th.

Trailer:

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The Mauritanian

Director – Kevin Macdonald – 2021 – UK – Cert. 15 – 129m

****

A pro bono lawyer defends a post-9/11 terrorist suspect in Guantánamo Bay against his US Army prosecutor – plays Curzon Home Cinema rental from Monday, October 4th

Based on a true story, this kicks off in Mauritania, North West Africa in November 2001 – as a title tells us, two months after 9/11. Mohamedou Ould Slahi (Tahar Rahim) walks on a beach then attends a Muslim wedding in Mauritania, to which he’s returned after living in abroad in Germany. During the celebrations, two local cops turn up and want him to come for questioning about his brother, whose current whereabouts he reminds them he doesn’t know. “The Americans are going crazy since the attacks two months ago,” they tell him. Momentarily alone, changing out of celebratory robes into something more casual, he erases his mobile phone contacts before agreeing to go with them.

Three years later, New Mexico law firm partner Nancy Hollander (Jodie Foster) learns of his disappearance and that the story has just broken in Der Spiegel that Slahi is currently allegedly being detained in Guantánamo Bay as “one of the organisers of 9/11”. The US government has recently stated that inmates have the right of ‘habeas corpus’ – if the evidence against them isn’t deemed sufficient to hold them in detention, they should be released.… Read the rest

Categories
Documentary Features Live Action Movies

Getting Away
With Murder(s)

State-sanctioned killing

Getting Away With Murder(s)
Directed by David Nicholas Wilkinson
Certificate 15, 175 minutes
Released 1 October

The industrial extermination of the Holocaust included most infamously some six million Jews but also smaller numbers of other groups including Poles, gay men, the disabled and political dissidents, some 11 million people in all. It remains a stark reminder of the evil of which human beings at their worst are capable.

Getting Away With Murder(s) is a consistently compelling documentary which approaches this atrocity from an angle we’ve not really seen before: why were 99% of the perpetrators never held to account for their crimes?

The filmmaker David Wilkinson takes his camera to the sites of specific events, from the Auschwitz death camps… [read more]

Full review published in October 2021 issue of Reform.

See also my alternative review on this site.

Trailer:

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By The
Grace Of God
(Grâce À Dieu)

Abuse in church

By the Grace of God (Grâce à Dieu)
Directed by François Ozon
Certificate 15, 137 minutes
London Film Festival, 5 and 6 October
Released 25 October

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Over two hours long, this gripping and hugely topical affair dramatises the scandal of child abuse at Catholic summer camps over 20 years ago in the diocese of Lyon, France. The case has shaken the Church there since it became public in recent years. Despite Father Bernard Preynat (Bernard Verley) admitting his guilt, his superior, Cardinal Barbarin (François Marthouret) failed to curtail Preynat’s access to children thereby enabling his abuse of more victims in the ensuing years.

At a press conference, the cardinal uses the phrase ‘by the grace of God’ about the statute of limitations on many of the abuse cases. He is immediately criticised for the comment but it reveals how Barbarin is concerned more with protecting the institution of the Catholic Church than in caring for his flock.

Writer-director François Ozon constructs his narrative around three survivors… Read the rest

First published in Reform magazine. Now on Amazon and Curzon Home Cinema.

Trailer: