Tag: taboo

Categories
Features Live Action Movies

The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – Austria, France – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek.… Read the rest

Categories
Features Live Action Movies

Mongrel
(Baiyi Cang Gou,
白衣蒼狗)

Director – Chiang Wei-liang – 2024 – Taiwan, Singapore, France – Cert. 15 – 128m

****1/2

An immigrant caregiver is caught between the demands of his exhausted, needy clients on the one hand and his profit-oriented gangster taskmasters on the other – out in UK cinemas on Friday, May 23rd

This gets straight in there with a taboo-breaking shot of a human bottom covered in excrement, something familiar to anyone who has worked as a carer for an incontinent person but a bit of a shock to the rest of us. A hand bearing a cloth comes into shot and wipes the excrement off. When we eventually see the carer’s head, he is wearing earphones as he does the work. All his male client is doing is wordlessly moaning. We watch the carer lift the man, reassuring him, and deposit him in an offscreen chair. An elderly woman dozes on the sofa. He wipes her brow with a fresh towel. She takes it from him and wipes her face. He tells her he’s fed and bathed Hui (i.e. the son, played by Kuo Shu-wei who has cerebral palsy).

The carer goes outside in the rain. In the cab of his truck, his boss asks, what the hell took you so long?… Read the rest

Categories
Features Live Action Movies

Blue
is the Warmest Colour
(La Vie d’Adèle)

Director – Abdellatif Kechiche – 2013 – France – Cert. 18 – 180m

UK release date 22/11/2013;

Review originally published in Third Way magazine, November 2013.

A loose adaptation of Julie Maroh’s graphic novel Le Bleu est une Couleur Chaude, this is one of the most touching films about romantic love (and physical passion) ever. Be warned, it contains some pretty explicit, real rather than simulated, sex scenes (there’s good reason for the 18 certificate) but these appear in a wider, character-driven context.

Adèle (Adèle Exarchopoulos) and her mainly girl peer group at school spend much time discussing boys. She sleeps with but feels no real connection to a boy who’s a “sure thing”. While this romance is going nowhere, she exchanges glances with an unknown blue-haired girl on the arm of another woman on the street and is completely smitten. Seeing her emotional turmoil, she’s dragged off for a drink by her confidant, a boy she’s unaware is gay until they’re together in a gay bar, from which she makes her excuses and somehow winds up alone in an all-girl bar where Emma (Léa Seydoux), the girl with blue hair, chats her up. From there, to the confusion of her straight peers, a relationship slowly blossoms into full-blown passion.… Read the rest

Categories
Features Live Action Movies

The Last Dance
(Po Dei Juk,
破·地獄)

Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m (extended version – Cert. 15 – 140m)

**** (regular version) / unseen (extended version)

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is back out in UK cinemas in an extended version on Friday, April 24th following the original version’s release on Friday, November 15th 2024

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr.… Read the rest

Categories
Animation Features Movies

The King and the Mockingbird
(Le Roi et L’Oiseau)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Features Movies

Wrinkles (Arrugas)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Features Movies

The Wind Rises
(Kaze Tachinu,
風立ちぬ)

This triple review was originally published in Third Way, April 2014.

The King and the Mockingbird (Le Roi Et L’Oiseau)

Director – Paul Grimault – 1980 – France – Cert. U – 83m

UK release date 11/04/2014

*****

Wrinkles (Arrugas)

Director – Ignacio Ferreras – 2011 – Spain – Cert. 15 – 89m

UK release date 18/04/2014

*****

The Wind Rises (Kaze Tachinu, 風立ちぬ)

Director – Hayao Miyazaki – 2013 – Japan – Cert. PG – 126m

UK release date 09/05/2014

****

Animation is all-too often regarded – if not dismissed – as a children’s medium, yet it’s no more (or less) so than live action. Animated features aimed at a grown-up audience are rare. Incredibly, three are released this month.

The first, The King and the Mockingbird (1980), originally released here thirty years ago as The King And Mr. Bird and known equally by its French title Le Roi Et L’Oiseau, may contain nothing you wouldn’t want children to see but is actually a remarkable fable about overcoming a totalitarian regime. Considered among the greatest animated films ever made, it’s a major influence on Miyazaki (see below). This labour of love by director/animator Paul Grimault, based on a poetic screenplay by Jacques Prévert (Les Enfants Du Paradis, Marcel Carné, 1945) deals with a despotic king in a towering castle festooned with trap doors which he uses to dispose of anyone and everyone who disagrees with him.… Read the rest

Categories
Animation Live Action Movies Shorts

Letter to a Pig

Director – Tal Kantor – 2022 – France, Israel – 17m

*****

Under the watchful eye of an authoritarian teacher, as a class of bored teenagers listens to a visiting Holocaust survivor recount his experiences, one of their number daydreams about the pig with which the survivor shared a barn – nominated for Best Animated Short at the 2024 Academy Awards, VoD details below review

A figure (voice: Indra Maharik) with one shoe flees, running through a forest. “Nothing mattered”, says the old man sitting, his hands clasped together on the desk, in front of the schoolroom of bored Israeli teenagers. Haim (voice: Alexander Peleg) is recounting his experiences under the Nazi regime, but the teenagers would rather be somewhere else. Haim tells how he fled to a barn, where the pig there effectively saved his life. The severe teacher (voice: Ayelet Margalit) ejects one of them for remarking, “oink, oink”. Haim, recounting the past, talks about people capable of hate not deserving to live; he has clearly been unable to forgive those who acted on behalf of the Nazi regime.

Drifting off into a reverie, in her mind’s eye, one girl (voice: Moriyah Meerson) sees the SS send a pig to pursue the boy through the forest.… Read the rest

Categories
Documentary Features Live Action Movies

Dear Pyongyang

Director – Yang Yong-hi – 2005 – Japan – 107m

****

The return of a Japanese-Korean woman’s brothers to North Korea, encouraged by her parents, causes her considerable grief over the years – online in the UK as part of Yamagata International Documentary Film Festival (YIDFF) from Monday, January 17th to Sunday, February 6th, 2022.

The Zainichi are ethnic Koreans living in Japan. When that latter country was divided into North and South Korea, the Japanese required Koreans to designate themselves accordingly. Thus, they were forced to choose one side or the other and it reinforced their identity either way. From 1959 onwards, some 90 000 North Koreans returned from Japan to Korea in full expectation that it would be only a matter of time before North and South were reunited as a single nation once again. That still hadn’t come to pass by the time this documentary was completed, and it still hasn’t today some 15 years on.

As a six-year-old, Yang Yong-hi watched her three older brothers get on a one-way boat trip to North Korea, the country her dad designated their Fatherland. However, it wasn’t the world in which they – or she – had grown up. She was born in the Japanese town of Tsuruhashi where a quarter of the population was Korean.… Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.