Categories
Documentary Features Live Action Movies

The Road to Patagonia

Director – Matty Hannon – 2022 – Australia – Cert. 15 – 90m

****

A keen surfer and former ecology student from Australia sets out on a motorbike journey from Alaska down the West coast of the Americas to Patagonia – out on digital on Monday, July 28th

The family of Australian moving picture diarist Matty Hannon moved around a lot during his childhood. He left home as soon as he could, and studied ecology at university, where he became fascinated by the book Shamans of Mentawai about tribes living in Indonesia’s Sumatran Islands. A keen surfer, he went out to one of the islands, rode the incredible waves, embraced a simple lifestyle and felt he’d arrived in a utopia where people lived in harmony with nature, assigning spirit gods to rivers and mountains. He began to wonder if by concentrating on data in his studies, he’d been missing something. He stayed five years, from age 21-26.

On his return to Melbourne, he was hit by culture shock. Everything was commodified. He sat at a computer for work. He was now in a culture that referred to its people as consumers, where national success was measured in terms of how much they bought.… Read the rest

Categories
Documentary Features Live Action Movies

The Road to Patagonia

Directed by Matty Hannon
Certificate 15
90 minutes
Released 27 June

In his mid-20s, former ecology student and keen surfer Matty Hannon returns to Melbourne, Australia. For five years, from age 21 to 26, he has lived alongside one of Indonesia’s Sumatran Island tribes, a utopia where people live in harmony with nature, assigning spirit gods to rivers and mountains. And then there are the waves.

Melbourne hits him with culture shock; a culture that refers to its people as consumers, where national success is measured in terms of how much they buy. Depression is common. Hannon records his response in this documentary as he gets out, takes a tent to Alaska, then… on his motorbike… travels down the West Coast of the Americas to Patagonia… [read the rest in the Issue 4 – 2025 edition of Reform]

[Read my longer review for this site here.]

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Categories
Features Live Action Movies

Fountain of Youth
(2025)

Director – Guy Ritchie – 2025 – US – Cert. 12a – 126m

*

Two estranged, treasure-hunting siblings, with the help of a rich backer, pursue the trail towards the life-giving water source of legend, pursued by forces that want to prevent them from doing so – premieres globally on Apple TV+ from Friday, May 23rd

Films get made in a variety of different ways. According to the press handouts, this one came about initially through producer Tripp Vinson’s research into the legendary Fountain of Youth and the desire to have a globe-trotting hero searching for it. This idea was developed by screenwriter James Vanderbilt (Scream VI, Matt Bettinelli-Olpin, Tyler Gillett, 2022; The Amazing Spider-man, Marc Webb, 2012; Zodiac, David Fincher, 2007) into where the hero was not one but two people, an estranged brother and sister. When director Ritchie later came on board, he brought to it the idea of the journey being more important than the destination. This is not, therefore, a director-led project. In the process of making movies, however, it is ultimately the director, once they are on board, who is responsible for the myriad decisions that are taken in putting the film on the screen.… Read the rest

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Features Live Action Movies

Nosferatu
(2024)

Director – Robert Eggers – 2024 – US – Cert. 15 – 132m

*****

Unaware a woman has unwittingly summoned Count Orloc, her husband is sent to the latter’s castle in Transylvania – out in UK cinemas on Wednesday, January 1st 2025

The German expressionist silent film Nosferatu (F.W. Murnau, 1922) has been described as setting the cinematic template for the horror film. Broadly speaking, it’s an unofficial adaptation of Bram Stoker’s novel Dracula, with names changed for the purposes either of connecting to the German audience or avoiding copyright issues. While there have been numerous Dracula movie adaptations and spin-offs over the years, remakes of the 1922 film are comparatively few and far between; prior to the current film, Werner Herzog notably made Nosferatu the Vampyre (1979).

Eggers is a great admirer of the 1922 film, and originally planned to remake it after The Witch (2015). It’s not hard to see why. His films have about them a terrible sense of dread, of dire events about to occur. Like F.W. Murnau, he is a great visual stylist (although the silent film industry of the 1920s was very different to the far more sophisticated sector of today). The film has had time to marinate in his head for the best part of a decade, which has probably done the project no harm at all.… Read the rest

Categories
Animation Features Movies

Watership Down
(new 4K restoration)

Directed by Martin Rosen
Certificate PG
92 minutes
Released 25 October

Reviewed for Reform magazine.

Now fully restored in a new 4K restoration, this 1978 tale of rabbits on the run proved that an animated film need be neither made by Disney nor sugar-coated for children. Watership Down, although a children’s film, came from the producer of the Oscar-winning DH Lawrence adaptation Women in Love (1969), Martin Rosen. He ended up directing it too.

A prologue details the relationship between the creator-god Frith – represented as the sun – and rabbitkind. As with most creation myths outside the Judeo-Christian, there’s quite a bit of sex and violence. The rabbits breed furiously; hitherto non-carnivorous animals are given teeth to keep the rabbit numbers down. The rabbits are given powerful hind legs to outrun their predators.

Having established rabbits as intelligent creatures possessing a mythology and a world view, the main story… [Read the rest at Reform magazine]

[Read my alternative, longer review for this site.]

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Categories
Animation Features Movies

Watership Down
(new 4K restoration)

Director – Martin Rosen – 1978 – UK – Cert. PG – 92m

*****

When a young rabbit visionary foresees doom for those who remain, some of the rabbits leave their warren in search of a safer home, encountering many life-threatening perils along the way – new 4K restoration of animated feature is out in UK cinemas on Friday, October 25th, following its World Premiere in the London Film Festival on Saturday, October 12th

LFF: Sat 12 Oct 12:20 World Premiere, Tues 15 Oct 12:15,
both BFI Southbank NFT1.

This opens with a mythological segment involving a powerful God, represented as the sun, and rabbitkind, specifically the archetypal rabbit El-ahrairah. It’s drawn and painted in an arresting, non-naturalistic style involving coloured lines animated against a white background to create the impression of moving, primitive drawings, due in large part to uncredited director John Hubley, whose vision for the film was at odds with that of producer Martin Rosen. The latter ended up firing the former as he wanted something grittier and less lightweight.

It’s arguable this has worked to the film’s advantage: the fable sequence works as otherworldly rabbit mythology, suggesting a race of intelligent creatures capable of constructing creation myths about their species much as human beings do.… Read the rest

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Animation Features Movies

Kensuke’s Kingdom

Directors – Neil Boyle, Kirk Hendry – 2023 – UK – Cert. PG – 85m

***1/2

A British boy and his dog are stranded on a desert island alongside a Japanese man looking after a colony of apes – animated adaptation of Michael Morpurgo’s book is out in UK cinemas on Friday, August 2nd

With his parents having lost their jobs, Michael (voice: Aaron McGregor) is sailing round the world with his family. They are somewhere in the Pacific. Mum (voice: Sally Hawkins) is the skipper, with dad (voice: Cillian Murphy), Michael’s elder sister Becky (voice: Raffey Cassidy) and Michael himself as crew. He is homesick, missing his dog Stella. Well, not missing her, actually, because he’s secretly smuggled her on board and has her holed up in the cupboard at the front of the deck. Which is why the ship’s supplies appear to be dwindling – he is sneaking her food out of them.

Michael is the misfit of the crew; you sense that the other three family members are enjoying the experience of the trip, but he’d rather be back at home. Mum and dad try to make him feel better – mum ordering him about as skipper but giving him time with her as “mum” to talk about anything that might be bothering him.… Read the rest

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Animation Features Movies

Song of the Sea

Director – Tomm Moore – 2014 – Ireland – Cert. PG – 93m

*****

A family is torn apart after the mother returns to the sea as a selkie – reviewed for Third Way, July 2015

Tomm Moore picked up an Oscar nomination for his medieval Irish animated fantasy The Secret Of Kells (2009). Like that earlier work, his equally impressive Song Of The Sea eschews Hollywood’s headlong rush towards 3D in favour of traditional 2D animation with an emphasis on drawing and visual design – and it’s a real pleasure to watch. A family movie in the best sense – there’s nothing here parents wouldn’t want children to see – it explores difficult issues about parents and children, being set in a family where, effectively, the mother has walked out leaving dad to look after the two kids. The plot employs Celtic folklorish figures of selkies – creatures who periodically change from female seals to human girls or women and back again.

Thus, the reason for the departure of Bronach (voice: Lisa Hannigan) a few minutes into the proceedings is that the sea is calling her to become a seal once again. She leaves behind her lighthouse keeper husband Conor (voice: Brendan Gleeson) and kids Ben (voice: David Rawle) & Saoirse (voice: Lucy O’Connell) to fend for themselves and their beloved dog Cu.… Read the rest

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Features Live Action Movies

Kingdom of the
Planet of the Apes

Director – Wes Ball – 2024 – US – Cert. 12a – 145m

*****

The fourth entry in the current franchise reboot takes place several generations after the previous three films when apes live in scattered communities and humans have lost the power of speech – out in UK cinemas on Thursday, May 9th

Noa (Owen Teague) has deep-seated feelings of failure. His father is the head of the Eagle Clan, a tribe of chimps who live in symbiosis with trained eagles, and Noa thinks nothing of scaling the highest local rock face to steal his own eagle egg for later bird rearing. He goes on such quests with his two loyal friends, the male Anaya (Travis Jeffery) and the female Soona (Lydia Peckham). He also values the wisdom of Raka (Peter Macon), an orangutan with considerable knowledge of the generations-old teachings of Ceasar.

Noa spots a human girl (Freya Allan) sneaking around the village and environs. A short while later, all hell breaks loose as a cavalry of masked apes attack and burn the village. Noa resolves to leave the safety of the local valley and venture into the land beyond on horseback, accompanied by Raka. They soon realise the non-speaking girl is following on foot, and no sooner have they coax her into joining their quest than they run into first a herd of humans at a small forest pool, then the mounted masked gorillas from whom they must rescue the silent girl.… Read the rest

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Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest