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The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

Categories
Features Live Action Movies

Typist Artist Pirate King

Director – Carol Morley – 2022 – UK – Cert. 12a – 106m

****1/2

Road movie in which her psychiatric nurse drives an artist with mental health issues from London to an open entry exhibition in the North – in cinemas from Friday, October 27th following premieres in the 2023 Raindance Film Festival (UK premiere) and 2022 Tallinn Black Nights Film Festival (world premiere)

In these days of US-style promotion, branding and media, it’s easy to think of artists as high profile, rich and successful. While some are, that’s not what an artist is: an artist is, quite simply, someone who makes art. (If they’re a good artist, they make good art. Whatever that is.) The subject of Morley’s new road movie is the artist Audrey Amiss (1933-2013) who, although she exhibited her work a number of times during her lifetime, received scarcely any recognition in that period. She suffered from mental health issues and was in and out of mental hospitals throughout her life.

Audrey (Monica Dolan) is regularly visited in her London flat by psychiatric nurse Sandra (Kelly Macdonald). One day, she asks Sandra to drive her to an exhibition which has an open call for artists, as she’s never exhibited and feels the time has come.… Read the rest