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“i know
where i’m going!”
(IKWIG)

Producers-Writers-Directors – The Archers (Michael Powell and Emeric Pressburger) – 1945 – UK – Cert. PG – 92m

*****

A London banker’s daughter’s determined to marry her wealthy fiancé on an Hebridean island has reckoned without the weather and other local factors preventing her from doing so – engaging romantic drama is out in UK cinemas on Friday, October 20th while major season Cinema Unbound: The Creative Worlds Of Powell + Pressburger opens Monday, October 16th at BFI Southbank and on BFI Player

You wouldn’t expect a film which is essentially a romantic comedy to open with its leading lady at age one, but that’s exactly what The Archers do here. Joan crawls, going (as the male voice over would have it) neither right nor left but straight on. By age five the male voice has her asking Santa for silk stockings (real, not artificial, a request that will have chimed with austerity-pressed, British audiences in 1945 after six years of war), by 12 she’s the one schoolgirl getting a lift home in the milk van. She’s accustomed to getting her own way and by her mid-twenties Joan (Wendy Hiller) is surprising her banker father, who she has wrapped around her little finger, with the news that she is going to marry the lucrative Consolidated Chemical Industries, specifically their ageing owner Sir Robert Bellinger.… Read the rest

Categories
Features Live Action Movies

A Haunting
In Venice

Director – Kenneth Branagh – 2023 – UK – Cert. 12a – 103m

**

Hercule Poirot’s exposure of a fake medium at a séance in Venice turns into a trail of mayhem and murder in which he must unmask the killer – out in UK cinemas on Friday, September 15th

Kenneth Branagh’s latest adaptation of an Agatha Christie Hercule Poirot story starts off well enough, with Poirot (Branagh) visited by old friend Ariadne Oliver (Tina Fey, who lights up the screen and is given or perhaps invents for herself all the best lines) who, like him, is convinced that all mediums who preside over séances are fakes. But the latest medium she has encountered appears to be genuine, which is to say that she’s sure the medium a fake, but can’t work out for the life of her how the medium is pulling it off. So she wants Poirot to accompany her to a séance, witness the medium first hand and work out how she’s doing it.

She gets him into a party for orphaned children at a troubled building where a young woman named Alicia drowned some time ago. She was the daughter of the current occupant, retired opera singer Rowena Drake (Kelly Reilly).… Read the rest