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Journey
To The Shore
(Kishibe
No Tabi,
岸辺の旅)

Director – Kiyoshi Kurosawa – 2015 – Japan – Cert. 12 – 127m

****

Currently on BFI Player (extended free trial offer here) as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

Review published in All The Anime.

Loner Mizuki (Fukatsu Eri) is alone one evening when her husband Yusuke (Tadanobu Asano) appears out of a dark corner into the light as if through a door. There doesn’t seem to be anything odd about this even though as she says, “it’s been three years”. “I’m dead,” he affirms. “In the sea off Toyama. My body’s been eaten by crabs. You wouldn’t find it even if you searched.”

Before departing, the dead come to terms with their death and help those close to them do the same.

This quiet, subtle, underplayed affair works as a gentle romance… Read the rest

Currently on BFI Player (extended free trial offer here) as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

Review published in All The Anime.

Categories
Animation Features Live Action Movies

Capital
In The
21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest

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Features Live Action Movies

The Eight Hundred
(Ba Bai,
八佰)

Director – Guan Hu – 2019 – China – Cert. 15 – 149m – IMAX

****1/2

Hopelessly outnumbered Chinese soldiers take a last stand against the Japanese in a Shanghai warehouse – available to rent online in the UK & Ireland as part of the Domestic Hits strand in the Chinese Cinema Season 2021 which runs until Wednesday, May 12th

1937, the Sino-Japanese War. The Chinese have fallen back to , Shanghai as the Japanese advance. Rounding up Chinese deserters, Colonel Xie (Du Chun) and his men of the National Revolutionary Army (NRA) hole up in the Sihang warehouse on the other side of the Souzou Creek from the International Concession from which the horrified civilians compulsively watch the conflict unfold.

A Western movie covering such a subject would likely introduce us to specific soldier characters at some length, possibly derailing the larger narrative to do this. The Chinese here do it rather differently. They take the overall sweep of the story and drop the characters in to it. There are deserters, there are brave and heroic fighters and there are men who move from the former to the latter group. The writers also sketch civilian characters living across the river.… Read the rest

Categories
Features Live Action Movies

Air Doll
(Kuki Ningyo,
空気人形)

Director – Hirokazu Kore-eda – 2009 – Japan – Cert. 18 – 111m

****

Fantasia Film Festival 2020 virtual edition from Thursday, August 20.

An unusual film for director Kore-eda, closer to After Life (1998) than almost anything else he’s done because of both fantasy element and whimsical tone. An inflatable sex doll is affectionately cared for by its owner Hideo (Itsujo Itao) who has sex with it at night. He has named the doll Nozomi after a former girlfriend. One morning when he’s at work, Nozomi wakes up as a flesh and blood woman played by Doona Bae, goes to the window and feels rainwater on her hands.

Nozomi tries on some of her (sexualised fetish) clothes, settling on a chambermaid costume. She heads out into the world, where everyone is busy getting to school or work. She follows an old widow (Sumiko Fuji) around, then a party of young schoolchildren. She passes an old man in a park. Eventually she stumbles into the video store where Junichi (Arata) works. The shop appears to her as a wonderland and she lands herself the counter assistant’s job. However she’s not very good at it, her experience of life being virtually nil and her knowledge of movies even less.… Read the rest

Categories
Features Live Action Movies

Love & Peace
(ラブ&ピース)

Director – Sion Sono – 2015 – Japan – Cert. PG – 117m

*****

Blu-ray available at Arrow Video’s Third Window Films Shop.

Sion Sono’s wonderfully insane, four-hour art-house epic Love Exposure (2008) made great waves on its UK release and for this writer, the extraordinary Love & Peace (2015) is a welcome return to form.

The wishy-washy title is perfect for this particular film. Tokyoite Ryoichi Suzuki, 33 (Hiroki Hasegawa) quit being a rock star at 21 after no-one showed up to his first three concerts, then took a job as a corporate clerk. A national disgrace, bullied by fellow office workers. Then he buys a turtle from a street vendor before being kidnapped by a younger rock band while his turtle, after he flushed it down the toilet, begins to grow to gargantuan size…

I reviewed Love And Peace for All The Anime at the time of its Blu-ray and DVD release. Trailer here:

https://www.youtube.com/watch?time_continue=20&v=KNfYMUEJkkk&feature=emb_logo
Categories
Art Features Live Action Movies

Blue Spring
(Aoi Haru,
青い春)

Director – Toshiaki Toyoda – 2001 – Japan – Cert. 15 – 83m

*****

Dual format Blu-ray/DVD available at Arrow Video’s Third Window Films site.

Teenage high school movie Blue Spring (2001) centres on the leader of a violent boys’ gang in their final year. The nonchalant Kujo (Ryuhei Matsuda) has befriended Aoki (Hirofumi Arai in his debut role) since the latter first joined his class in their infancy: these days Aoki is Kujo’s number two. The gang now comprises eight boys and periodically re-stages a terrifying ritual. In the opening scene, four of the boys chicken out while the other four including Kujo and Aoki take part.

Their flat school roof has a one storey tower accessible by metal fire escape type stairs. On the roof’s edge is a metal railing overlooking the open ground in front of the school building. The four boys climb over the railing so that their backs are facing the several storey drop below and hold on to the railing with their hands… [Read more]

I reviewed Blue Spring for All The Anime on its 2019 Blu-ray/DVD Dual Format release.

Categories
Animation Features Live Action Movies

First Love
(Hatsukoi,
初恋)

Director – Takashi Miike – 2019 – Japan – Cert. 15 – 108m

*****

A boxer with no fear of death. Japanese yakuza, Chinese triads. A bag of drugs. A girl sold into prostitution. Miike orchestrates his potent cocktail with pace, panache and energy – cinemas Friday, February 14th, home video Monday, February 24th

And yet, as its release date implies, First Love is also a Valentine’s Day-friendly date movie. Not, admittedly, your average date, but Miike has never been your average director. High-profile titles released in the West like Dead or Alive, Ichi the Killer and Yakuza Apocalypse give an certain idea of what he’s about – life, death and gangsters. This is only one facet of a career which also boasts samurai epics and a musical. If you count his made-for-video features of the early 1990s, Miike has now made over a hundred films. Many are highly entertaining and one or two, such as Audition, the sweet romantic film that turns into a terrifying horror thriller, might justifiably be termed great. First Love may not quite be Audition, but it’s arguably his best film for years… [Read more]

Full review at All The Anime.

Categories
Animation Features Movies

The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Director – Yuhei Sakuragi – 2019 – Japan – 93m

***

Teenage romance, parallel worlds and dysfunctional families are the main ingredients of The Relative Worlds, Yuhei Sakuragi’s uneasy cross between a mawkish boy meets girl tale and a sci-fi action picture in the James Cameron mould. The romantic, emotional parts are gentle and almost hesitant. The science fiction, fantasy and action parts are fast, full on and frantic – and indeed in places quite hard to keep up with. The dysfunctional families are more a background plot device than anything else. That said, if you’re prepared to get on its wavelength (or wavelengths, plural) it’s an enjoyable enough romp, with action that looks great on a big screen… [read more]

Full review at All The Anime.

Trailer:

Festivals

2019

Scotland Loves Anime

Annecy International Animation Festival

Categories
Features Live Action Movies

Shoplifters
(Manbiki Kazoku,
万引き家族)

Director – Hirokazu Kore-eda – 2018 – Japan – Cert. 15 – 121m – Palme d’Or winner

*****

Sleight of hand. A family of small-time criminals takes a little girl into their care – now out on VoD

The nuclear family. Dad Osamu (Lily Franky) takes son Shota (Jyo Kairi) shoplifting at a local convenience store. Mum Nobuyo (Sakura Ando), a former sex worker, dispenses advice to her younger sister Aki (Mayu Matsuoka). Grandma (Kirin Kiki) lives with the family, making a total of five persons in one small living space.

Father and son spot a little girl (Miyu Sasaki) sitting on the street. She’s hungry, so they take to theirs and give her a meal. Taking her home, it’s clear that neither father nor mother wants the child currently nor ever did. So the family decides to take Yuri in as its newest member.

Shota takes Yuri on a shoplifting trip but it doesn’t go so well… [Read the rest]

Out on Thunderbird Video. Also currently on Amazon Prime, BFI Player and Curzon Home Cinema (all rental). This review originally appeared in DMovies.org.

Trailer:

Categories
Features Live Action Movies

Foreboding
(Yocho,
予兆 散歩する侵略者)

Director – Kiyoshi Kurosawa – 2017 – Japan – 140m

*****

Loving the alien. Again. Japanese director reshapes his earlier Before We Vanish into an effective drama which plays out as an edge of the seat, sci-fi alien invasion thriller – from the London East Asia Film Festival (LEAFF) 2018

This is not exactly a remake, not exactly a reboot, not exactly a sequel. Most definitely a companion piece, though, and arguably the more effective of the two movies. And apparently, an edit of the director’s five-part series for Japanese satellite station Wowow, although it feels like a (well over two hours long) standalone feature. Kiyoshi Kurosawa revisits Before We Vanish / Sanpo Suru Shinryakusha (2017) for another story about the aliens clad in human bodies who steal concepts from people’s minds by touching a finger to a forehead E.T. (Steven Spielberg, 1982) style prior to a full scale invasion of Earth.

Where previously the director took the material and threw a cornucopia of different elements at it, this time round his efforts feel much more thought through and the resultant film far more consistent overall – a creepy and unsettling sci-fi paranoia thriller grounded in compelling, character-driven human drama.

Kurosawa builds his reinvented narrative round shop floor worker Etsuko (Kaho) whose friend Miyuki is going mad because of the strange presence in her home.… Read the rest