Director – Sogo Ishii – 1982 – Japan – Cert. 18 – 115m Film **** Cultural significance ***** Arguably the lynchpin film that brought Japanese cinema back from the brink of extinction in the early 1980s and paved the way for much of what was to follow – on Blu-ray from Monday, November 20th 2020 […]
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Burst City
(Bakuretsu Toshi
Burst City,
爆裂都市
BURST CITY)
- Post author By Jeremy Clarke
- Post date June 12 2022
-
No Comments on Burst City
(Bakuretsu Toshi
Burst City,
爆裂都市
BURST CITY) - Sticky post
- Tags 16mm, abandoned factory, aesthetic, amateur, anti-establishment, bands, battle, bike, bike noise, bikers, bondage, box office, breakneck, burning into film emulsion, car, Cell Number 8, chase, cinema, cops, daytime, direct onto film, drawing, drawing and painting direct onto film, early animation experiments, engine noise, fight, film industry, frantic, Gakuryu Ishii, gangster, Hollywood aesthetic, hyperkinetic, inaccessible, independent, indigenous, James Cameron, Japan, Japanese punk, Japanese punk bands, Japanese punk rock, Japanese punk rock bands, Japanese rock, Japanese rock bands, Jasper Sharp, Jishu Eiga, leather jacket, Len Lye, lynchpin, Midnight Eye, motorbike, motorbike noise, motorcycle and sidecar, moving lights, music, near collision, nighttime, Nihon University, no pay, noise, Norman McClaren, nudity, outlandish, painting, Pink Cinema, Pinku Eiga, pixillation, porn, POV, pubic hair, punk bands, Punk Rock, punk rock bands, punks, race, restless, rock, rock bands, Shinya Tsukamoto, Sogo Ishii, song, speeded up, suit, Super 8, The Rockers, The Roosters, The Stalin, The Terminator, Tokyo, Tom Mes, UK, UK punk, UK punk rock, unpaid, whore
