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Monster
(Kaibutsu,
怪物)

Director – Hirokazu Kore-eda – 2023 – Japan – Cert. 12a – 126m

****

The mother of a school pupil believes her son is being abused by his teacher, who in turn protests his own innocence, yet the truth is more complex – out in UK cinemas on Friday, March 15th

A movie at once spellbinding and infuriating, as a seemingly straightforward narrative is retold from different points of view and shifts subtly as further details emerge. It’s not a film to see if you’re tired, as it requires considerable attention on the part of the audience.

It starts off with a child’s feet walking along a patch of wasteland at night, sirens in the distance and then a blazing urban building which his single-parent mother Saori Mugino (Sakura Ando from Godzilla Minus One, 2023; Shoplifters, 2018 and Love Exposure, 2008) summons her son Minato (Soya Kurokawa) out onto their flat’s balcony to watch. Overheard conversation later suggests that not only was there a hostess bar on the third floor of the burning building, but that Minato’s teacher Mr. Hori (Eita Nagayama from Toshiaki Toyoda’s 9 Souls, 2003 and Blue Spring, 2001) used to go there.… Read the rest

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Like Father, Like Son
(Soshite Chichi
Ni Naru,
そして父になる)

Director – Hirokazu Kore-eda – 2013 – Japan – Cert. PG – 121m

*****

Upper middle class couple Ryota and Midori (Masaharu Fukuyama and Machiko Ono) get a call from the country hospital where their six-year-old son Keita (Keita Nonomiya) was born. Keita might not actually be theirs, but the son of Yodai and Yukari Saiki (Lily Franky and Yoko Maki), the two babies having been switched at birth. The two families are like chalk and cheese… [Read the full review at All The Anime]

On MUBI from Saturday, February 25th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – Like Father, Like Son (2013):

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Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

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Maborosi
(Maboroshi
No Hikari,
幻の光,
lit.
Phantasmic Light,
A Trick
Of The Light)

Director – Hirokazu Kore-eda – 1995 – Japan – Cert. 12a – 110m

****

His cinema directorial debut Maborosi (1995) is the only feature Koreeda didn’t also write or edit. Seemingly contented Ikuo (a pre-stardom Asano Tadanobu) goes out one night and is run over by a train. After his young wife Yumiko (Makiko Esumi in her debut role) moves to the North coast to remarry, Ikuo’s suicide continues to trouble her…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Maborosi – BFI reissue):

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Documentary Features Live Action Movies

After Life
(Wandafuru Raifu,
ワンダフルライフ)

Director – Hirokazu Kore-eda – 1998 – Japan – Cert. PG – 119m

*****

…Kore-eda fell back on his TV documentary roots, interviewing 500 ordinary people about their most important memory if they could take only one with them to heaven. He incorporated ten into After Life (1998), playing recently deceased clients in the care of petty bureaucrats played by professional actors. They are given one week to choose and recreate that memory on film before being sent off to the next place…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Curzon Home Cinema.

Trailer (After Life – original Japanese, subs):

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Nobody Knows
(Dare Mo Shiranai,
誰も知らない)

Director – Hirokazu Kore-eda – 2004 – Japan – Cert. 12a – 141m

*****

Four pre-teenage children are abandoned by their mother and left to fend for themselves in their Tokyo apartment. This work of fiction is based on 1988’s real-life Sugamo child abandonment case. Koreeda’s first film with kids is also his first family drama. Twelve-year-old lead Yagira Yuya won Best Actor at Cannes and would go on to a career including Destruction Babies (2016)…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Nobody Knows):

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Still Walking
(Aruitemo Aruitemo,
歩いても 歩いても)

Director – Hirokazu Kore-eda – 2008 – Japan – Cert. U – 115m

*****

A more conventional if highly personal family drama taking place within 24 hours as Ryota (Abe Hiroshi), his wife and stepson visit his ageing parents Toshiko and Kyohei (Kirin Kiki and Yoshio Harada). Ryota is their second son, placed in the role of the first following the death of his older sibling Junpei many years before, something with which his parents have never fully come to terms…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Still Walking – Criterion):

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I Wish
(Kiseki,
奇跡,
lit. Miracle)

Director – Hirokazu Kore-eda – 2011 – Japan – Cert. PG – 128m

*****

A broken family consists of father, mother and two pre-teenage boys. Each of the boys is living with one of their parents at opposite ends of Kyushu, Japan’s south-western island: the elder with his mother and grandmother in Kagoshima and the younger with their gigging rock guitarist father in Fukuoka. The two boys keep in touch by mobile phone… [Read the full review at All The Anime]

On MUBI from Saturday, February 4th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – I Wish (2011):

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After the Storm
(Umi Yori
Mo Mada Fukaku,
海よりもまだ深く,
lit. Even Deeper
Than The Sea)

Director – Hirokazu Kore-eda – 2016 – Japan – Cert. PG – 118m

***

Ryota Shinoda (Hiroshi Abe) juggles child-care issues as a divorced father working for a detective agency which spies on clients’ spouses. A published writer with a single, acclaimed novel to his name, he has a minor gambling problem. Like the wife in I Wish, his ex Kyoko (Yoko Maki) thinks he was too obsessed with his art to spend enough time doing a proper job to provide the wherewithal to look after their family. His gambling scarcely helps.… [Read the full review at All The Anime]

Originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – After the Storm (2016):

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ManHunt
(Zhui bu,
追捕)

Director – John Woo – 2017 – China, Hong Kong – Cert. 15 – 109m

*****

Hong Kong action director John Woo’s return to form – currently on Netflix.

The late Japanese actor Ken Takakura who died in 2014 appeared in more than 200 films and made his name playing ex-cons and gangsters for Toei studios between the mid-fifties and mid-seventies. He was a major inspiration for Hong Kong director John Woo who here remakes the 1976 Takakura vehicle Manhunt.

Du Qiu (Chinese actor Zhang Hanyu) finds himself in a Japanese bar swapping notes on movies with the mama-san Rain (Korea’s Ha Ji-won). Almost immediately, a loutish group of men in suits storm into the same bar to demand he leaves so she can give them her full attention. Once he’s gone, Rain and her partner Dawn (the director’s daughter Angeles Woo) proceed to gun down the suits, the camera whirling around them as Woo choreographs the mayhem.

Du is a lawyer working for a pharma company. The morning after a huge corporate event he wakes up to find a dead woman (Tao Okamoto) lying next to him in his bed. Implicated in her murder, he goes on the run.… Read the rest