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Features Live Action Movies

The Middle Man

Director – Bent Hamer – 2021 – Norway, Denmark, Canada, UK, Germany, Switzerland – Cert. 15 – 95m

****

I hate to be the bearer of bad news, but… A man in a heartland American town becomes a middle man, whose job it is to convey bad news to local people – out in UK cinemas on Friday, March 10th

Curiously for an English language film set in a small American town, this one was funded by a variety of European countries and Canada. While its visuals clearly owe much to the films of David Lynch, particularly Blue Velvet (1986) and Lost Highway (1997) with their heavy night time interiors filled with dark, impenetrable black spaces, it eschews the over the top moments of sex and violence with which Lynch peppers these films with something much less jocular and more deadpan. Like Lynch it feels distinctly odd, yet in a completely different way. Unlike those films, it’s adapted from (part of) a novel.

Opening images. Factories in a town belch smoke. A small, industrial town on a river. This is Karmack, USA.

Frank Farrelli (Pål Sverre Hagen) is the second interviewee by the three person panel (the local sheriff, pastor and doctor played respectively by Paul Gross, Nicholas Bro and Canadian regular Don McKellar) for the town’s job of middle man, the person who has to deliver bad news, e.g.… Read the rest

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Features Live Action Movies

Like Father, Like Son
(Soshite Chichi
Ni Naru,
そして父になる)

Director – Hirokazu Kore-eda – 2013 – Japan – Cert. PG – 121m

*****

Upper middle class couple Ryota and Midori (Masaharu Fukuyama and Machiko Ono) get a call from the country hospital where their six-year-old son Keita (Keita Nonomiya) was born. Keita might not actually be theirs, but the son of Yodai and Yukari Saiki (Lily Franky and Yoko Maki), the two babies having been switched at birth. The two families are like chalk and cheese… [Read the full review at All The Anime]

On MUBI from Saturday, February 25th as part of Family Matters: A Hirokazu Kore-eda Double Bill; originally reviewed for All The Anime as part of Arrow’s Family Values Blu-ray box set which includes I Wish (2011), Like Father, Like Son (2013) and After the Storm (2016). Also available to rent on Amazon UK, BFI Player and Curzon Home Cinema.

Trailer – Like Father, Like Son (2013):

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Features Live Action Movies

The Whale

Director – Darren Aronofsky – 2022 – US – Cert. 15 – 117m

***

An obese man nearing his death must confront people from his past as well as incidental visits from the present– out in UK cinemas on Friday, February 3rd

A dysfunctional body, a dysfunctional family, a dysfunctional world. Charlie (Brendan Fraser) has so abused his body that his obesity is on the verge of killing him. He is bereaved of his gay partner for whom he left his wife and eight-year old daughter and earns his living as an online English language tutor for high school students. His nurse friend and unpaid carer Liz (Hong Chau) visits him at regular intervals, but can’t get him to go to hospital since he doesn’t have a healthcare plan and anyway resents pouring money into the healthcare system.

The healthcare element will look a little weird to anyone living in the UK with its “free at the point of need” National Health Service.

His other visitors in the course of the film are his estranged teenage daughter Ellie (Sadie Sink), his wife Mary (Samantha Morton), a suited missionary (Ty Simpkins) and fast food delivery boy (Sathya Sridharan), the latter mostly heard at the door and only finally glimpsed towards the end.… Read the rest

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Features Live Action Movies

Return To Dust
(Yin Ru Chen Yan,
隐入尘烟)

Director – Li Ruijin – 2022 – China – Cert. PG – 133m

***1/2

When two misfits are put into an arranged marriage by their respective, concerned families, a kindly, gentle relationship blossomsout in UK cinemas Friday, November 4th following its screening in the 2022 Edinburgh Film Festival

His family are worried about Iron Ma (Wu Renlin), also known as fourth brother. He seems content to live off his little piece of land tilling it with his donkey to grow crops, and raising pigs and chickens. He is less ambitious than third brother, who runs the local market and sets the prices for which crops are bought off local farmers. Third brother has done well for himself, and drives around in a flashy car. By way of contrast, Ma gets around by walking, or donkey and cart if he has produce to transport.

Her family are likewise worried about Cao Guiying (Hai Qing), a shy woman who can’t control her bladder. Both Ma and Cao’s respective families view their offspring as a liability and want to get them married off as soon as possible, not least to get out of being responsible for them. So they arrange a marriage for the pair of them to get them off their hands.… Read the rest

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Features Live Action Movies

Never Look Away
(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

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Documentary Features Live Action Movies

Beyond The Mask

Directors – Jane Harris, Jimmy Edmonds – 2021 – UK – 60m

****

People talk about their experiences of bereavement in the light of the COVID-19 lockdown – now free to watch (donation suggested)

In March 2020, the unthinkable happened as the world entered a global pandemic. In the ensuing year or so many people lost their lives while many more felt and indeed still feel a sense of loss for the ’normal’ life that existed beforehand. Directors Harris and Edmonds are no strangers to bereavement having lost their son unexpectedly at age 22 while he was travelling abroad in 2013 and part of their process of dealing with it was to make the excellent documentary A Love That Never Dies (Jane Harris, Jimmy Edmonds, 2018) in which bereaved parents talk about their different experiences of losing children.

Not everyone has suffered the misfortune of losing a child, but if you’re reading this you will invariably have lived through the COVID-19 pandemic, at least thus far. This latter condition is universal. So, what does the experience of bereavement have to say to our current situation of the pandemic – or, for that matter, what does our current situation of the pandemic have to say to our experience of bereavement?… Read the rest

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Features Live Action Movies

Everything Went Fine
(Tout C’est Bien Passé)

Director – François Ozon – 2021 – France – Cert. 15 – 113m

*****

An elderly man recovering from a stroke enlists his two daughters to help him achieve assisted suicide and die with dignity – out in cinemas on Friday, June 17th

Emmanuèle Bernheim (Sophie Marceau) gets a phone call to say that her dad André Bernheim (André Dussollier), 85, is in hospital recovering from a stroke. She rushes to the hospital to meet her sister Pascale Bernheim (Géraldine Pailhas) in ER where he’s having an MRI scan. When they see him on the ward, mouth elongated on on side of his face, he can’t remember what happened. He has lost many everyday functions of his body.

While a fellow stroke survivor on his hospital ward makes rapid enough progress to soon be discharged, the less fortunate and initially bedridden André is moved to another hospital for more specialist treatment. Nevertheless, he eventually improves and in due course graduates to being sat in a chair in his room. Later still, he learns to use a wheelchair. His dietary abilities improve from initial intravenous drip feed through being spoon-fed mashed veg through to eating accompanied in a restaurant.

On one occasion early on when Emmanuèle visits him in hospital, she’s horrified to discover him lying in bed in his own excrement and immediately summons the manageress, who not only makes excuses about the amount of work required to look after a patient like this and how the hospital is short-staffed but also gives a personal assurance that this won’t happen again (and, indeed, no such further incident recurs).… Read the rest

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Features Live Action Movies

Everything Went Fine
(Tout C’est Bien Passé)

Helping a loved one to die

Everything Went Fine
Directed by François Ozon
Certificate 15, 113 minutes
Released 17 June

France. Two daughters, Emmanuèle and Pascale Bernheim (Sophie Marceau and Géraldine Pailhas), visit their 85-year-old father André Bernheim (André Dussollier) as he recovers from a stroke. The process is slow and difficult, and he may never make a full recovery. André has lived life to the full, often looking to himself rather than those around him, and has come to a decision. Separately he tells each of them, “I want to die.”

In his current state of health, he considers life no longer worth living and wants to be able to end it while he still has the mental and physical capacity to do so. Ironically, this… [Read the rest in Reform magazine]

Read my alternative, longer review.

Everything Went Fine is out in cinemas in the UK on Friday, June 17th.

Trailer:

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Features Live Action Movies

House of Hummingbird
(Beol-Sae,
벌새)

Director – Kim Bora – 2018 – South Korea – 138m

***1/2

A teenage girl in Seoul, Korea, 1994, comes to terms with life on a number of levels – personal, family, social, political – plays in Korean Film Nights (KFN) Summer Nights at the Korean Cultural Centre (KCCUK) on Saturday, June 11th

Seoul, South Korea, 1994. Less than ten years since South Korea has become a democracy. The year of the Winter Olympics, the death of North Korean leader Kim Il-sung and the Seongsu Bridge collapse. The latter incident will leave its mark on some characters here.

Teenager Eun-hee’s mum and dad (Jung In-gi and Lee Seung-yeon) run a small food store, sourcing “only the finest ingredients”. On occasion, they deliver to other suppliers and the whole family is roped in to make sure the orders are prepped and sent out on time. They are fiercely proud parents who want only the best for their kids. The best, as they understand it, is doing well in the school and university system, presumably with the idea of getting a well-paid job afterwards.

This message is reinforced by her school. A male teacher has the girls chant, “I will go to / Seoul National University / instead of karaoke”.… Read the rest

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Features Live Action Movies

Dead Calm

Director – Phillip Noyce – 1989 – Australia – Cert. 15 – 96m

*****

A bereaved couple taking time off on their yacht answer a distress call from another boat and become embroiled in a game of cat and mouse – out in UK cinemas 1989

Royal Australian Naval Officer John Ingram (Sam Neill) arrives home in Oz to discover his beautiful wife Rae (Nicole Kidman) has been involved in a car accident which was fatal for their young child. She’s in the hospital in critical condition; the camera descends into her eye. She remembers with horror her child fatefully undoing his seat belt before being thrown through a windscreen.

Having thus traumatised the audience, this then jumps to the couple on their yacht, the Saracen, where they are getting away from it all for several weeks. The weather is as flat as the title suggests. Rae bathes in the sea like an initiate in some baptismal rite awaiting a fresh start – until another vessel turns up – the Orpheus, with its one survivor Hughie Warriner (Billy Zane) claiming the rest – including several nubile, “open-minded” young women on a “photographic assignment” – have died of botulism from tuna that Hughie didn’t eat because he hates the stuff.… Read the rest