interview panel Archives - Jeremy C. Processing

Director – Bent Hamer – 2021 – Norway, Denmark, Canada, UK, Germany, Switzerland – Cert. 15 – 95m

****

I hate to be the bearer of bad news, but… A man in a heartland American town becomes a middle man, whose job it is to convey bad news to local people – out in UK cinemas on Friday, March 10th

Curiously for an English language film set in a small American town, this one was funded by a variety of European countries and Canada. While its visuals clearly owe much to the films of David Lynch, particularly Blue Velvet (1986) and Lost Highway (1997) with their heavy night time interiors filled with dark, impenetrable black spaces, it eschews the over the top moments of sex and violence with which Lynch peppers these films with something much less jocular and more deadpan. Like Lynch it feels distinctly odd, yet in a completely different way. Unlike those films, it’s adapted from (part of) a novel.

Opening images. Factories in a town belch smoke. A small, industrial town on a river. This is Karmack, USA.

Frank Farrelli (Pål Sverre Hagen) is the second interviewee by the three person panel (the local sheriff, pastor and doctor played respectively by Paul Gross, Nicholas Bro and Canadian regular Don McKellar) for the town’s job of middle man, the person who has to deliver bad news, e.g.… Read the rest

Hilma

Director – Lasse Hallström – 2022 – Sweden – Cert. 12a – 119m

****

Late in her life, Swedish artist Hilma af Klint, today considered the world’s first abstract painter, remembers her life – out in UK cinemas on Friday, October 28th

As Swedish artist Hilma af Klint (Lena Olin) takes a tram journey, she remembers key events and moments within it: she is haunted by the memory of her little sister Hermina (Emmi Tjernström), who tragically died when Hilma (Tora Hallström) was 18 and with whom she often played hide and seek.

Interested in drawing and painting from nature as a form of scientific inquiry – at her art school interview panel she lists mathematics, geometry, biology and astronomy as interests other than flowers – she meets up with other women studying technical painting and drawing in Stockholm, among them the wealthy Anna Cassel (Catherine Chalk) who becomes her lover and finances her as an artist – and becomes part of their group of five women artists interested in spiritism. She also studies the Theosophical writings of Madame Blavatsky and makes a particular connection to the Anthroposophist ideas of Rudolf Steiner.

Acknowledging these interests, the film infuriatingly refuses to explore them at any great depth, perhaps because it fears such ideas might prove controversial and perhaps because they might prove boring to a contemporary audience, it’s impossible to tell.… Read the rest