Tag: married

Categories
Animation Features Movies

Spy x Family
Code: White
(SPY x FAMILY
CODE: White)

All images © 2023 SPY x FAMILY The Movie Project © Tatsuya Endo/Shueisha

Directors – Kazuhiro Fusuhashu, Takashi Karagiri – 2023 – Japan – Cert. 12A – 111m

*****

A spy and an assassin are married to each other, each unaware of the other’s secret career, while neither of them are aware their adopted daughter is a telepath who therefore knows everything they don’t – bonkers anime deploying cookery to prevent Armageddon (!) is out in UK cinemas on Friday, April 26th

An opulent art deco ball. Couples dance. A man connives to be alone with a drunken woman so he can…photograph a file in an office desk. A woman driving a car rips off her face (in the manner of the characters in Mission: Impossible II, John Woo, 2000) to reveal… a man, the spy Loid (voice: Takuya Eguchi). Another woman, Yor (voice: Saori Hayama), is revealed as an assassin when she kills a man who sold industrial secrets. The spy and the assassin are married to one another in a pretend marriage which is a cover for their undercover operations, although neither knows the other is in the spy / assassination game. Their daughter Anya (voice: Atsumi Tanezaki) – adopted to make the bogus marriage look real – is a telepathic orphan who can read minds, so knows about the two secret identities of her ‘parents’.… Read the rest

Categories
Animation Features Live Action Movies

Eraserhead

Director – David Lynch – 1977 – US – Cert. 15 – 89 mins

*****

A look at where Eraserhead came from – and where its weirdness led. First published in 1996.

The current vogue for Special Editions and Director’s Cuts prompts David Lynch to rerelease Eraserhead with a Dolby Stereo sound remix.

The pre-existing gem of a soundtrack was textured by Lynch and collaborating sound designer Alan Splet to incorporate a host of industrial noises alongside such unforgettable effects as the hero’s girlfriend’s mother gargling during a dinner table fit. Eraserhead remains arguably the most original and innovative vision the last twenty years of American cinema have produced.

Not that film or director came from the mainstream. Abandoning painting as an art student, Lynch began making animation / live action films with the brief loop Six Men Getting Sick (1967) with the four minute The Alphabet (1969) and the half hour The Grandmother (1970) funded by American Film Institute grants. The AFI then funded Eraserhead, which mushroomed to feature length and required completion finance from elsewhere. Reactions to the result vary between boredom, revulsion, or admiration (this writer aligns with the latter).

Invited to his girlfriend Mary’s (Charlotte Stewart) for dinner, “Printer – on vacation” Henry (Lynch regular Jack Nance) learns she is pregnant.… Read the rest

Categories
Features Live Action Movies

Gurkha Warrior

Director – Milan Chams – 2022 – Nepal – Cert. 15 – 115m

**

A small Gurkha unit is dropped into the Malayan jungle by helicopter on a search and rescue mission to save a number of the comrades who have been captured – previews in UK cinemas on Saturday, November 4th, out in UK cinemas on Friday, November 10th

There’s a very sweet frame story bookending Gurkha Warrior in which an old man takes his young and curious grandson to a hilltop in Nepal with mountains in the background for his annual ritual of laying a commemorative wreath at its foot and saluting in memory of fallen war comrades. When he explains this to his grandson as they walk away along the ridge, the latter picks a flower off a nearby bush and runs back to leave the flower beside the old man’s wreath. His grandfather is deeply moved by this.

That very much sums up this film, the director and star of which both served as Gurkhas. The narrative takes place against the backdrop of the Malaya Emergency (1948-1960), but since that’s never explained and given that audiences are likely to be unfamiliar with the historical background, the film floats in an unfortunate war film netherworld lacking any sort of context.… Read the rest

Categories
Features Live Action Movies

Woman Of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman Of Fire (1971) and Woman Of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

Categories
Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman Of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest