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Features Live Action Movies

Brides

Director – Nadia Fall – 2025 – UK – Cert. 15 – 93m

***

Two radicalised British, teenage girls run away from home intending to become brides for Islamic State – out in UK cinemas on Friday, September 26th

When they meet at the local school, Doe (Ebada Hassan) and Muna (Safiyya Ingar) strike up an unlikely friendship. In a way, they’re like chalk and cheese – Doe is the quiet one, always observing, while Muna is brash, loud and outgoing. Both come from Muslim backgrounds, and both feel alienated from their classmates, their school and wider British culture. Muna sticks up for herself against school bullies, and effectively gets vilified by the school authorities, and as a result her father, for doing so.

So, without their parents’ permission, they fly off to Turkey to meet up with a man who has groomed them online as brides for Islamic State. When their contact never shows up at the airport, they resolve to find their own way into Syria. As well as following their journey, the narrative frequently lapses into often confusing flashbacks about their home and school lives. And infuriatingly, it never explores how they fare when their their rose-tinted idealism collides with the harsh reality of becoming jihadist brides.… Read the rest

Categories
Features Live Action Movies

The White Ribbon
(Das Weiße Band)

Director – Michael Haneke – 2009 – Austria, Germany – Cert. 15 – 144m

*****

Reviewed for Third Way magazine to coincide with UK release date 13/11/2009.

Plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025.

Haneke’s first period drama for the big screen is set in 1913-14 in a Northern German Protestant village where strange accidents befall the community. A doctor (Rainer Bock), out riding a regular route, is brought down and injured by a wire between two trees. The wife of a farm labourer is killed when factory floorboards give way beneath her. Children are abducted. A baby’s window is left open in Midwinter. A building burns. But who is – or are – responsible?

The film sets out its cast of characters in terms of the social hierarchy. The landowning classes are represented by the local Baron (Ulrich Tukur), his wife (Ursina Lardi) and their child; the professional classes by a widowed doctor, the midwife (Susanne Lothar) “who has made herself useful to him”, the Baron’s steward (Josef Bierbichler), the village Pastor (Burghart Klaussner) and the local teacher (Christian Friedel) – also as an old man the narrator (Ernst Jacobi) – who is courting the nanny of the Baron’s son; the working classes by numerous agricultural labourers who generally feature less prominently in the story.… Read the rest

Categories
Features Live Action Movies

Weapons

Director – Zach Cregger – 2025 – US – Cert. 18 – 128m

****

One night, all but one of the children in one class in the town school disappear into the dark, leaving the townsfolk baffled as to what happened to them… – Fortean-sounding mystery is out in UK cinemas on Friday, August 8th

One night at 2.17am, the 17 other kids in Alex’s class got up out of their beds, went downstairs, opened their front doors, and ran out into the night. As a child relates the incident, we observe it in flashback. The kids run with arms half outstretched at an angle, as if playing at being aeroplanes in the school playground. If you’ve seen the film’s poster, this strange angle of the arms is also apparent. As it also is in the film’s trailer, which starts with this flashback. But what is in the mind of these kids? Where are they going? To what purpose?

For that matter, why the title Weapons? I don’t think it’s a spoiler to say that you’ll know the answer once you’ve seen the film.

Thus begins one of the most intriguing cinematic mysteries of recent years. To unpack his prologue, writer-director Cregger opts for an astute, six-part, character-based structure.… Read the rest

Categories
Documentary Features Live Action Movies

2000 Meters to Andriivka

Director – Mstyslav Chernov – 2025 – Ukraine – Cert. 15 – 107m

****

A small Ukrainian Army unit advances through a narrow strip of war-scarred forest to recapture a village from the occupying Russians – documentary from the makers of 20 Days in Mariupol is out in UK and Irish cinemas on Friday, August 1st

Set in the 2023 Ukrainain offensive to take back land occupied by the Russians in the East of Ukraine, this covers the advance of a small, Ukrainian army unit, the 3rd Assault Brigade, on the country’s Russian-occupied village of Adriivka, located on the outskirts of the town of Bahkmut. Given that the latter is two hours away from Kharkiv, the hometown of director Mstyslav Chernov (20 Days in Mariupol, 2023), the location has a clear personal significance for him. He and his Associated Press colleague Alex Babenko take their camera with the unit on their mission.

The soldiers are all equipped with helmet cams, giving the filmmakers additional material to play with. Such technology is unimaginable as recently as 25 years ago. One might argue that war has changed little, that it’s still much the same, horrible phenomenon it always has been. The advent of the cam, however, means that an audience can watch the viewpoint of a war participant up close and personal.… Read the rest

Categories
Features Live Action Movies

The Old Man
and the Land

Director – Nicholas Parish – 2023 – UK – Cert. 15 – 100m

*****

As he works on the land, an aging farmer hears his two adult children argue about the future of the family farm plays UK cinemas from Friday, September 20th 2024, with previews from Monday, September 16th following its premiere in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival, where it was the best film out of a superb lot

Movies. You think everything’s been done, then along comes something you’ve never seen before. Or, in this case, seen or heard before.

The Old Man in question is an English farmer (Roger Marten) whose family have worked the land for generations. He’s getting on in years, so won’t be around forever. His wife died a while ago, so he’s now running the farm on his own. He has two children who have long since grown up and left home: a son (voice: Rory Kinnear) and a daughter (voice: Emily Beecham), and the big question is, when he dies, will they take over – or will they get rid of the farm?

In recent years, the UK has produced a number of rural movies that stand in stark contrast to the urban- (often London-) based films produced.… Read the rest

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Animation Features Movies

The Breadwinner

Afghan life under religious extremism

The Breadwinner
Directed by Nora Twomey
Certificate 12A, 94 minutes
Released 25 May

Parvana (voiced by Saara Chaudry) is one of three girls living with her mum and dad in Kabul, Afghanistan, which is occupied and run by the Taliban. When her father is arrested by the Taliban on account of his intellectual views, the family are put in a difficult position since women and girls aren’t allowed out on the streets alone.

Parvana’s mum nevertheless risks a journey to the prison to ask for her husband’s release, but is beaten up for her pains. So Parvana takes it upon herself to earn some money for the family by disguising herself as a boy and selling items on the street. She makes friends with another girl, Shauzia (voiced by Soma Chhaya) doing the same thing.

It’s rare to see a children’s movie dealing with a subject as tough as… [Read the rest at Reform magazine]

Trailer:

Categories
Animation Art Documentary Features Live Action Movies

Exhibition on Screen:
My National Gallery

Director – Phil Grabsky, Ali Ray – 2024 – UK – Cert. U – 98m

*****

Employees, punters and celebrities choose their favourite painting in London’s National Gallery – out in UK cinemas from Tuesday, June 4th

There have been documentary films about the UK’s National Gallery before, notably the wonderful, three-hour-long National Gallery (Frederick Wiseman, 2014), so, in a way, it’s a brave subject for the Exhibition on Screen people to take on. And yet, as a British production company making movies about art in art galleries, it was inevitable that they would tackle the subject sooner or later. Their version commences with a likeable enough establishing montage of what one might call ‘behind the scenes’ and ‘footfall’ – shots of various National Gallery employees at work opening the door, looking after various aspects of the art housed in the gallery and even putting out tasty-looking croissants in the cafeteria.

There are satisfying little touches throughout. A shot of The Feast Day of Saint Roch, Canaletto, with out of focus people passing in front of it, makes it feel like you’re really there in the scene depicted.

Alan Allison, security officer and gallery assistant (pictured on the front of the trailer, below) wears black clothing with a striking, patterned blue tie.… Read the rest

Categories
Features Live Action Movies

Full Time
(À Plein Temps)

Director – Eric Gravel – 2021 – France – Cert. 12a – 87m

*****

A single mum with two young kids struggles to hold her working life together in a Paris where the transport network in and out of the city is paralysed by strikes – on BBC iPlayer until end 2024 following its release in UK cinemas on Friday, May 26th 2023

The brief moment of calm at the start gives little indication of the relentless nature of what is to follow. Julie Roy (Laure Calamy) sleeps deeply, a figure at rest, as we watch parts of her face in close-ups. Suddenly, this tranquillity is shattered by the aural violation of the quiet by an alarm clock. As she gets the kids up, the radio blares out something about an increase in working hours and something else about the welfare state. The impression is of the microcosm of her life and the macrocosm of the wider world (France) in a state of crisis. She bundles her kids off to the child-minder’s and boards a pre-dawn train to Paris. The train is terminated because of an unwell passenger, so she has to switch to a bus to get to St. Lazare, and as she is trying to get to The Churchill, the luxury hotel where she works as a head chambermaid, she must fend off a mobile phone call about her mortgage repayments.… Read the rest

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Animation Features Movies

Lonely Castle
in the Mirror
(Kagami no Kojo,
かがみの孤城)

Director – Keiichi Hara – 2022 – Japan – Cert. – 116m

*****

Seven children are sucked via mirrors in their homes into a mysterious castle perched high above a sea, presided over by a wolf queen, and prowled by a hungry wolf at night – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

Teenager Kokoro Anzai (voice: Ami Touma) can’t face going to school. Her understanding mother (voice: Kumiko Aso) takes her instead to the Classroom of the Heart at an alternative school for a session with friendly teacher Mrs. Kitajima (voice: Aoi Miyazaki). This is to be Kokoro’s new school, but in the end, she can’t face going to that one either, so her mum phones her in as sick.

Moping in her bedroom, she is attracted to lights glowing around the tall mirror there before touching its surface which, like the mirrors in Orphée (Jean Cocteau, 1950) dissolve to allow her to pass through them into another world. On the other side, she finds herself in a castle perched high on a rock above a sea along with six other kids – tall Aki (voice: Sakura Kiryu), soccer player Rion (voice: Takumi Kitamura), computer geek Subaru (voice: Rihito Itagaki), piano player Fuka (voice: Naho Yokomizo), enigmatic Masamune (voice: Minami Takayama), and dumpy Ureshiro (voice: Yuki Kaji).… Read the rest

Categories
Features Live Action Movies

Fez Summer ’55
(” 55″ خمسة وخمسين)

Director – Abdelhai Laraki – 2023 – Morocco – Cert. none – 114m

****

An 11-year-old boy navigates the rooftops of a Moroccan city while insurgents plot the overthrow of French colonialists in private courtyards and sometimes confront the occupying police in the streets – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The old medina of Moroccan city Fez, a lattice of narrow streets where there is room for no more than pedestrian traffic. Or, to 11-year-old boy Kamal (Ayman Driwi), a network of rooftops and walkways allowing him to go anywhere. His freedom on the top of the city stands in sharp contrast to the country’s political reality: occupied by France, with their police patrolling the streets. The locals either keep their heads down or agitate for the return of their exiled ruler, Sultan Mohammed V.

The story is very much told from Kamal’s point of view. He is at once possessed of a child’s enthusiasm for life and from his rooftop vantage point able to see things unseen by most of the narrative’s adults most of the time. Yet, he is hampered by his immaturity and lack of understanding of what’s really going on.… Read the rest