Categories
Animation Features Movies

The Boy And The Heron
(Kimitachi Wa
Do Ikiru Ka,
君たちはど
う生きるか,
lit.
How Do You Live?)

Director – Hayao Miyazaki – 2023 – Japan – Cert. 12a – 124m

*****

During WorldWar Two, a boy bereaved of his mother moves to the countryside with his businessman father where a heron lures him into another dimension to rescue his vanished stepmother – out in UK cinemas on Friday, December 26th

Directors, eh? They make their last film, then, some time later, they go and make another one. The Wind Rises (2013) was supposed to be Hayao Miyazaki’s last film, but three years later, he was working on his next one. And seven years further on, The Boy And The Heron hits cinemas. The Japanese title How Do You Live? comes from a popular children’s novel, a copy of which appears in the film, rather than the film being an adaptation of the novel.

Three years into World War Two, young boy Mahito (Japanese dub: Soma Santoki; English dub: Luca Padovan) loses his mother in a Tokyo hospital fire. Four years into the war, his father (Japanese dub: Takuya Kimura; English dub: Christian Bale) – a businessman who manufactures aircraft cockpits for the war effort – decides to move both his factory and his son out of Tokyo to the countryside where he plans to marry his late wife’s younger sister Natsuko (Japanese dub: Yoshino Kimura; English dub: Gemma Chan).… Read the rest

Categories
Features Live Action Movies

Lost In The Stars
(Xiao Shi De Ta,
消失的她)

Directors – Cui Rui, Liu Xiang – 2022 – China – Cert. 15 – 121m

*****

A man’s wife vanishes and is replaced by an imposter; when no-one believes him, he hires a hotshot lawyer to find out what’s happening and get his real wife back – out in UK cinemas on Friday, July 14th

He Fei (Zhu Yilong) walks into a police station to ask for help with finding his wife Li Muzi, who has disappeared. The desk sergeant, who has clearly heard it all before, tells him there’s nothing they can do. Outside the station, in the pouring rain, he is approached by Officer Zheng (Du Jiang) who overheard and helpfully tries to calm him. The couple are holidaying in the island of Barlandia, outside of Chinese jurisdiction. He has recurring nightmares of her (Huang Ziqi) calling out his name for help and feels helpless in the face of them.

The next morning, events take a turn for the worse when He wakes up beside his wife Li Muzi (now played by Janice Man), who is not the real Li Muzi but an imposter he’s never seen before. Yet every piece of evidence he can think of to support his story seems to have changed to support hers– her passport seems genuine and shows that she entered the country at the same time as him, she can answer all manner of questions about the couple’s personal life, she has a scar on her upper thigh that no-one but the two of them know about.… Read the rest

Categories
Animation Features Live Action Movies

It Comes
(Kuru,
来る)

Director – Tetsuya Nakashima – 2018 – Japan – 133m

****

A monster relentlessly pursues its victims until one day it comes to take them away forever – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

This is basically a monster film in which the monster is a bogeyman or evil spirit who after taunting potential victims – usually children – for a long time, then turns up and abducts them from this world into its own. You never see the monster: it’s all conveyed by preparation, suggestion and effect, and the characters’ actions and reactions.

And although the monster is apparently intent on abducting the child, various adult characters who appear to be significant protagonists suddenly get abducted by it. While it’s nowhere near the same league, in this respect, the film resembles Psycho (Alfred Hitchcock, 1960) i.e. a significant character is despatched part-way through leaving another character to step into their shoes for the remainder.

The monster as such never physically appears (or, at least, we in the audience never actually see it) – its appearance is often presaged by following peculiar occult instructions, e.g. laying out multiple bowls of water on a corridor floor, or breaking all the mirrors in the house, accompanied by frenzied editing of quasi-abstract footage including camera-less animation (the sort of thing Len Lye and Norman McLaren used to make in the 1930s at the UK’s GPO Film Unit).… Read the rest