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Animation Movies Shorts

The Lab

Director – Izzy Livesey – 2024 – UK – Cert. U – 3m

****1/2

In her secluded laboratory, an obsessive woman scientist develops a powerful serum which leads to unexpected consequences – animated short accompanies the reissue of Away, back in UK cinemas from Friday, March 14th

This plays around with that old horror movie trope, the mad scientist, making that figure into a middle-aged woman in a white lab coat. The pleasures to be had here come not so much from what happens – although the twist at the end, when you see it, is likely to surprise you – as they do in the expression of its happening. What impresses are the designs of the characters (both of them!), the look of the sets, the use of lighting to create atmosphere, and – once you get into the area of kinetics, the fact that this is a moving picture – the choreography and flow of the piece. (I use the world flow deliberately, since it perfectly describes Gint Zalbalodis’ two, wordless animated features to date. The current, animated short accompanies the reissue this week of the first of those, Away (2019). Zalbalodis’ second feature is the deservedly Oscar-winning Flow (2024), out in cinemas here next week on Friday, March 21st.)… Read the rest

Categories
Animation Art Documentary Features Live Action Movies

Exhibition on Screen:
My National Gallery

Director – Phil Grabsky, Ali Ray – 2024 – UK – Cert. U – 98m

*****

Employees, punters and celebrities choose their favourite painting in London’s National Gallery – out in UK cinemas from Tuesday, June 4th

There have been documentary films about the UK’s National Gallery before, notably the wonderful, three-hour-long National Gallery (Frederick Wiseman, 2014), so, in a way, it’s a brave subject for the Exhibition on Screen people to take on. And yet, as a British production company making movies about art in art galleries, it was inevitable that they would tackle the subject sooner or later. Their version commences with a likeable enough establishing montage of what one might call ‘behind the scenes’ and ‘footfall’ – shots of various National Gallery employees at work opening the door, looking after various aspects of the art housed in the gallery and even putting out tasty-looking croissants in the cafeteria.

There are satisfying little touches throughout. A shot of The Feast Day of Saint Roch, Canaletto, with out of focus people passing in front of it, makes it feel like you’re really there in the scene depicted.

Alan Allison, security officer and gallery assistant (pictured on the front of the trailer, below) wears black clothing with a striking, patterned blue tie.… Read the rest