Tag: Academy Awards

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Features Live Action Movies

The Zone of Interest

Director – Jonathan Glazer – 2023 – UK, Poland – Cert. 12a – 106m

*****

A drama about the everyday, domestic lives of the Commandant of Auschwitz, his wife, and their family – out in UK cinemas on Friday, February 2nd

How do people sleep at night? If they do bad things? Well, some people who do bad things are tormented by them. They sleep badly. Their conscience, however repressed by them, disturbs them. The others? Well, they seem to sleep soundly.

The Zone of Interest is about people who, as part of their daily routine, do or at least consent to, even inaugurate, unspeakable things. These people are a respectable married couple and their extended family. The focus here is on the ordinary, everyday activities they pursue rather than the unspeakable activities. A nice bathing trip to the river; a later panic when there might be an infection in the river and family members are bathing in it. (The bad stuff seeps into the everyday, routine, speakable stuff, it seems.) Mum taking the little one round the garden and telling her the names of the flowers. Mum running an efficient household, with an army of servants. Mum trying on a second-hand, fur coat.… Read the rest

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Features Live Action Movies

American Fiction

Director – Cord Jefferson – 2023 – US – Cert. 15 – 117m

*****

A black, American college Literature professor, unexpectedly finds celebrity via an anonymous alter-ego when he writes a cliché-ridden book about ‘the black experience’ – out in UK cinemas on Friday, February 2nd

College professor Thelonius ‘Monk’ Ellison (Jeffrey Wright) is a black academic at a white university. He teaches literature. While he’s teaching a class on the literature of the American South, a young, white, female student objects to the “N-word”, walks out of the class, and – in due course – gets him put on an unpaid Sabbatical. He’s a published novelist who hasn’t had anything published for years, including a manuscript currently doing the rounds through his agent Arthur, whereas other, white, faculty members publish work he considers beneath him yet which also sell in volume in airports.

His Sabbatical ties in with the fact of his going to a Literature Festival in his home city of Boston, where he finds his seminar poorly attended because it’s up against one by rising publishing sensation Sintara Golden (Issa Rae), author of We’s Lives in Da Ghetto, which, when he investigates her session, turns out to be what he considers pandering to black stereotypes of living in poverty, crime and misery.… Read the rest

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Features Live Action Movies

The Holdovers

Director – Alexander Payne – 2023 – US – Cert. 15 – 133m

*****

A teenage pupil must remain at school in the care of his strict and widely despised Ancient History teacher over the 1970 Christmas holidays – out in UK cinemas on Friday, January 19th

A school movie with a difference: this takes place not in term time, but in the holidays. Specifically, a New England boys’ boarding school in the 1970 Christmas holidays, when, for various reasons, five pupils – three teenage, two younger – are unable to go home for the seasonal break, so must instead be looked after by a member of staff at the school. That task falls to ancient history teacher Paul Hunham (Paul Giamatti), who is filling in for the member of staff who made up a story about a difficult family health situation to get out of being lumbered with the task. Paul is put upon for jobs like this because he’s the guy who can’t say no; he’s also a stickler for hard work and discipline who is disliked by fellow teaching staff and pupils alike.

Once the other staff and students have left, one other person remains on the premises: the head cook Mary Lamb (Da’Vine Joy Randolph) who has a connection to the institution beyond her employment.… Read the rest

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Animation Features Movies

The Boy And The Heron
(Kimitachi Wa
Do Ikiru Ka,
君たちはど
う生きるか,
lit.
How Do You Live?)

Director – Hayao Miyazaki – 2023 – Japan – Cert. 12a – 124m

*****

During WorldWar Two, a boy bereaved of his mother moves to the countryside with his businessman father where a heron lures him into another dimension to rescue his vanished stepmother – out in UK cinemas on Friday, December 26th

Directors, eh? They make their last film, then, some time later, they go and make another one. The Wind Rises (2013) was supposed to be Hayao Miyazaki’s last film, but three years later, he was working on his next one. And seven years further on, The Boy And The Heron hits cinemas. The Japanese title How Do You Live? comes from a popular children’s novel, a copy of which appears in the film, rather than the film being an adaptation of the novel.

Three years into World War Two, young boy Mahito (Japanese dub: Soma Santoki; English dub: Luca Padovan) loses his mother in a Tokyo hospital fire. Four years into the war, his father (Japanese dub: Takuya Kimura; English dub: Christian Bale) – a businessman who manufactures aircraft cockpits for the war effort – decides to move both his factory and his son out of Tokyo to the countryside where he plans to marry his late wife’s younger sister Natsuko (Japanese dub: Yoshino Kimura; English dub: Gemma Chan).… Read the rest

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Features Live Action Movies

Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Documentary Features Live Action Movies

20 Days
In Mariupol
(20 днів
Y Маріуполі)

Director – Mstyslav Chernov – 2023 – Ukraine – Cert. 18 – 94m

*****

A Ukranian-born, Associated Press video journalist and his stills photographer go to Mariupol where they report on Russia’s assault and invasion of that city – out in UK cinemas on Friday, October 6th

There are some films that are incredibly tough to watch which you nevertheless know you need to watch. This documentary is one of those films. The experience of watching it clearly pales beside the actual experience of being in the Ukranian city of Mariupol during the first 20 days of the attack and subsequent siege by Russian armed forces, more so beside the actual experience of being trapped there. And I am British, so Ukraine is not my country; I find it almost incomprehensible to imagine what it would be like if what has happened to Mariupol were to happen in my home town. (If you’re an urban Brit, insert the name of your city at this point.)

I’m not convinced that the credited director Mstyslav Chernov, a Ukranian-born, Associated Press video journalist who has reported on conflicts around the globe since joining AP in 2014, set out to make a feature film. He was just (just!)… Read the rest

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Features Live Action Movies

The Creator

Director – Gareth Edwards – 2023 – US – Cert. 12a – 133m

****

A widower finds himself protecting an AI in the form of a child as anti-AI North American forces wage a war on the Asian-Pacific countries where people have integrated with AI robots – out in UK cinemas on Thursday, September 28th

Over a decade ago, I was blown away by Gareth Edwards’ little indie British film marvel Monsters (2010) which broke all the accepted wisdom of film production. Based around a deceptively simple script concept, it was shot by a four-man crew and a two-man cast (plus anyone else who was around at the time) with lots of post-production VFX work added by the director himself.

That got him an agent and two big budget Hollywood franchise FX movies – the Godzilla reboot (2014) and the Star Wars movie Rogue One (2016). The former isn’t bad for a Hollywood movie, although I personally far prefer the Japanese-made Shin Godzilla (Hideaki Anno, 2016), while the latter is one of the better Star Wars films. However, neither quite possessed the quality that had got me so excited about Monsters.

I suspect Edwards feels the same way, because whilst he clearly relishes the chance to work with the palette of a huge Hollywood FX budget, on this his fourth film, as with Monsters, he has once again broken the rules – this time within a huge Hollywood FX budget film.… Read the rest

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Features Live Action Movies

Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – out in UK cinemas on Friday, Sept 8th

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

Categories
Documentary Features Live Action Movies

Bobi Wine:
The People’s President

Directors – Moses Bwayo, Christopher Sharp – 2022 – UK – Cert. 12a – 121m

*****

Aided by his wife Barbie, Uganda’s opposition leader, the musician Bobi Wine, takes on the country’s corrupt dictator of 35 years President Museveni, in the run up to the 2021 election – out in UK cinemas on Friday, September 1st

At the start of this remarkable documentary about Uganda, a small group of people engage in impromptu Christian prayer in a car before going about their business. While few more outward religious trappings are shown, the subject is a man possessed by a desire for justice for ordinary citizens, especially the underprivileged and voiceless, facing a corrupt regime determined to stay in power by any means possible, with the army and police under their control.

Successful pop singer and musician Bobi Wine… [Read the rest at Reform magazine]

Bobi Wine: The People’s President is out in cinemas in the UK on Friday, September 1st.

Trailer:

Categories
Features Live Action Movies

Oppenheimer

Director – Christopher Nolan – 2023 – US – Cert. 15 – 180m

*****

Drama about the father of the atomic bomb, shot with IMAX cameras and best watched in IMAX 70mm format – out in UK cinemas on Friday, July 21st

There are certain hallmarks to Christopher Nolan’s feature length movies. Since The Dark Knight (Nolan, 2008), his second Batman movie, he has been shooting a proportion of each one with IMAX cameras. Seen projected on a screen the size of three double-decker London buses at London’s BFI Waterloo IMAX, these are larger than life experiences in a way that movies shown in the viewer’s own home on a screen, even a large one, can never be. And while Nolan is interested in character and performance, most of his movies in the IMAX format, even the historically inspired WW2 movie Dunkirk (Nolan, 2017), contain memorable action, exploiting the vastness of the IMAX screen to great kinetic effect whether it’s Batman roaring along on the Batbike, co-conspirators free floating inside a falling transit van in Inception (Nolan, 2010) or British WW2 soldiers trapped inside a flooding ship.

There is, however, a problem with watching Nolan’s IMAX-intended films in a lesser theatrical cinema format: the framing.… Read the rest