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Features Live Action Movies

Total Recall

Director – Paul Verhoeven – 1990 – US – Cert. 18 – 113m

***

UK Release: July 27th 1990

Arnold Schwarznegger’s mind has been stolen – and he’s got to go to Mars to get it back! The seeming perpetrator of this heinous crime is Recall Incorporated, a travel company with a difference: they implant memories of the required holiday destination and period in the client’s brain, and it seems to him that he’s having that holiday then. Recall’s latest deal even allows the client to take a break from his/her personality for the period purchased. Arnie opts for two weeks on Mars as a secret agent.

While the requirements of megabudget Hollywood film making often water down the end result, the premise of this film – fashioned after SF author Philip K. Dick’s We Can Remember It For You Wholesale – is not only imaginatively preposterous but also so utterly cinematic that it has a phenomenal amount going for it right from frame one.

Add to this not only Schwarznegger but his contractually binding choice of director being none other than Dutchman Paul Verhoeven (The Fourth Man, 1983; Robocop, 1987) plus a final price tag which might well be as high as $70m, and you can see why expectations on this movie are so high.… Read the rest

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Features Live Action Movies

Dead Ringers

Director – David Cronenberg – 1988 – Canada – Cert. 18 – 116m

*****

Originally published in Samhain.

When David Cronenberg was in the UK to promote The Fly late in 1986, he talked about a project called Twins which concerned two identical twins who fall in love with the same woman. At the time, no-one thought he was serious.

Two years later, the film has appeared (under the appalling title Dead Ringers, since there was another Twins in production elsewhere). Cronenberg denies that the new film is science fiction or horror, or even fantasy. Yet (if one wants to play the auteur game) parallels can be drawn with certain of his earlier films.

Dead Ringers bears a great resemblance not so much to the commercial Cronenberg schlock oeuvre as to the art films of the late sixties from which he has in recent years dissociated himself on the grounds that they were not real movie movies; however, both Stereo (1969) and Crimes Of The Future (1970) were shot on University Campuses with bleak, modernist architecture – and the same setting forms the backdrop to several Cronenberg features, most notably Scanners. Such architecture is more prominent in Dead Ringers than in any previous Cronenberg commercial feature.… Read the rest

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Features Live Action Movies

Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).

Hard Boiled opens with a spectacular tea house shoot out where Insp. ‘Tequila’ Yuen (Chow) accidentally shoots his partner (just as Leung, who turns out to be an undercover cop, mistakenly shoots a fellow officer during the later hospital shoot out).… Read the rest

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Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

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Animation Features Movies

Roujin Z
(老人Ｚ)

Director – Hiroyuki Kitakubo – 1991 – Japan – Cert. 15 – 80m

***1/2

Robot beds deal with the major Japanese social problem of caring for their burgeoning elderly populous – in cinemas

Touted as manga artist / anime director Katsuhiro Otomo’s follow up to the phenomenally successful Akira (Katsuhiro Otomo, 1988), Roujin Z was actually directed by one Hiroyuki Kitakubo. Otomo’s contribution runs to no more than original story credit and machine design. Ostensibly it’s a different type of tale which deals with the major Japanese social problem of caring for their burgeoning elderly populous.

Young, female nurse Haruko is alarmed when suits arrive to remove her aged, barely conscious and incontinent patient Mr. Takazawa from his home. Designated first subject of the government’s new ‘Roujin Z’ (Old Man Z) project – Takazawa is wired by his nerve endings into a computer-driven, mechanised bed designed to meet his every need, from vigorous walking exercise, bathing and urinating to communicating with his peers via TV screens (which also run regular network programmes) and playing Go or Chess with the computer.

Before long, Haruko starts to pick up “help” messages on her terminal sent from the Z-incarcerated Takazawa – and tries to talk back with the help of elderly hospitalized hackers using a photo of Takazawa’s late wife.… Read the rest

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Live Action Movies

Resolution

Directors – Justin Benson, Aaron Moorhead – 2012 – US – Cert. 15– 93m

****

First time lucky? Benson & Moorhead’s ultra-low budget debut feature both anticipates and ties in with The Endless – out now as a second disc on the UK Blu-ray & DVD of The Endless

Michael (Peter Cilella) drops in on his old friend Chris (Vinny Curran) who has become a crack addict and is living in an abandoned house in the middle of some scrub wasteland. Chris thinks Mike wants to join him but Mike has another idea in mind. He wants to force Chris to go cold turkey so he cuffs his friend to some wall piping and gets rid of the drug.

Now the long wait beings. And a series of messages recorded on all manner of media begin arriving: an LP, a VHS videotape, wall carvings and more. Someone – or something – is recording them. But who. Or what? And why?

Resolution is the auspicious debut feature of independents Benson & Moorhead who went on to make Spring (2014) and The Endless (2017). Boasting a wickedly clever script by Benson and shot by Moorhead, it’s not only a textbook example of how to make a low budget feature and launch a film career but also a terrific little movie.… Read the rest

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Spring

Directors – Justin Benson, Aaron Moorhead – 2014 – US – Cert. 15 – 109m

*****

UK release date 22/05/2015

The New Girlfriend

The New Girlfriend (Une Nouvelle Amie)

Director – François Ozon – 2014 – France – Cert. 15 – 108m

*****

UK release date 22/05/2015

Both these films can easily be ruined by spoilers, so be wary of reading reviews or cinema blurb or even watching trailers before you see them. That said, the following is spoiler free. Now read on.

Spring

The single, male protagonist of US indie Spring suffers serious emotional trauma then becomes involved with a woman who is not all that she seems. The married, female protagonist of French maverick Ozon’s The New Girlfriend – based on a book by Ruth Rendell who passed away last month – suffers serious emotional trauma then becomes involved with a man who is not all that he seems. In both films, the question is: can their relationship survive?

Spring

Spring‘s Evan (Lou Taylor Pucci) witnesses the death of his bedridden mother. Distraught, he heads to the local bar, gets into drunken fight which ends up with his leaving the US to evade the police. He heads to Italy where he meets a bunch of Brit backpackers and indulges in more binge drinking, but everything changes when he meets and falls for the mysterious Louise (Nadia Hilker)… (This reviewer confesses that by this point – about ten minutes into the film – he wasn’t feeling much sympathy for the character – or, indeed, liking the film very much at all – but Evan’s subsequent relationship with Louise had him hooked.)… Read the rest

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Eat Drink Man Woman
(Yin Shi Nan Nu,
飲食男女)

Director – Ang Lee – 1994 – Taiwan, US – Cert. PG – 124m

*****

Originally published in Home Entertainment.

Ageing restauranteur Chu (Lung Sihung) lives in Taipei with his three daughters – Christian schoolteacher Jia-Jen (Yang Kuei-mei), high-flying businesswoman Jia- Chien (Wu Chien-lieu) and teenage fast food assistant Jia-Ning (Wang Yu-wen). His problem (as with the mother in Lee’s Sense And Sensibility/1996) is that none of his daughters are married – and the clock is ticking.

Opening (scooter) traffic shot boasts encompassing sound, later rivalled by such DS subtleties as hymn singing (on a wonky Walkman) and a playground full of kids. Better yet are the cooking noises – bubbling, frying, pouring, steaming – rendered more mouth-watering still by accompanying oriental cuisine visuals. Should be watched with a lavish meal ready for consumption by the time of (or even before) the final frame.

Film 5/5

Sound 5/5

Nominated for Best Foreign Language Film at the 1994 (67th) Oscars.

Originally published in Home Entertainment.

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Features Live Action Movies

Pelle The Conqueror
(Pelle Erobreren)

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m

***1/2

Winner of Best Foreign Language Film at the 1988 (61st) Oscars

—

Babette’s Feast (Babettes gæstebud)

****

Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

Winner of Best Foreign Language Film at the 1987 (60th) Oscars.

—

This double review originally appeared in the Church Times.

JEREMY CLARKE ON VIDEO

Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest

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Features Live Action Movies

Babette’s Feast
(Babettes Gæstebud)

Director – Gabriel Axel – 1987 – Denmark – Cert. U – 103m

****

Winner of Best Foreign Language Film at the 1987 (60th) Oscars

—

Pelle The Conqueror (Pelle erobreren)

***1/2

Director – Billie August – 1987 – Denmark – Cert. 15 – 157m

Winner of Best Foreign Language Film at the 1988 (61st) Oscars

—

This double review originally appeared in the Church Times.

JEREMY CLARKE ON VIDEO

Comments on Social and Religious Austerity.

Social hardship and religious severity have long been an artistic staple in Scandinavian films; two current video releases illustrate the point admirably. Pelle, the young lad of Pelle The Conqueror, is told he can conquer the whole world by his father (Max Von Sydow).

The turn of the century reality is less attractive, since the Swedish father and son are forced by economic necessity to migrate to neighbouring Denmark in search of farm labouring work. In Denmark, the boy boy struggles to keep his dreams alive despite local anti-Swede prejudice.

The tale and its setting strike a curious parallel with Babette’s Feast, in which Parisian refugee of the 1871 Communard uprising Babette (Stephan Audran) arrives in the Jutland Danish coastal region to seek refuge.… Read the rest