Categories
Animation Features Movies

Detective Conan
The Million-Dollar Pentagram
(Meitantei Konan
Hyakuman Doru
no Michishirube,
名探偵コナン
100万ドルの五稜星)

Director – Chika Nagaoka – 2024 – Japan – Cert. 15 – 111m

****

Spin-off from a hugely populardetective mystery manga and anime franchise – and Japan’s biggest box office success of 2024 – impresses on the level of eye-candy provided you don’t attempt to follow the overly convoluted plot – out in UK cinemas on Friday, September 27th

Japanese property Detective Conan is huge, running as a serialised manga in Weekly Shonen Sunday for 30 years, and turned into an anime series two years after that. By 2024, the manga has been collected into over a hundred volumes, while the franchise has spawn both animated and live action features among other things. The current film is the 27th animated feature, and at the time of writing is the biggest film at this year’s Japanese box office.

It may not be a good place to start with the franchise. Unlike Spy x Family Code: White (Kazuhiro Fusuhashu, Takashi Karagiri, 2023), which does a surprisingly effective job at getting the newcomer up to speed on a well-established anime franchise, Detective Conan: The Million-Dollar Pentagram doesn’t bother to explain its characters and their complex network of relationships, so you may find yourself completely lost before it starts throwing its increasingly convoluted plot developments at the viewer (as it does almost immediately with disorienting speed).… Read the rest

Categories
Features Live Action Movies

KIBA:
The Fangs Of Fiction
(Damashie
No Kiba,
騙し絵の牙)

Director – Daihachi Yoshida – 2020 – Japan – 112m

*****

Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, Hirokazu Kore-eda, 2018; A Silent Voice, Naoko Yamada, 2016; Lesson Of Evil, Takashi Miike, 2012; Love Exposure, Sion Sono, 2008), daughter of local bookstore owner Takano (Shinya Tsukamoto), is as dedicated an editor as you’ll find anywhere in publishing. Alas, she lacks the political savvy needed to survive in its ruthless, corporate, dog-eat-dog world. When the owner of the publishing company Kunpu which employs her dies unexpectedly, she finds herself caught up in the machinations of a large organisation where some employees resist change while others plan to completely reinvent the business model to ensure the company’s survival, possibly at the expense of some of its employees.

Thus it is that new CEO Tamatsu (Koichi Sato from Fukushima 50, Setsuro Wakamatsu, 2020; Sukiaki Western Django, Takashi Miike, 2007; Where The Last Sword Is Drawn, Yojiro Takita, 2002) comes in with plans to restructure the company.… Read the rest