Tag: tuberculosis

Orwell: 2+2=5

Post author By Jeremy Clarke
Post date 27 March 2026
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Director – Raoul Peck – 2025 – UK – Cert. 15 – 119m

****1/2

A primer on the life and work of George Orwell, particularly Nineteen Eighty-Four, and its relevance to today’s post-truth world – out in UK cinemas on Friday, March 27th

This belongs to the school of documentary which creates a film out of assembling fragments of movies, found footage, archive clips and images, moving or still. The list of feature films and other source material used in this instance is astonishing, with the director given full access to the Orwell Estate. Peck also makes use of clips from various movie adaptations of Nineteen Eighty-Four (Paul Nickell, 1953; Rudolph Cartier, 1954; Michael Anderson, 1956, Michael Radford, 1984) plus Brazil (Terry Gilliam, 1985), a film so heavily inspired by Orwell’s book that it was originally entitled 1984½, and Animal Farm (John Halas, Joy Batchelor, cartoon animated feature, 1954; John Stephenson, Jim Henson Creature Shop, 1999; illustrations by Ralph Steadman, 1995). On top of this, he uses BBC Drama The Crystal Spirit: Orwell on Jura (John Glenister, script: Alan Plater, 1983) and Orwell’s essay Why I Write (1946).

These last two are particularly pertinent, given that Peck has chosen to focus on the final year (1949-50) of Orwell’s life during which he took himself off to the Island of Jura, Scotland to finish writing Nineteen Eighty-Four and was subsequently admitted to University College Hospital, London with Tuberculosis.… Read the rest

Tags alter reality, Animal Farm, archive, atrocities, bad conscience, Berlin, book-burning, books banned, Burma, Chile, Damian Lewis, dictatorships, Eric Arthur Blair, found footage, four fingers, Freedom is Slavery, Gaza, George Orwell, Germany, governments, health issues, Ignorance is Strength, imperialism, Indian Imperial Police, Israel, Jura, lies and truth, London, machinery of despotism, manipulate, marching geese, Mariupol, military parades, Myanmar, Nazi Germany, Netenyahu, Newspeak, Nineteen Eighty-Four, ordinary lying, Orwell, Orwell Estate, Orwell: 2+2=5, Outpost of Empire, political language, political predilection, post-truth, POUM, propaganda footage, Putin, Raoul Peck, Ronald Pickup, Russia, Scotland, slogans, Spanish Civil War, storming the White House, the Party, totalitarian states, Trump, tuberculosis, Ukraine, University College Hospital, US, war effort, War is Peace

Features Live Action Movies Music

The History of Sound

Post author By Jeremy Clarke
Post date 23 January 2026
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Director – Oliver Hermanus – 2025 – UK, US – Cert. 15 – 128m

****

A Kentucky man falls for a music professor in Boston and accompanies him on a field trip recording folk songs – out in UK cinemas on Friday, January 23rd

In 1917, having grown up on a farmstead in rural Kentucky and his remarkable singing voice being noticed by a local schoolteacher, Lionel Worthing (Paul Mescal from Hamnet, Chloé Zhao, 2025; Gladiator II, Ridley Scott, 2024; All of Us Strangers, Andrew Haigh, 2023) gets a student scholarship to Boston’s New England Conservatory of Music. One Saturday evening in a Boston pub with friends, he makes the acquaintance of David White (Josh O’Connor from La Chimera, Alice Rohrwacher, 2023; Mothering Sunday, Eva Husson, 2021; The Crown, TV series, 2019-20; God’s Own Country, Francis Lee, 2017) who is playing folk songs on the piano and, it turns out, is a tenured academic with an obsessive hobby: travelling around the country collecting, recording and cataloguing folk songs. David has what Lionel describes as the sound equivalent of a photographic memory: he can remember word for word and note for note, any song sung in his presence.… Read the rest

Tags 1910s, 1920s, 1980s, abusive relationship, academic holidays, army, assistant, bereavement, Boston, Briana Middleton, call up, catalog, catalogue, choir, Chris Cooper, church choir, collect, college, community, coughing, countryside, death of mother, Dion Graham, drafted, Emma Canning, England, ethnic, ethnomusicologist, eviction from the land, family farm, farm, field trip, fireman, folk songs, Frist World War, gay relationship, Hadley Robinson, hobby, indigenous, indigenous folk songs, Italy, Josh O’Connor, Kentucky, Lake District, letter, LGBTQ, LGBTQI, mail, Maine, Malaga Island, Michael Schantz, military draft, mixed black and white ethnic, Molly Price, mothers and sons, music, musicologist, negro spiritual, New England Conservatory of Music, obsession, Oliver Hermanus, Oxford University, paper candle, parents and children, Paul Mescal, performing, photographic memory: Silver Dagger, pianist, piano, police, policemen, poor people, porch, post-WW1, promote a book, pub, record, recording, relationships, Rome, rural, rural and urban, scholarship, sex, shell shock, socialite, song, song gathering, spiritual, stately mansion, student, suitcase, sweet-talking, tent, tenured academic, the happiest time of your life, The History of Sound, travelling, truncheon, tuberculosis, TV appearance, UK, US, war, wax cylinders, wax phonograph cylinders, widow, working the fields, World War 1, World War I, World War One, WW1

Features Live Action Movies

Bright Star

Director – Jane Campion – 2009 – UK – Cert. PG – 119m

*****

The early nineteenth century romance between prospectless young poet John Keats and the younger Fanny Brawne – in cinemas from Friday, November 6th 2009

Bright Star‘s title comes from an 1819 love poem written by 23-year-old John Keats for 18-year-old Fanny Brawne, his next door neighbour. The poet (historical spoiler coming) contracted tuberculosis and died at the tender age of 25, before the couple could be married. Brawne subsequently mourned him for several years.

As you might expect from a filmography including both The Piano and In The Cut, Jane Campion is never one to match standard expectations and often overturns them to advantage.

There is scarce little (verbal) poetry here either spoken by the actors onscreen or in voice-over. The source materials are Andrew Motion’s biography Keats and the poems themselves. Reading Motion’s book, Campion was very taken with his material on the love relationship between the poet and Brawne and thought there could be a film there. Without any real idea as to how such a film would work at the time. She eventually opted for telling the couple’s story through the eyes of the girl.… Read the rest

Tags Abbie Cornish, Andrew Motion, Ben Whishaw, Fanny Brawne, houses, Jane Campion, John Keats, Kerry Fox, love affair, nineteenth century, poet, romance, tuberculosis, UK