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Pharaoh
(Faraon)

Director – Jerzy Kawalerowicz – 1966 – Poland – Cert. 12 – 152m

*****

The reformist zeal of a youthful heir to the Ancient Egyptian throne confronts the immovable conservative tradition of the priesthood of the god Osiris – on Blu-ray from Monday, September 16th

There is nothing else in cinema quite like Pharaoh. That was my impression watching it, and although in such instances you always wonder if there are films of which you’re unaware that lie in a similar vein, this impression is confirmed by watching the Blu-ray’s excellent, 70 minute-odd afterword by critic, curator and scholar Michal Oleszczyk, which contextualises the film by detailing (1) the source novel by Boleslaw Prus, (2) its place in director Kawalerowicz’s wider body of work, which also includes Mother Joan of the Angels (1961) and (3) its significance in both 1960s international film culture and wider Polish history.

This disc extra isn’t meant to be watched until after the film has been viewed, not least because it contains a number of spoilers, so I’ll say no more about it in this review except to say that it’s an excellent and worthwhile extra that will add much to the viewer’s appreciation of the film.… Read the rest

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The Count of Monte Cristo
(Le Comte de Monte-Cristo)
(2024)

Directors – Alexandre de La Patellière, Matthieu Delaporte – 2024 – France – Cert. 12a – 173m

*****

An innocent Frenchman framed and imprisoned as a Napoleonic partisan escapes to impose justice on his false accusers – new Dumas adaptation is out in UK cinemas on Friday, August 30th

There have been numerous adaptions of The Count of Monte Cristo for the screen, not to mention radio and other media, over the years; this latest one is directed by the screenwriters of The Three Musketeers: D’Artagnan and The Three Musketeers: Milady (both Martin Bourboulon, 2023), who clearly have a strong feel for Alexandre Dumas’ works.

Much of what’s here is familiar: shortly after the fall of Napoleon, on the day of his wedding to sweetheart Mercédès (Anaïs Demoustier from The New Girlfriend, François Ozon, 2014), ship’s crew member Edmond Dantès (Pierre Niney from Frantz, François Ozon, 2016) is arrested for Bonapartism, falsely accused by another crew member Danglars (Patrick Mille from the two 2023 Three Musketeers movies and Love Crime, Alain Corneau, 2010). Neither the crown prosecutor Villefort (Laurent Lafitte) nor Dantès’ friend Fernand de Morcef (Bastien Bouillon from Jumbo, Zoé Wittock, 2020) refute these allegations, although both know them to be untrue, since both have their own reasons for doing so: the prosecutor because Dantès could unwittingly ruin him, Fernand because he too is in love with and wishes to marry Mercédès.… Read the rest

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La Chimera
(La Chimera)

Director – Alice Rohrwacher – 2023 – Italy – Cert. 15 – 133m

***

In an attempt to come to terms with his past, an ex-con returns to his home town, where he previously used to rob ancient artefacts from burial sites and graves – out in UK cinemas on Friday, May 10th

I wasn’t exactly sure what I was going to get in La Chimera, and after watching it, I was none the wiser. Arthur (Josh O’Connor) comes out of prison and gets the train back to Tuscany. He meets some girls on a train, and the profile of one of them reminds him of decorative Etruscan art. He has a run in with a sock salesman, who tells him he smells.

Getting off the train, he tries hard not to be picked up by an old mate, who wants to take him to see a bunch of friends. He’s been in prison for grave-robbing and doesn’t want to get back into that game. Instead, he returns to the house of his deceased (or at least presumed deceased|) girlfriend Beniamina, where her mother Flora (an unrecognisable Isabella Rossellini) refuses to believe that Beniamina has gone. While Flora welcomes him with open arms, and introduces him to her maid and singing pupil Italia (Carole Duarte), she’s happy to be there.… Read the rest