sleuth Archives - Jeremy C. Processing

Detective Conan
The Million-Dollar Pentagram
(Meitantei Konan
Hyakuman Doru
no Michishirube,
名探偵コナン
100万ドルの五稜星)

Director – Chika Nagaoka – 2024 – Japan – Cert. 15 – 111m

****

Spin-off from a hugely populardetective mystery manga and anime franchise – and Japan’s biggest box office success of 2024 – impresses on the level of eye-candy provided you don’t attempt to follow the overly convoluted plot – out in UK cinemas on Friday, September 27th

Japanese property Detective Conan is huge, running as a serialised manga in Weekly Shonen Sunday for 30 years, and turned into an anime series two years after that. By 2024, the manga has been collected into over a hundred volumes, while the franchise has spawn both animated and live action features among other things. The current film is the 27th animated feature, and at the time of writing is the biggest film at this year’s Japanese box office.

It may not be a good place to start with the franchise. Unlike Spy x Family Code: White (Kazuhiro Fusuhashu, Takashi Karagiri, 2023), which does a surprisingly effective job at getting the newcomer up to speed on a well-established anime franchise, Detective Conan: The Million-Dollar Pentagram doesn’t bother to explain its characters and their complex network of relationships, so you may find yourself completely lost before it starts throwing its increasingly convoluted plot developments at the viewer (as it does almost immediately with disorienting speed).… Read the rest

Detective Chinatown 3
(Tang Ren
Jie Tan An 3,
唐人街探案3)

Director – Chen Sicheng – 2021 – China – Cert. 15 – 136m

****

The Chinese franchise’s super-sleuth and bumbling sidekick join forces with their Japanese and Thai counterparts in Japan – out in cinemas on Tuesday, January 25th and 26th only

No sooner have the brilliant crime-solving sleuth Qin Feng (Liu Haoran) and his likeable if barely competent sidekick Tang Ren (Wang Baoqiang) flown in to Tokyo and met their contact there, the sharp and colourful Hiroshi Noda (Satoshi Tsumabuki), than they find themselves embroiled in one of the most seriously bonkers action sequences in the movies in recent years when members of (at least) two gangs suddenly attack in the airport to the inspired accompaniment of the pop song ‘Welcome To Tokyo’ (which gets rolled out again for a cheerful, cast of thousands, song and dance routine accompanying the end credits). Extensive mayhem ensures. A man rolls down a long flight of steps in an oil drum. Two groups of smartly uniformed and skirted women do battle (one group in red, one in blue – stewardesses from rival airlines, perhaps?). Workmen in hard hats and overalls descend from scaffolding to join the melee.

Knowing this will be an impossible act to follow, the film then throws in a pursuer Jack Jaa (Thai martial arts sensation Tony Jaa from Ong-bak, Prachya Pinkaew, 2003) on the Tokyo subway before having the trio flee him on go-karts while he comes unstoppably and hilariously after them by stealing a child’s bicycle with tiny wheels.… Read the rest