Tag: new flesh

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Animation Features Live Action Movies Shorts

Tsukamoto
–
Killing
(Zan, 斬、)
–
Haze
(ヘイズ)
–
The Adventures
of Denchu Kozo
(Denchu Kozou
no Boken,
電柱小僧の冒険)

Killing (Sawamura)

Director – Shinya Tsukamoto – 2018 – Japan – Cert. 18 – 79m

***

[Update: The Adventures of Denchu Kozo streams on the Arrow Channel from Friday, May 3rd 2024.]

The Adventures of Denchu Kozo (Denchu kozo no boken)

Director – Shinya Tsukamoto – 1987 – Japan – 45m

****

Haze

Director – Shinya Tsukamoto – 2005 – Japan – Cert. 15 – 48m

*****

Shinya Tsukamoto’s latest feature, the samurai movie Killing comes to UK Blu-ray in a two-disc edition, along with two fascinating shorts: the Super-8 epic The Adventures of Denchu Kozo and the later masterpiece Haze. All three feature informative audio commentaries by Tom Mes, author of Iron Man: The Cinema of Shinya Tsukamoto (2005). The director is probably best known for cyberpunk epics Tetsuo: The Iron Man (1989) and its sequel/reboot Tetsuo II: Body Hammer (1992) which concern the fusion of flesh and metal into a new evolutionary human weapon form. His new film similarly explores the samurai and his metal blade becoming as one in a deadly human fighting machine. Read the rest…

Review published in All The Anime.

Categories
Animation Features Live Action Movies

Tetsuo:
the Iron Man
(Tetsuo,
鉄男)

Director – Shinya Tsukamoto – 1989 – Japan – Cert. 18 – 67m

*****

On Arrow Channel from Friday, September 22nd.

Previously on BFI Player as part of Japan 2020.

This review originally appeared in Manga Mania.

A metals fetishist (played by director Shinya Tsukamoto) inserts a metal tube into his leg and the resultant infection causes him to run through the streets where he’s run over by a car. A jazz sax score and the words “new world” accompany his passage into to what appears to be another dimension, from which he proceeds to terrorise an unfortunate woman on a subway platform, possessing her hand by metallicising it with spare parts.

The car’s driver, sitting next to her on the platform – who has already discovered a miniscule electronic component on his face while shaving – is pursued by the possessed woman. Later, the driver is sodomised by his girlfriend’s mechanical penis before his own penis develops into a lethal drill.

Flashbacks reveals the pair copulating in the park just after the hit-and-run accident. As he becomes more and more metallicised, he finds himself locked in combat with his crash victim, and the two eventually become fused into one, accompanying their birth into the New World.… Read the rest

Categories
Animation Features Live Action Movies

Tetsuo II:
Body Hammer
(鉄男II
Body Hammer)

Director – Shinya Tsukamoto – 1992 – Japan – Cert. 18 – 83m

*****

The Iron Man Tetsuo is back… and this time, he’s got a wife and child – sequel to the cyberpunk classic was first released November 10th 1992, when this review appeared in Manga Mania.

On Arrow Channel from Friday, September 22nd.

Where Tetsuo: The Iron Man is shot in raw black and white, Tetsuo II: Body Hammer‘s bigger budget enables a thematic reworking with not only colour film stock but also vast improvements in special effects technique (although these retain the no-budget, hands-on quality that renders them so compelling). The sleazy sexual imagery is jettisoned, the terrorized salaryman (Tomoroh Taguchi again) paired with more respectable wife Kana (played by Nobu Kanaoka, Iron Man’s subway attacker) replacing the terminally randy girlfriend. The couple now have a young child.

Tetsuo II thus launches its attack on nuclear family rather than single salaryman, with the infant kidnapped (and subsequently rent asunder) before his eyes early on in the proceedings by muscle-bound heavies hailing from the local smelting factory (occasioning much imagery of both high fetishist body building and equally high temperature molten metal varieties). Once again, Tsukamoto himself plays one of the salaryman’s opponents, on both occasions wearing a vest marked with an “X”.… Read the rest

Categories
Animation Features Live Action Movies

Tokyo Fist
(東京フィスト)

Director – Shinya Tsukamoto – 1995 – Japan – Cert. 18 – 87m

*****

Shinya Tsukamoto ventures outside his Tetsuo trappings to deliver further explorations of the ‘New Flesh’ in boxing movie garb.

On Arrow Channel from Friday, September 22nd.

This review is an amalgam of my reviews for What’s On In London and Manga Mania.

Right from its opening angled camera of gym sparring partners, everything about apparent boxing movie Tokyo Fist is relentless. Apparent because this is the latest highly idiosyncratic offering from Japanese filmmaker Shinya Tsukamoto, the crazed genius behind the brilliant if unhinged Tetsuo films. Don’t be fooled by the boxing gloves – this is another round in the director’s ongoing engagement with the ‘New Flesh’, minus the science-fictional surface trappings.

Underpinned by another memorable Chu Ishikawa score, it opens in typically bravura fashion with slanted tracking camera shots of sparring partners in a gym, morphing moments later into a visual wipe in the manner of a knockout punch as a fist hurtles towards the viewer and the images disintegrates via a stop-motion iris constructed of offal.

The plot has an insurance salesman whose career is foundering run into an old school friend who is now a professional boxer.… Read the rest

Categories
Animation Features Movies

Akira
(アキラ)
4K
(IMAX)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen in a brand new 4K IMAX print – plays in the BFI Japan 2021 season in December and the Anime season April / May 2022 at BFI Waterloo IMAX #AKIRA4K

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest

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Features Live Action Movies

Possessor

The irredeemable flesh

Possessor
Directed by Brandon Cronenberg
Certificate 18, 103 minutes
Released 27 November

The controversial director David Cronenberg has long been an exponent of something he calls ‘the new flesh’, ways that humanity might transcend its bodies. His son Brandon is the same, his new film Possessor concerning the world of cybernetic industrial espionage. Tasya Vos (Andrea Riseborough) is an assassin working for a company run by Girder (Jennifer Jason Leigh), which injects her consciousness into other people as host personalities so that, wearing the clothing of their minds and bodies, she can kill designated targets before being extracted…

His father’s notorious Crash (1996) was restored for reissue in November… [Read more]

Read the full review in Reform.

Read my alternative review here.

Trailer:

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review was originally published in the Arts Centre Group‘s member’s newsletter. See also my review for What DVD.

All stills from Crash apart from the one from Videodrome.

Canadian film director David Cronenberg has a reputation for filming the unfilmable. Formerly dubbed The King Of Venereal Horror (“a small kingdom but I’m happy with it”), his debut (commercial) feature Shivers / The Parasite Murders / They Came From Within (1977) is a low budget horror outing in which high rise tenants are invaded/possessed by little slug-like creatures resembling a bloody cross between phallus and faeces.

For renowned British producer Jeremy Thomas (Bad Timing, The Last Emperor, First Love) he has adapted and directed books considered impossible to turn into movies, notably William Burroughs’ Naked Lunch (in 1991) and J.G.Ballard’s Crash.

I was first drawn to Cronenberg’s work from the special effects angle, specifically an article on prosthetics expert Rick Baker which contained some amazing production stills (the shape of a hand-held gun pushing through the unbroken membrane of a television screen) from Videodrome (1983). An image suggesting television can kill?… Read the rest

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Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

UK PAL laserdisc review.

Originally published in London Calling Internet. See also my reviews in Film And Video – The Magazine and What’s On In London.

Distributor Pioneer LDCE

Cat No: PFLEB 30781

£9.99

BBFC Certificate 18

Running Time 85 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (Roy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Julian Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis).… Read the rest

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Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in What’s On In London. See also my reviews in Film And Video – The Magazine and London Calling Internet.

INSECT POLITICS

Watching David Cronenberg’s film of William Burroughs’ novel The Naked Lunch, it becomes clear that the two men share a bizarre sensibility for what the protagonist of the director’s earlier remake of The Fly (1985) described as “insect politics”.

To film Burroughs’ “unfilmable” work, Cronenberg adopts the strategy of incorporating biographical details from the writer’s life into an overall fabric also comprising elements from a number of Burroughs’ books. Hence, the “accidental” shooting of his wife at a party (Burroughs was high at the time) jostles with insect typewriters turning into sex blobs (here pink, dog sized insects with prominent flattened buttocks) and animatronic Mugwumps working for the Interzone network.

Once again, Cronenberg is shown as a master not only at directing both actors and special effects but also in his sheer command of filmic vocabulary. The sequence where Joan Lee (Judy Davis) is startled by husband Bill’s “William Tell Routine” going wrong and getting her shot (he takes out his gun after she’s balanced a glass on her head) is as unforgettable as it is unsettling.… Read the rest

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest