Tag: narrative

Categories
Documentary Features Movies

Gunda

Director – Victor Kossakovsky – 2020 – US, Norway – Cert. PG – 93m

*****

Strangely compelling naturalistic, black and white documentary Gunda, follows the lives of a sow and her litter on a farm – in cinemas from Friday, June 4th and now available to rent on BFI Player and Curzon Home Cinema

Break it down to its fundamental elements and cinema is sound and image. You can impose narrative on it. You can make a script and construct a story bolstered up by production design and soundtrack music. All that is an add on. You can throw most or all of that out, pick a subject you believe to be worthwhile and go out and shoot a documentary of it. In the current case, seasoned documentary film maker Kossakovsky has spent 30 years trying to find a producer who believed in this film enough to help him get it made.

Its subject is the lives of farm animals, and while these include one sequence featuring cows and another involving chickens, its main character is a pig. There are no spoken or written words in the film outside the written credits and the name Gunda visible at the start. The images are in black and white – they were shot in colour, which was then removed to cull the cuteness of the pink pigs.… Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

Categories
Animation Movies Shorts

The Fox
And The Pigeon

Director – Michelle Chua – 2019 – Canada – 6m

*****

From the Annecy 2020 Online Animation Festival

This starts off opening a children’s book cover for a tale about, you’ve guessed it, a fox and a pigeon. In the time honoured tradition of such books, there are illustrations and words (in rhyming couplets) on the page. And like so many animated films, the characters move and come to life while the author acts as a narrator and reads the words.

What’s different about The Fox And The Pigeon is that while the characters want to live their own story – screenwriters often say that as they write they feel their characters talking to them and dictating the direction things should go – the narrator has other ideas and tries to impose his own narrative upon them. The fox finds a coin and buys an ice cream cone. Sitting on a park bench, he’s aware of the pigeon, who clearly wants to share the ice cream. But, intones the author reading his words, “why would a fox want to share with a pigeon?”

As the tale plays out, the author becomes increasingly vindictive, wanting the two characters to conflict with one another, to the point of one killing the other.… Read the rest